Coming Home (1978) Written by Waldo Salt and Robert C. Jones Directed by Hal Ashby
Ron Kovic has proved to be an inspirational figure since the 1970s. His memoir, Born on the Fourth of July, was turned into a film by Oliver Stone in the 1980s. But before that, he served as the basis of this movie by Hal Ashby. Kovic was serving in Vietnam when he was caught by the Viet Cong while helping a South Vietnamese unit. The soldier was shot through his foot, then shoulder, ending up with a collapsed lung and a spinal cord injury that left him paralyzed from the chest down. Kovic’s passionate anti-war activism inspired Jane Fonda to want to make a film about injured veterans and their families to share the story of what happens after the parades and medals are handed out.
Friday Black: Stories by Nana Kwame Adjei-Brenyah Ever since I read Civilwarland in Bad Decline and Pastoralia, both by George Saunders, I have been searching for that sort of literary voice, and I think I’ve found it in Adjei-Brenyah. The most obvious connection is the short “Zimmer Land,” a theme park where people come to act out their aggressive fantasies while mostly ethnic minority employees (wearing high tech protective gear) become human punching bags. “The Finkelstein Five” continues that exploration of contemporary race conflict as the narrator becomes caught up in the reaction to the acquittal of a child murderer who took the lives of four black children with a chainsaw. There’s a duo of stories about the Thunderdome like conditions of a future shopping mall, where customers kill each other over insulated parkas. My favorite was the closing story, “Through the Flash” and it brought me to tears while reading it. That tale features a teenage girl caught in a dystopian time loop where she and her neighbors have lived the same days for thousands of years. It was an oddly hopeful and heartbreaking story. Of all the fiction I’ve read this year Friday Black gets my most enthusiastic recommendation.
Insurrections: Stories by Rion Amilcar I had heard a lot of hype about Amilcar after his latest collection, “The World Doesn’t Require You,” was published earlier this year. I went back and read his first anthology and was a little underwhelmed. When Scott is at his best, he channels the urgency of Flannery O’Connor. Most of the stories fell flat for me, and it did cause me to move his new book down my reading list in favor of other titles. My favorite story in this collection was “A Friendly Game,” which follows a high school student caught up in an incredibly toxic male friendship. This is paralleled with the story of a mentally ill homeless woman in their neighborhood who lost her son years earlier, which led to her breakdown. The antagonist in the story is great and really gets you inside of what the main character is having to deal with daily.
The Irishman (2019) Written by Steve Zaillian Directed by Martin Scorsese
Frank Sheerhan sits in a nursing home, hair gray and receding. He’s telling his story of rising from the ranks of a truck driver in Philadelphia to the close confidante of Jimmy Hoffa to no one. As the film unfolds, we can surmise his daughter Peggy is the imagined audience. She is perceptive in her youth, realizing the violent work her father does, and finding a more positive role model in Hoffa. She refuses not only to hear Frank’s story but will also not speak to him.
Don Diego de Zama was sent by the Spanish crown to a remote colony in South America to serve as a functionary under the governor. When we meet Zama, he is standing on the shore, staring off into the ocean anticipating a vessel to carry him back to his family, a ship that will never arrive. This is the living nightmare that Zama exists in, a place where the governors come and go but where he is trapped. He suffers the temptations of the flesh, has belongings stripped from him, and has to reside in a haunted shack. Finally, Zama volunteers to be part of a doomed expedition to capture the infamous Vicuña Porto.
Silence (2016) Written by Jay Cocks & Martin Scorsese Directed by Martin Scorsese
There has been more than one Martin Scorsese. He’s become most famous for pictures like The Wofl fo Wall Street, Raging Bull, and Goodfellas. These are movies about intense, volatile figures that eventually explode. There is also the Scorsese of muted and contemplative films like Kundun and The Age of Innocence. Much like the man himself, his filmography is slightly manic, overflowing with ideas, and able to appreciate art across the spectrum of tone and theme. Silence is one of the quieter films, but it addresses monumentally enormous concepts and touching on a message that resonates across the ages. Few films deal so maturely with matters of faith, genuinely questioning and looking at belief from all angles.
Jackie (2016) Written by Noah Oppenheim Directed by Pablo Larrain
Jack was the third person Jackie had lost during her marriage. Two children, one stillborn and another passing two days after birth marked her journey to this ultimate tragedy, the one death that would resonantly define Jacqueline Kennedy for the remainder of her life. In this unique biopic, we follow the first lady through the four days after her husband was assassinated, focusing on her inner turmoil and the decisions around how she would send her husband off into the collective memory of America. There was a huge chance this film would diverge into empty melodrama; however, director Pablo Larrain chooses to not shy away from the darker, angrier aspects of this moment in Jackie’s life.