Marnie (1964) Written by Jay Presson Allen Directed by Alfred Hitchcock
All good things must come to an end. Marnie would mark the downturn of Alfred Hitchcock’s directorial career. He’d just come off a fantastic streak of films: Vertigo, North by Northwest, Psycho, The Birds. That many consecutive movies that immediately became iconic is quite an achievement, so it is a little unfair that critics turned their noses up so hard at what Hitch released for the rest of his career. On the other hand, he set the standard so high that we expect something brilliant. Marnie has all those things you expect in a Hitchcock movie but done so much more clunkily, with a deep strain of misogyny boring through the entire production. In some ways, Marnie is Hitch letting the mask slipping and showing too much of his true self to us.
The Birds (1963) Written by Daphne du Maurier & Evan Hunter Directed by Alfred Hitchcock
The Birds is unlike any Hitchcock film I have ever seen. Three years after shocking audiences with Psycho, a film that is also slightly off from most of the director’s work but still sharing some psychological traits, we get this straight up man versus nature horror film. The first half is very slow, almost a comedy-drama, and every once in a while, we get a hint that something is off. Then the second half hits, and the film slides into total chaos. What we get is what I see as a reasonably angry film that expresses some of Hitchcock’s misanthropy in horrifying and comedically absurd ways.
Doctor Zhivago (1965) Written by Robert Bolt Directed by David Lean
Coming off the meteoric success of Lawrence of Arabia, David Lean desired to make a film more romantic & relationship-centered, a counter to Lawrence’s epic war themes. However, Hollywood now saw him as a filmmaker of sprawling bombastic movies. Doctor Zhivago, based on the worldwide bestseller by Boris Pasternak. Originally, Omar Sharif signed on with the expectation of playing Pasha, while Lean wanted Peter O’Toole as the lead again. O’Toole opted out, and so Lean asked Sharif to play the lead part. On December 22, 1965, just in time for Christmas, Doctor Zhivago was released in theaters and became one of the highest-grossing movies of all-time.
Lawrence of Arabia (1962) Written by Robert Bolt & Michael Wilson Directed by David Lean
In the 19th century, Scottish philosopher Thomas Carlyle gave a series of lectures positing the great man theory. This belief is that history is simply the impact of a series of great men who were highly influential and better than the ordinary person. This was attributed to some innate superiority or divine providence. This has become a well-deserved point of contention in modern history discourse as it’s become clear that white men did a very efficient job of suppressing the accounts and perspective of women, black people, and other non-white, LGBTQ+ people that lived alongside them. T.E. Lawrence was definitely seen as a great man, but David Lean’s controversial film about the historical figure explores that the myths and stories did not match the reality.
How the Grinch Stole Christmas (1966) Written by Dr. Seuss Directed by Chuck Jones & Ben Washam
This is my favorite of the classic Christmas animated specials. When I was in the middle of my childhood, in 1988, I think that TNT bought the rights to the Grinch and aired it exclusively on their network. As stated before, I grew up without cable television, and so I’m not sure how I saw this special and remember it so well. I’d like to attribute that to how well animated and written the story is, and so it ingrained itself firmly in my memories. The special came back to broadcast in 2000 on The WB and has floated around networks like ABC and its current home NBC.
Frosty the Snowman (1969) Written by Romeo Muller Directed by Arthur Rankin Jr. & Jules Bass
By the end of the 1960s, Rankin-Bass had solidified themselves as one of the major animation companies in North America. Rudolph the Red-Nosed Reindeer began their ascent, and in 1969 they had eleven films & animated specials under their belt. This was going to continue into the 1970s but would steadily decline in the early 1980s. When Frosty hit the air, we saw Rankin-Bass at their prime. I would also say this is by far my least favorite of the popular re-aired Christmas specials, but I’ll get more into that later.
Rudolph the Red-Nosed Reindeer (1964) Written by Romeo Muller Directed by Larry Roemer
Rankin-Bass dominated holiday television for decades, yet almost none of their productions are remembered aside from this one and maybe a sprinkling of others. Rudolph was the beginning of what would become a bizarre shared universe with Santa Claus, Jack Frost, the Easter Bunny, and more. All of this would serve to inspire later work, especially A Nightmare Before Christmas, which exists as a sort of lost Rankin-Bass crossover between Halloween and Christmas. Rudolph keeps airing every year, but I wondered if it still held up as time has passed and stop-motion animation has evolved since.
A Charlie Brown Christmas (1965) Written by Charles M. Schulz Directed by Bill Melendez
This is my favorite of all the classic Christmas specials. It’s very in line with my own complicated feelings about the holiday, imbued with a sense of melancholy while still not lacking that charm you expect from these cartoons. What’s funny is upon its initial viewing for executives, they hated the cartoon. It was seen as too slow-paced, the music was off-putting (genuinely shocking to me), and they hated the animation. This shocked the creators as they were sure this would be a holiday classic from the start, and fears set in that it would never air again. Instead, the public fell in love with the story, drawn to the fact that this wasn’t a shallow feel-good Christmas story but deeper and talking about something more profound.
Psycho (1960) Written by Joseph Stefano Directed by Alfred Hitchcock
Psycho is, without a doubt, one of the most iconic films ever made. Even people who have never seen the movie have likely seen it parodied, especially the infamous shower scene. It’s interesting to note how mixed initial reviews of Psycho were. Hitchcock directed Vertigo and North by Northwest, very classy, glamorous thrillers in the two years prior. Psycho is definitely sleazy in comparison, especially the exploitative nature with which is approaches sex and violence. Hitchcock had to restrain himself to a degree, but he definitely gets away with a lot because of who he was.
Person or Persons Unknown (Season Three, Episode Twenty-Seven) Original airdate: March 23rd, 1962 Written by Charles Beaumont Directed by John Brahm
The Twilight Zone could really delve deeply into some intimately existential fears. In this episode, we meet David Gurney, a man who wakes up after late-night drinking. His wife reacts with horror, claiming she doesn’t recognize him and has no idea who he is. David thinks she’s playing a prank on him and leaves for work. But once he arrives at the bank, he finds his coworkers are in the same boat as his wife. They have never seen or heard of him before. Eventually, David ends up in a mental hospital where his doctor tries to convince him he never had this life; he seems to remember so vividly.