Deadly Class Volume 7: Love Like Blood (2018)
Reprints Deadly Class #32-35
Deadly Class Volume 8: Never Go Back (2019)
Reprints Deadly Class #36-39, FCBD 2019 Deadly Class Killer Set
Written by Rick Remender
Art by Wes Craig & Jordan Boyd
In the same way, Book 2 started with all-out action and violence, so too does Volume 7. The new kids are in Mexico, having met up with Marcus and Maria. Saya’s brother has sent in his Yakuza. Viktor and the other kids from school have shown up to claim the trophy of killing Marcus. Things explode, and the book never seems to let up. Readers have been waiting for a rematch between Marcus and Viktor since Book 2’s first act, and Remender goes out of his way to subvert our expectations. I can honestly say I didn’t expect that moment to happen like it did, but it was very satisfying, and I think it will lead to more complex stories down the road.
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Venom: War of the Realms (2019)
Reprints Venom #13-16, Venom: Cult of Carnage
Written by Cullen Bunn, Frank Tieri, & Donny Cates
Art by Iban Coello & Danilo Beyruth
Marvel is no stranger to the sprawling event comic. Currently, they usually have one big event with some smaller ones sprinkled in more concentrated ways over a year. War of the Realms was the culmination of Jason Aaron’s run on Thor and saw the hordes of Norse mythological monsters unleashed on Midgard, aka Earth. This doesn’t seem like too natural of a fit for Venom, but with Donny Cates’s expansion of the antihero to include ties to a Lovecraftian god in the form of Knull, it doesn’t seem too much of a stretch now.
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The Lodge (2019)
Written & Directed by Veronika Franz & Severin Fiala
There are lots of familiar elements at play in The Lodge. You have a stepmother figure whose purpose in the story is ambiguous, possibly malevolent. There’s a snowed-in cabin where the power goes out, cutting the lines of communication. Sleep is disturbed by noises in the night and troubling dreams of the landscape. There are even two kids who might be up to no good. All the pieces are there, but the execution just ultimately stumbles, and nothing ever comes together. The Lodge has so much promise but fails to deliver on that promise.
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Written by Lee Hall & Tom Hooper, from material by T.S. Eliot and Sir Andrew Lloyd Weber
Directed by Tom Hooper
I know what you are asking. “Why are you doing this to yourself?” When a film like Cats, which has been so memed and mocked, comes along, you have to watch it. I wanted to know if the roasting of Cats was warranted. Maybe the trailer wasn’t a great representation of the whole. Perhaps the critics are nitpicking it. Maybe this is a fantastic reimagining of the box office smash on Broadway. Maybe…oh, who I am kidding? This film is shockingly bad in almost every aspect that a movie could be. Let’s get into it.
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System Crasher (2019)
Written & Directed by Nora Fingschedit
This is a difficult movie to write about because it touches so close to the things I encounter in my daily life. I am a public school teacher in the United States, licensed for elementary education. I have taught 3rd grade for the last five years out of the nine I’ve been a teacher. Before that, I worked as an AmeriCorps reading tutor, substitute teacher, and student-teacher since 2006. No matter what public school you enter in this country, there is a very high chance you will encounter at least one student the breaks all the supports in place, a child that feels wholly broken. This is almost always a result of abuse that stems from the parent’s psychological condition, poverty conditions, or a mix of both. System Crasher is the story of this student.
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Written by Garret Shanely
Directed by Lorcan Finnegan
The concept behind Vivarium is deeply intriguing. A young couple (Imogen Poots & Jesse Eisenberg), just beginning their lives together, steps into a realty office just for a laugh. They are met by a strange realtor who is extremely aggressive in an alien polite way to get them to leave the office and visit Yonder, a picture-perfect suburb. His pitch for the house is peppered with questions about the couple’s current status and as time passes he loses the warmth once presented. Then the realtor is gone and the couple finds themselves unable to find the exit to return to their lives. They become trapped in Yonder. One morning a box appears outside the house. Inside is a baby and a message “Raise the child and be released”.
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Queen & Slim (2019)
Written by Lena Waithe
Directed by Melina Matsoukas
Queen & Slim is presented as a story of legendary figures who don’t realize that they will become icons. They are unassuming people, but the filmmaking informs us through its cinematography and a musical score that this is important. The first moments of the movie undercut these elements, two people sitting across from each other in the middle of an awkward Tinder date. It’s clear the situation is not going well, and they likely won’t see each other again after this. We learn a lot about Slim (he prays before he eats, he chose a little corner diner for their date) and Queen (she’s a lawyer whose client was just executed, she rolls her eyes at Slim’s prayer). The aftermath of the date becomes the inception of the entire film, a traffic stop by a police officer with ill intent on his mind.
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