Deadly Class Book One: Noise, Noise, Noise (2016) Reprints Deadly Class #1-16 Written by Rick Remender Art by Wes Craig
It’s no secret that I am a fan of Rick Remender, I spent half a year reading through and reviewing his entire body of work at Marvel Comics in 2018. As part of my look at Image Comics this year, I decided to check out his Deadly Class series, which had been turned into a now-canceled series on SyFy. I literally went in blind, not knowing the names of any characters or the premise of the series. I was surprised by what I read, enjoyed quite a bit of it but also had some moments that I didn’t care for.
The Wicked + The Divine Book One (2016) Written by Kieron Gillen Art by Jamie McKelvie & Matthew Wilson
Approximately every 90 years, there is the Recurrence. This is an event where twelve gods of the ancient world reincarnate in human bodies. These forms are usually teenagers who are gifted supernatural powers, particularly the ability to influence the minds of mortals. Their purpose to combat an ill-defined forced known as The Darkness. Two years from their arrival, they will die, as it has been forever and ever. This is the basic premise of Kieron Gillen’s The Wicked + The Divine.
Jupiter’s Circle Volume 1 (2015) Written by Mark Millar Art by Wilfredo Torres
Jupiter’s Circle Volume 2 (2016) Written by Mark Millar Art by Wilfredo Torres & Chris Sprouse
While the present-day Jupiter’s Legacy is put on pause, Mark Millar takes us back to the glory days of their parents in the pages of Jupiter’s Circle. This mostly serves as a critique of the Golden Age of Superheroes with archetypes standing in for Superman, Batman, Green Lantern, et al. If you have read a postmodern comic in the wake of Alan Moore’s Watchmen, then I can’t imagine anything here will shake you up too much. It’s pretty much as expected, an emphasis on the personal lives and tribulations of the superheroes. This is essentially Mad Men as a story about men and women in capes and tights.
Two Dollar Bill (2016) Written & Directed by Hannah Marks
Hannah Marks was born into the industry, the daughter of actors, granddaughter to a musician. She made her debut in 2006’s Accepted, a middling Justin Long vehicle. Along the way, she became interested in directing and has jumped into the deep end. After a series of successfully received shorts, she’s made a feature film with another in the pipeline.
Dark Night (2016) Written & Directed by Tim Sutton
On July 20th, 2012, during a midnight screen of The Dark Knight Returns, a man wearing tactical gear set off tear gas inside the theater and proceeded to fire into the audience using multiple firearms he’d prepared for this occasion. 12 people were dead, 58 were wounded in the shooting. What followed was another cycle of the gun/mental health debate in America, which ended, as always, with nothing done on either front by leaders who feared political reprisal if they were to act. It was another reminder that we live in a society where the average and considered politically safest response of an elected official in the wake of mass murder is to do nothing.
The Bad Batch (2016) Written & Directed by Ana Lily Amirpour
The film begins promisingly. A young woman is tattooed on her neck and tossed on the other side of a fence that spans the U.S.-Mexico border. Signage indicates that this is a no man’s land, a place where the refuse of the United States is now tossed in an unspecified future point in time. The woman finds a run-down car where she takes a bit of respite only to be chased down and captured by a bizarre tribe of body-building cannibals. All of this sounds like it could be the makings a new post-Apocalyptica, refashioning the tropes of Mad Max into something of the 21st century and female-driven. Yet, all of the promises of Amirpour’s A Girl Walks Home Alone at Night feels squandered in what becomes an aimless character-deficient story.
Sausage Party (2016) Written by Kyle Hunter, Ariel Shaffir, Seth Rogen, and Evan Goldberg Directed by Conrad Vernon & Greg Tiernan
Sausage Party holds the rare achievement of being the first American computer-animated film to receive an R-rating. Despite the character designs and colorful marketing materials, this is most definitely not a picture a child should ever watch, and no adult should waste their time either. Our main characters, Frank the Hot Dog and Brenda the Buns dream of finally giving in to their carnal desires and being together once one of the gods (customers) chooses to take them to the Promised Land. The grocery store products’ ideas about what happens when you are chosen are skewed and much worse than they realize. Once Frank discovers this knowledge, he wants to do everything he can to stop his friends from being devoured.