Movie Review – The Candidate

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The Candidate (1972)
Written by Jeremy Larner
Directed by Michael Ritchie

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Marvin Lucas is an election specialist looking for a viable Democratic candidate to oppose incumbent California Republican Crocker Jarman. Lucas finds his candidate in Bill McKay, a lawyer, and advocate for some liberal causes (labor, desegregation, environmentalism). McKay is promised that Jarman will inevitably win and the young man can speak his mind. Lucas just wants an opposing voice in the race. However, McKay begins to find himself being tweaked and shaped by a political machine that is interested in appealing to an open center. This results in the lawyer speaking platitudes he fundamentally disagrees with. As the countdown nears to election day, McKay finds himself increasingly at odds with Lucas and his poll numbers rising.

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Movie Review – The Post

The Post (2018)
Written by Liz Hannah and Josh Singer
Directed by Steven Spielberg

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In 1971, portions of a U.S. government commissioned classified report on their involvement in Indochina were sent to the New York Times. The Times was the first outlet to publish an article on the content which led to the Nixon White House slapping them with an injunction. Meanwhile, another portion of the document was dropped on a desk in the newsroom of the Washington Post. Editor-in-Chief Ben Bradlee sees this as the Post’s moment to move from a local D.C. paper to a national force in the news. Owner Katharine Graham is hesitant when she finds out, being told this could damage the legacy of her family. The Post has just gone public on Wall Street, and the board of directors fears massive damage financially. Graham is also a lifelong friend of people who will be implicated in flawed U.S. foreign policy like Lyndon Johnson and Robert McNamara. She must make a decision about what to do next and deal with the repercussions that result.

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Movie Review – The Battle of the Sexes

The Battle of the Sexes (2017)
Written by Simon Beaufoy
Directed by Jonathan Dayton & Valerie Faris

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It’s 1973 and Billie Jean King is the first female athlete to make $100,000. She is right in the midst of her reign as the queen of the court. On the flipside is Bobby Briggs, 55, a former tennis champion for a brief moment in the late 1930s/early 1940s. He is also a gambling addict but one who wins more often than loses. Briggs gets the idea to play into the women’s lib movement of the time and hype himself as the ultimate male chauvinist, all in a bid to put on the Battle of the Sexes. This match would pit Briggs against King and help fill his pockets with endorsement money as well as build attention for U.S. Tennis. Meanwhile, King is dealing a personal revelation that will shake her life and her career.

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Movie Review – A Glimpse Inside the Mind of Charles Swan III

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A Glimpse Inside the Mind of Charles Swan III (2013)
Written & Directed by Roman Coppola

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Charles Swan III (Charlie Sheen) is a successful graphic designer who has just been dumped by his girlfriend, Ivana. The aftermath has him ending up in the hospital being told to watch his stress. His sister, best friend, and business manager (played by Patricia Arquette, Jason Schwartzman, and Bill Murray respectively) come to his aid, assuaging his ego while he loses himself in flights of fancy. Charles finds his emotions ping-ponging between loving and hating Ivana, unable to make a clean break with her. He begins to suspect she is seeing someone else and gets into a series of unfunny predicaments to discover the truth.

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PopCult Book Club November ’17 Announcement

J-RThe book up for this month is one I started last month because I knew I would need extra time to finish it. The book is JR by William Gaddis, written in almost entirely dialogue with no scene breaks or chapters, and coming in at 726 pages. Published in 1975, JR tells the story of Edward Bast, a composer working as a school music teacher. He befriends 11-year-old JR Vansant. JR appears to be an economic savant, and without Bast realizing it he is pulled into the young man’s capitalist machinations. A novel that feels like the cacophonous and biting satirical work of filmmaker Robert Altman.

Movie Review – Invasion of the Body Snatchers (1978)

Invasion of the Body Snatchers (1978, dir. Philip Kaufman)

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Elizabeth Driscoll (Brooke Adams) is convinced something is wrong with her boyfriend Geoffrey. His behavior has changed overnight, and she witnesses him meeting with strange people across San Francisco. She seeks out help from her coworker at the city’s Department of Public Health, Matthew (Donald Sutherland) and the two unravel a dark conspiracy that threatens the future of humanity. Along with friends Jack and Nancy (Jeff Goldblum, Nancy Cartwright), they soon find themselves up against a menace that is growing and in turn becoming increasingly unstoppable.

Invasion of the Body Snatchers was a remake of the 1956 classic which in turn was an adaptation of the 1955 novel The Body Snatchers. It’s a classic tale that has been in turn remade many times over (Body Snatchers, The Invasion) and has always served an allegory for some sort of societal strike. The original film adaptation was influenced by the McCarthy Hearings the hunt for communists in America. For the 1978 version, there is a sense of Watergate on the edges of the script. There’s also the overall sense of malaise that came out of The Me Generation and disconnection from others as a person became focused on self-fulfillment. This can be seen most overtly in the bookstore scenes with Dr. Kibner (Leonard Nimoy), a pop psychologist who advises a paranoid wife about reconnecting with her husband and blaming his distance on her own doubts about the relationship.

This is a fantastic film and one we don’t hear about often enough. The cast is composed of some acting greats who are firing on all cylinders. I’ve always felt Brooke Adams was terribly overlooked and this performance is one of those that reminds you of her strengths. Leonard Nimoy who we never got to see outside of Spock very often is excellent as the laidback Dr. Kibner who becomes a very different character by the film’s conclusion. Nimoy plays both sides of the character wonderfully.

