An African action film inspired by Sergio Leone and The Evil Dead? Yup. A smoldering love story of gay cowboys who can’t quit each other? Got that too.
Continue reading “PopCult Podcast – Saloum/Brokeback Mountain”
Welcome to Looking at Art. Here’s what we do: I just spend some time looking at the piece, writing down thoughts & questions I have. Thinking about how it makes me feel and trying to make connections. Then I will do some research and report back to you with any details that are relevant to the piece. Finally, I put all that together and contemplate how the piece’s meaning has changed for me & what my big takeaways are. Today’s piece is:
Self-Portrait of Suffering (1961)
Ibrahim El-Salahi
Oil on canvas
30 cm × 41 cm
Namibia: The Struggle For Liberation (2007)
Written & Directed by Charles Burnett
Charles Burnett has always wanted to make movies but has yet to be afforded the same opportunities as his more establishment-compliant peers in Hollywood. So in the 1990s, the director settled into making films for PBS, particularly documentaries often focused on Black history and individuals, attempting to go deeper than the cursory glance most Americans have of these figures in school. Martin Scorsese even included Burnett as one of the directors of an episode of his The Blues docu-series. Burnett also directed several made for tv movies, including an adaptation of the historical novel Nightjohn for the Disney Channel in 1996. However, one of Burnett’s most constant themes throughout his work has been centered on liberation, Black people pushing against white power structures to find genuine freedom, not wage slavery & oppression with a freedom label slapped on it.
Continue reading “Movie Review – Namibia: The Struggle for Liberation”
His House (2020)
Written by Felicity Evans, Toby Venables, and Remi Weekes
Directed by Remi Weekes
In the 19th, 20th, and now 21st centuries, Africa’s history is a testament to colonialism’s evil. There are constant think pieces published in the papers and magazines of note in the United States & Europe attempting to figure out what went so wrong for the continent. Recently, I saw one blaming it all on the tsetse fly. Colonists will do everything in their power to not accept their role in creating the horror inflicted upon the African people through the rabid extraction of resources. Sudan is an oil-rich country, and therefore massive conflict exists. Many people from Sudan and refugees that settled there having fled conflicts in their own regions have taken the dangerous trek up the Atlantic with dreams of possibly reaching Europe and the United Kingdom. His House is the story of two of these refugees and the horrors they face in their new home and those they bring with them.
Continue reading “Movie Review – His House”
Ballast (2008)
Directed by Lance Hammer
Starring Micheal Smith, Jr., JimMyron Ross, Tarra Riggs
It begins with the discovery of a man who killed himself with pills. His body is found in his home during the winter in a Mississippi Delta township and has a life-changing effect on the last three members of his family.
In the hands of a Hollywood studio this film would have felt the need to be over-emotive in its themes. Instead, first time feature director, Lance Hammer shows considerable restraint. Reactions are subdued and brooding, a truer reflection of how people deal with tragedy in their families. The landscape of rural Mississippi during the bitter winter adds to the tone of grief felt by the three main characters of the film. It’s interesting to note that the landscape is so wide open yet the characters all seem to be constrained and locked up in how they interact.
The plot follows Darius (Smith, Jr), Marlee (Riggs), and James (Ross). Darius is the deceased brother who attempts suicide on himself after discovering his brother. After recovering from the attempt, he delivers his brother’s will to the ex-wife and estranged son. Their various problems in life come to the surface and through their tense relationships with one another they come to an understanding.
The film presents an angle of the African-American experience rarely seen on film. Typically, we see only urban black youth in our theaters and Ballast focuses on the rural experience of the culture. The economic struggle appears more desolate and hopeless mainly because of the void-like expanse of nothingness surrounding them. Hammer chose to use local non-professional actors in the film and the choice results in amazing performances. The sadness and anger is so natural and real and truly displays the after effects of a suicide on the people left behind. The most revelatory aspect of the film is its abruptness. Throughout the film, jump cuts are used but most importantly the beginning and conclusion of the film are sudden. There’s a lot about the past we can assume from passing pieces of dialogue. As for the future, there are lot of plot points left unanswered but it fits with the cinéma vérité like tone of the picture. At the end, Ballast exists as a slice of life depiction of people dealing with tragedy across all fronts of their lives.
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