The Irishman (2019)
Written by Steve Zaillian
Directed by Martin Scorsese
Frank Sheerhan sits in a nursing home, hair gray and receding. He’s telling his story of rising from the ranks of a truck driver in Philadelphia to the close confidante of Jimmy Hoffa to no one. As the film unfolds, we can surmise his daughter Peggy is the imagined audience. She is perceptive in her youth, realizing the violent work her father does, and finding a more positive role model in Hoffa. She refuses not only to hear Frank’s story but will also not speak to him.
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Written & Directed by Lucrecia Martel
Don Diego de Zama was sent by the Spanish crown to a remote colony in South America to serve as a functionary under the governor. When we meet Zama, he is standing on the shore, staring off into the ocean anticipating a vessel to carry him back to his family, a ship that will never arrive. This is the living nightmare that Zama exists in, a place where the governors come and go but where he is trapped. He suffers the temptations of the flesh, has belongings stripped from him, and has to reside in a haunted shack. Finally, Zama volunteers to be part of a doomed expedition to capture the infamous Vicuña Porto.
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Written by Jay Cocks & Martin Scorsese
Directed by Martin Scorsese
There has been more than one Martin Scorsese. He’s become most famous for pictures like The Wofl fo Wall Street, Raging Bull, and Goodfellas. These are movies about intense, volatile figures that eventually explode. There is also the Scorsese of muted and contemplative films like Kundun and The Age of Innocence. Much like the man himself, his filmography is slightly manic, overflowing with ideas, and able to appreciate art across the spectrum of tone and theme. Silence is one of the quieter films, but it addresses monumentally enormous concepts and touching on a message that resonates across the ages. Few films deal so maturely with matters of faith, genuinely questioning and looking at belief from all angles.
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Written by Noah Oppenheim
Directed by Pablo Larrain
Jack was the third person Jackie had lost during her marriage. Two children, one stillborn and another passing two days after birth marked her journey to this ultimate tragedy, the one death that would resonantly define Jacqueline Kennedy for the remainder of her life. In this unique biopic, we follow the first lady through the four days after her husband was assassinated, focusing on her inner turmoil and the decisions around how she would send her husband off into the collective memory of America. There was a huge chance this film would diverge into empty melodrama; however, director Pablo Larrain chooses to not shy away from the darker, angrier aspects of this moment in Jackie’s life.
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Written by Gregory Burke
Directed by Yann Demange
In 1971, Northern Ireland was facing the height of the Troubles, a period where the people of that portion of the United Kingdom were in an all-out war with each other. These conflicts were based primarily on the divide between Catholic and Protestant but were based more on those who were loyal to the British throne and those who sought independence from the kingdom. The film ‘71 follows recruit Gary Hook who is thrown into the chaos of Northern Ireland with little understanding of the factions and nuance of relationships. He’s just there to do a job, supporting local police as they do residence searches for weapons caches. Things turn south quickly, and Gary finds himself trapped and wounded on the streets of Belfast. He’ll spend a night of terror, unsure of whom to trust and testing his mettle to survive.
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The Revenant (2015)
Written by Mark L. Smith and Alejandro G. Iñárritu
Directed by Alejandro G. Iñárritu
If you could combine the pantheistic mysticism of Terence Malick with the primal brutality of Cormac McCarthy, you would have The Revenant. Set in the year pre-American Westward Expansion, The Revenant follows Hugh Glass, a white scout guiding a fur trapping crew into the dangerous Shawnee territory. Glass mostly keeps to himself and fraternizes only with his half-Native son Hawk. It doesn’t take long for the trapping operations to come under attack and those men who survive the assault head down river to find a route back to the safety of Fort Kiowa. The full brute force of nature is on display as the planned escape doesn’t go, and Glass finds himself coming to the borders of life and death.
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Fruitvale Station (2013)
Written & Directed by Ryan Coogler
On New Year’s Day 2009, Oscar Grant was on a Bay Area Rapid Transit train with his girlfriend and their friends returning home to Oakland after an evening of celebration. A prisoner who served time with Grant recognized him on the train, and a fight broke out. The train was stopped and Grant and several other men, but not the prison acquaintance, was pulled off. A tense argument ensued with the transit police which escalated to Grant being pinned to the floor, a knee driven into the back of his neck. As he was pinned an officer pulled his firearm and shot Grant in the back. The wounded man would be taken to a nearby hospital and pronounced dead later that morning. The officer was convicted of involuntary manslaughter, sentenced to two years, but was released after less than a year served.
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