Beyond the fantastic cast, you have members of the production who are delivering masterful work. Cinematographer Michael Chapman (Taxi Driver, Raging Bull) finds interesting angles and ways to convey a character’s point of view that provides volumes of information. Chapman is able to obscure enough to keep us wondering and the sense of paranoia building. Almost every shot has some background element that hints at the concrete conspiracy or plays with the thematics of the film. Anytime a plant is present it is grounds to get scared.

Composer Denny Zeitlin delivers a score that mixes elements of jazz and electronic music. The film uses more jazz at the start before finally being overtaken by an eerie alien electronic score for the finale. This way music plays along with the progression of the takeover is one of the examples of a film’s production being a collaborative effort. Sound engineering legend Ben Burtt worked on this movie just after his time on Star Wars and just as with the other elements the sound is textured and crucial to the full experience. The pods that contain the doubles have a wet, membrane sound, cracking and opening with viscous threads of mucus. The soundtrack fades in the scene where we first see a birth taking place, and Burtt’s sound design is allowed to take center stage.

Invasion manages to create a palpable sense of paranoia minutes into the film. It brushes up against becoming cheesy early on but then goes so deep into the gritty bleakness of this event that it becomes chilling. As it is building horror in the literal background of the picture we are being introduced to our two leads and getting a strong sense of character. Elizabeth’s first scene establishes significant external traits (botanist, in a relationship) but also personality traits that help us connect with the character (curious, affectionate, intelligent). With Matthew’s first scene we have him on a surprise health inspection of a high-end French restaurant, and we know exactly who this character is. He’s very dedicated to his job, unwavering in following regulations, but also playful and wry. Neither of these characters feels one-dimensional in any way and, much like I felt about Gene Wilder and Jill Clayburgh in Silver Streak, they have natural chemistry.

The way the horror is developed is paced so well and reveals of information hit at the perfect moments. The film uses it’s first 30 minutes to introduce the leads and establish the sense that something is off. Around then we have the first glimpse of a partially developed clone and character’s sanity being questioned as evidence disappears. At the halfway mark we glimpse an actual birth from a pod occur and the film suddenly tilts. Our protagonists are in the minority and time is running out as the enemy surrounds them.

Released in the shadow of 1977’s Star Wars, Invasion of the Body Snatchers is a science fiction masterpiece that has been sadly overlooked by so many. It exists as a beautiful amalgam of 1970s director focused cinema and an acknowledgment of the remake/reboot film culture to come. It’s a film that still feels relevant and terrifying almost 40 years later.

Movie Review – The World’s Greatest Lover

The World’s Greatest Lover (1977, dir. Gene Wilder)

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Rudolph Valentino is the sex symbol of the century! Rainbow Pictures executive Adolph Zitz (Dom DeLuise) is furious over Valentino and Paramount Pictures’ success. He strikes upon an idea: hold a contest for The World’s Greatest Lover, a man who they will make into the new star of the ages and get the female moviegoers to forget about Valentino. Cue Rudy Valentine (Gene Wilder), a man incapable of holding down a job due to his nervous tic of sticking out his tongue when he’s nervous. Rudy and newlywed bride Annie (Carol Kane) travel from Milwaukee to Los Angeles for his chance to become a star. A wedge is driven between the couple after they arrive and mishap piles upon disaster to impede Rudy from reaching his goal.

From the opening scene of The World’s Greatest Lover, I was laughing. And the laughs came pretty consistently throughout, probably the funniest of the Wilder films I’ve watched in this batch so far. There is the playing up of Wilder’s manic rage for comedy. And while in some films it befits this character, in this one it is the perfect tone to take. The absurdity of Wilder competing with Valentino is apparent off the bat, but having the character be so arrogantly assured of himself makes it that much funnier. It also doesn’t hurt that here, like in Silver Streak, Wilder is so naturally damn charming.

On the same level as Wilder in the picture are DeLuise and Kane. I can’t say I saw too much of DeLuise’s work in the past, but he just brings such a massive level of energy to his performances that it overwhelms you. He has got to be one of the better blowhards I’ve ever seen in a film. Much like Wilder, the sort of manic switch from furious to inviting creates a wonderfully tense comedy in each scene. Kane is unlike anything I’ve seen her in before. If you’re more familiar with her later work (The Addams Family, Kimmy Schmidt) then you’ll be stunned by how demure and innocent she can play. You don’t question for a second why Rudy is in love with Annie, and you also don’t ask why she is falling out of love with him.

The World’s Greatest Love is not Wilder’s finest work. Regarding directing, it is an improvement on Sherlock Holmes. He feels very comfortable with large set pieces and manages to balance comedy and sentiment well. There are some moments where the plot goes off track and Wilder indulges in some scene he cooked up that isn’t necessarily essential. There is also a love of an older style of comedy from the 1920s and 30s that is being recreated in the 1970s and viewed in the 2010s may not translate.

This was Gene Wilder at his peak. He’d just made Silver Streak and was a full-fledged movie star at this point. From here on out his career would be a mixed bag with a lot of less than stellar vanity projects. The Frisco Kid with Harrison Ford would come in 1979, Stir Crazy in 1980, and then the big moment of his life: meeting Gilda Radner on Hanky Panky, which is what we’ll look at next time.