The French Dispatch (2021)
Written by Wes Anderson, Roman Coppola, Hugo Guinness, and Jason Schwartzman
Directed by Wes Anderson
In recent years, director Wes Anderson’s particular aesthetic has been a point of critique and parody. As someone who has enjoyed his work since first seeing Rushmore, I have to admit that his style can be very overbearing at times, and his more recent films haven’t been my favorites. However, I get the sense Anderson has been listening but isn’t going to simply give up the stylization he enjoys. Instead, he made this anthology film that embraces his personal tastes and stretches & explodes them with slight variations. As a result, I found myself starting the film with low expectations and becoming wholly charmed by its wild non-linear storytelling.
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Written & Directed by Julia Ducournau
I am going to try to spoil as little of this movie as possible because I went into it having only seen the trailers. Said trailers do an excellent job of conveying the film’s mood without giving away one iota of plot or characters. Inevitably I will give some plot details, though I plan on being as vague as I can, and I will talk about the characters to a certain extent. My goal is to entice those of you who haven’t seen it yet to take the bait and sit down and give Titane a watch (it’s currently up for rent in the iTunes store). If you enjoyed Julia Ducournau’s Raw, then you are going to love this movie.
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This is a special reward available to Patreon patrons who pledge at the $10 or $20 a month levels. Each month those patrons will get to pick a film for me to review. They also get to include some of their own thoughts about the movie, if they choose. This Pick comes from Matt Harris.
Written by Jacques Tati, Jacques Lagrange, and Art Buchwald
Directed by Jacques Tati
I had just watched this for the first time recently, but it was a close contender for my 40 Favorite Movies list. I don’t like to put recent first-time viewings on a list like that; I prefer for time to pass, to revisit the movies, and then decide if it has earned that spot. However, Playtime is one of the greatest films ever made, without a doubt. It delivers incredible cinematography, physical performances, sight gags, and production design. It’s hard to say there is much of a story here, but it doesn’t matter. The film’s title informs us that this is an exercise in cinematic play. Jacques Tati is influenced by the great physical comedians in all the best ways and distills what he learned from them into what is the closest I think we’ll ever get to Where’s Waldo on film.
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Portrait of a Lady on Fire (2019)
Written & Directed by Céline Sciamma
For the majority of the film’s runtime, we do not see a single male character on screen. In the third act, when a man is found eating breakfast in the kitchen, it is a jolt to the system, signaling that whatever has come before is over. The expectations and duties of these women must be resumed, and the life they were able to experience for a brief time is over. Portrait of a Lady on Fire is a subdued and even unsentimental look at a relationship between two women in a time where they had no future where they could stay together.
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Things to Come (2016)
Written & Directed by Mia Hansen-Løve
What we expect is not what we will get. This is a lesson for both the protagonist Nathalie and the audience. Life unfolds with surprises that are not necessarily earth-shaking but create ripples out through your day to day choices. After twenty-five years of marriage, Nathalie learns her husband is having an affair, and it’s decided with little bombast that they are divorcing. In the year that follows she has to deal with a mother that has severe depression and anxiety, her daughter gives birth to the first grandchild of the family, she struggles with her career as a philosophy professor, and reconnects with a former student.
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Written by David Birke and Philippe Djan
Directed by Paul Verhoeven
Elle is a deceptively simple film, jolting its audience by opening on the ending of a brutal assault and rape inside the home of Michele, an upper middle class older single woman. The rapist, his face covered in a ski mask, flees and Michele with almost mechanical automaticity takes a bath, puts makeup over her black eye, and goes about her day and the next with no reaction. It’s only the following evening at dinner with friends and her ex-husband that she casually reveals, trying to laugh it off, that she was raped. The viewer is meant to be unsettled by how cold Michele is through all of this with her friends and family acting as our stand-ins, utterly shocked at what happened.
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Written & Directed by Céline Sciamma
Marieme is a sixteen-year-old black teenager living on the outskirts of Paris. She learns that her school’s guidance counselor is pushing for her to follow a vocational track as her academics don’t appear to be high enough for an academic one. Marieme knows the expectations of her mother, who works as a custodian, are that she eventually go to university. In this moment of frustration, the young woman finds friendship with a trio of girls. These young women are known for getting into brawls with other women in their neighborhood, and through them, Marieme feels like she has power in an otherwise powerless position in the world. Over the course of this year, she will move from being a child into a young adult and have to face the obstacles and struggles that come along with that territory.
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April and the Extraordinary World (2013)
Written by Franck Ekinci & Benjamin Legrand
Directed by Christian Desmares & Franck Ekinci
April Franklin is a woman living in a world where history took a markedly different turn than our own. During the reign of Napoleon III, a scientist is charged with creating animal-soldier hybrids. He creates two hyperintelligent beings that escape and soon after the world’s greatest scientists and engineers begin disappearing. This impediment to progress leads to a mid-20th century where energy is still based primarily in coal and steam power. April’s parents and grandfather vanished years ago during a government crackdown, and she has been fending for herself alongside her genetically altered cat friend Darwin. The two uncover a plot to destroy humanity and the secret solution for the ultimate formula, a serum that would make all life impervious to harm.
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Written and Directed by Michael Haneke
Anne and Georges are retired music teachers enjoying the fruits of their labor, visiting former pupils who have excelled in their craft. They have a tense relationship with their daughter Eva and her English husband, but it’s not bad. Life is a beautiful natural thing. Then one morning Anne goes silent during breakfast, unresponsive to Georges’ pleas. She comes to after a moment, but the couple seeks out the opinion of their doctor. It turns out that Anne suffered a stroke, and her body will slowly degenerate as a result. We watch as Anne goes from being a vibrant, joyful octogenarian to becoming a person who is losing both their physical abilities but additionally the faculty of their mind. Georges is ever dutiful taking care of his wife and making a promise never to send her off to a home, but to keep her in their home.
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High Life (2018)
Written by Claire Denis & Jean-Pol Fargeau
Directed by Claire Denis
Monte lives aboard a spaceship, raising a baby girl by himself. How he got here is told in a series of flashbacks that reveal Monte was one of a crew of convicts, taking a deal to participate in a mission to gather data from around a black hole for alternative energy. The secondary purpose is to produce a child via artificial insemination to study the effects of conception and development in space. As the crew gets further from Earth and the realization of their fate sets in they begin to lose their minds and lash out at each other. As we can see from the framing device, Monte will be one of only two who makes it, but what lies ahead for him and this child.
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