July 2019 – Page 4 – PopCult Reviews

TV Review – Stranger Things Season 3

Stranger Things Season 3 (Netflix)
Written by Matt Duffer, Ross Duffer, William Bridges, Kate Trefry, Paul Dichter, and Curtis Gwinn
Directed by Matt Duffer, Ross Duffer, Shawn Levy, and Uta Briesewitz

When the 1980s is referenced in modern popular media it is typically with bright neon colors and pop music, nods to Ghostbusters, Goonies, and Gremlins, the sound of Mario snatching a coin backed by synthesizers. When did the 1980s as an aesthetic and unique cultural touchpoint begin? The early 1980s are naturally a carryover of the late 1970s but when did this decade come into its own? 1985 is a reasonable touchpoint; when the color got turned up, and the consumption of the Reagan era went into full swing. If you noticed a marked difference in the look and feel of Stranger Things, you wouldn’t be wrong. This third season is unashamedly dripping in its time, arguably more so than the previous seasons. This is also the most cohesive season if we look at the plot structure with very clear throughlines that bring us to a conclusion. There’s not a lot of character downtime, for better or worse.

Movie Review – Spider-Man: Far From Home

Spider-Man: Far From Home (2019)
Written by Chris McKenna and Erik Sommers
Directed by Jon Watts

Spider-Man is a character who has many phases in his life, unlike Batman and Superman, who are static in their development for the most part. Right now Superman is married with a son in the comic books, yet I anticipate the time will come where the reset button is hit, and that is erased. While many a Robin has come and gone and developed in their unique ways, Batman is never changing, always returning to his starting position. When looking over Peter Parker’s life, there are the high school years, the college years, the married years; the shivers clone saga and eventual reset, the successful businessman phase. Parker is dynamic and grows yet for the movie-going public nothing quite beats high school Spider-Man. He is reflective of our foibles and awkwardness, forced to choose between a normal life and one as a hero.

Movie Review – Midsommar

Midsommar (2019)
Written & Directed by Ari Aster

Ari Aster proves doubters wrong with his sophomore feature, a return to familiar themes of family and grief centered around pagan ritual. In contrast to the dark, emotionally volatile tone of Hereditary, Midsommar presents itself with a bright yet neutral atmosphere. Aster manages to tackle romantic relationships and their conflicts with the same sure hand he brought to examining the bleak inner workings of dysfunctional families. There’s a sense of hypnosis as we journey into the world of this film, a warm uncertainty, feeling doubts about treading further only to be nudged forward by a deceptively friendly hand. Before you know it, we are too far along to turn back and can only grimace at the horrors played out before our eyes.

Spider-Man Films Ranked

Since May 2002 there have been seven Spider-Man films released in theaters, not to mention his appearances in Civil War, Infinity War, and Endgame. He’s been the star of dozens of animated television series and the star of multiple comic book titles since 1962. With the latest film hitting theaters, I thought I would give the movies my rankings.

Comic Book Review – 52 Book One

52 Book 1
Reprints 52 #1-13
Written by Geoff Johns, Grant Morrison, Greg Rucka, and Mark Waid
Art by Keith Giffen, Joe Bennett, Chris Batista, Ken Lashley, Eddy Barrows, Shawn Moll, and Todd Nauck

After Infinite Crisis, the “holy trinity” of heroes (Superman, Batman, Wonder Woman) were written out to deal with a variety of personal struggles. To compensate for this and not wanting sales to dip the month following Infinite Crisis, all ongoing titles were given a banner of “One Year Later.” With this time jump, we got to see what the new status quo was for the marquee title characters. However, this left a year of the DC Universe unknown and to fill that gap in an experimental series was commissioned. 52 ran for fifty-two weeks, telling the story of the lost year in “real-time.” Each issue takes places over the course of a week with text boxes informing the reader about which day of the week it is. Because of this conceit, many stories have to have minor events take place off-panel and get referenced in dialogue. For instance, a new character introduced in around half-way through joins the Teen Titans and fights alongside them for a few months. That all happens out of the reader’s view, and it’s not essential to the core stories being told. It does, however, make sure things feel inconsequential because once 52 wrapped up and because it is focused on lesser tier characters, much of this gets forgotten.