comic books

Comic Book Review – Copra Round One

Copra Round One (2014)
Reprints Copra #1-6
Written by Michael Fiffe
Art by Michael Fiffe

I had to close my book a few pages into Copra Round One because I needed to check something. A quick search online confirmed I was seeing what I saw correctly. This is a fan continuation of John Ostrander’s Suicide Squad series with all the serial numbers filed off. Character designs and personalities make it evident that this is a love letter to that 1980s DC Comics classic from top to bottom. Also, they throw in analogs for Marvel’s Doctor Strange & Clea just because they can. The name “Suicide Squad” is never used; there’s no mistaking this is written by someone who loves those characters but couldn’t get a job at DC writing a revival. But, in true indie comics fashion, Michael Fiffe did it anyway, resulting in a wild trip.

Comic Book Review – Black Hammer 3-in-1 Review

Skulldigger and Skeleton Boy (2021)
Written by Jeff Lemire
Art by Tonci Zonjic

Colonel Weird: Cosmagog (2021)
Written by Jeff Lemire
Art by Tyler Crook

Barbalien: Red Planet (2021)
Written by Jeff Lemire and Tate Bromal
Art by Gabriel Hernandez Walta

Jeff Lemire has used his Black Hammer Universe to examine different aspects & tropes of superhero comics. I wouldn’t say it’s been as deep as Alan Moore or Grant Morrison’s work, but it is still very enjoyable. Skulldigger and Skeleton Boy is clearly a critique of the superhero/kid sidekick trope, emphasizing the trauma needed to drive someone into vigilantism and how that trauma harms the people in their radius. Gone is the deus ex machina that keeps Batman and Robin from actual harm. There is no promise that these characters will survive the story, and having the stakes that high makes it compelling.

Comic Book Review – Black Hammer ’45/Black Hammer-Justice League

Black Hammer ’45 (2019)
Written by Jeff Lemire and Ray Fawkes
Art by Matt Kindt

Black Hammer/Justice League: Hammer of Justice (2020)
Written by Jeff Lemire
Art by Michael Walsh

Black Hammer has been a fascinating experiment in superhero fiction, helmed by the immensely talented Jeff Lemire. Starting in 2016, he created a narrative about superheroes trapped in a small town who have to hide their powers. From there, he expanded and created a larger universe that serves as his personal commentary on all sorts of subgenres and archetypes within American comics. There have been some comparisons to Watchmen, but I don’t really think there are many similarities other than one writer’s voice at the center. Lemire has much more reverence for the medium than Alan Moore did or does. With both of these mini-series, Lemire can play around with tropes and, in one instance, DC’s superhero stable of characters.

Movie Review – Popeye

Popeye (1980)
Written by Jules Feiffer, Songs by Harry Nilsson
Directed by Robert Altman

The making of Popeye began with a bidding war for the film rights to the Broadway stage adaptation of Little Orphan Annie. When producer Robert Evans found out Paramount had lost the bid to Columbia Pictures, he held an executive meeting about what comic properties they owned that could replace Annie. One person chimed in “Popeye,” and so it was decided they would make a movie musical based on the spinach-eating sailor man. The original concept was to cast Dustin Hoffman as Popeye and Lily Tomlin as Olive Oyl, but that fell through. At one point, even Gilda Radner was considered for Olive. However, when things finally settled and production began, we ended up with a picture that Paramount wasn’t too happy with, but that has become a cult classic.

Movie Review – Darkman

Darkman (1990)
Written by Sam Raimi, Chuck Pfarrer, Ivan Raimi, Daniel Goldin, and Joshua Goldin
Directed by Sam Raimi

What do you do when you want to make a superhero movie, but you don’t have the rights to any superheroes? Well, you invent your own. That’s what filmmaker Sam Raimi did as he embarked on making his first Hollywood studio feature. Originally, Raimi wanted to make a movie about Batman or The Shadow; however those characters were already in development with other directors at the time. Raimi managed to combine the shadow mystery men of comic books’ Golden Age with the brooding angst of classic Universal monsters to bring audiences Darkman.

Comic Book Review – Miracleman: The Golden Age & The Silver Age

Miracleman: The Golden Age w/The Silver Age
Reprints Miracleman #17-22, extra material from #23-24
Written by Neil Gaiman
Art by Mark Buckingham

Alan Moore’s departure from Miracleman did not mean the end of the character. Instead, Moore personally handed the reins over to Neil Gaiman. This was 1990, and by that time, Gaiman was growing in prominence with The Sandman title for DC Comics. This was not the height of Gaiman’s fame but definitely at the moment where he became one of the premier writers in the genre. Gaiman set out with big plans for the Miracleman title, a trilogy of six-issue volumes that would explore the utopian world Moore set up. However, Eclipse, the company that published Miracleman was struggling in the direct market distribution model, publishing exclusively for comic book/hobby shops. This was to be an unfinished magnum opus, ending on a cliffhanger.

Comic Book Review – Miracleman Volume 3

Miracleman Volume 3: Olympus
Reprints Miracleman #11-16, Annual 1
Written by Alan Moore
Art by John Totleben

After the first six issues of Miracleman published in the United States by Eclipse, they got Alan Moore to return to continue the story. This was happening right as Moore was breaking out as the writer on the critically beloved Swamp Thing and Watchmen. Because so much time had passed between the events of the original UK Marvelman short comics and these reprints, the writer decided to use a framing device, jumping a few years ahead. Now Miracleman is reflecting on what happened while flying through a palatial tower. The reader would immediately wonder where he is and what led to this place, creating an evocative narrative hook.

Comic Book Review – Miracleman Volume 2: The Red King Syndrome

Miracleman: The Red King Syndrome
Reprints Miracleman #5-10
Written by Alan Moore
Art by Alan Davis and Chuck Beckham

In 2012, researchers at the University of Cambridge did a survey of the British people about their beliefs in conspiracy theories. It was found that 60% of Britons believe at least one conspiracy theory. Some of those theories accepted by residents of the U.K. include the government hiding the exact immigration numbers in the country, a plot to make Muslims the political majority in the kingdom, and most telling, that while they are told their country is a democracy, everything is run by a power elite. (The Guardian UK). These theories about the actual workings of the world have percolated in Western cultures for centuries, but it was the 1980s and 90s where they came to full fruition, able to guide the momentum of elections and referendums. In this second volume of Miracleman, Alan Moore fleshes out a conspiracy related to the rulers of the world that speaks to some more significant metaphysical points.

Comic Book Review – Miracleman Volume 1: A Dream of Flying

Miracleman Volume 1: A Dream of Flying
Reprints Miracleman #1-4
Written by Alan Moore
Art by Garry Leach and Alan Davis

Your first question may likely be, “Who is Miracleman?” Well, you start with Fawcett Comics and their flagship character Captain Marvel. You know him today as Shazam. Captain Marvel was more popular than Superman at one point in the 1940s. Elvis Presley’s hairstyle is based on Cap’s sidekick, Captain Marvel Jr. In 1951, DC eventually sued Fawcett claiming that Cap was too similar to Superman and thus a copyright violation. The courts ruled in favor of DC and Fawcett ceased publication of Captain Marvel. Years later, DC would buy the now failed Fawcett Comics and fold Cap into their properties.

Comic Book Review – Black Hammer Volume 4: Age of Doom Part 2

Black Hammer Volume 4: The Age of Doom Part 2 (2019)
Reprints Black Hammer: The Age of Doom #7-12
Written by Jeff Lemire
Art by Dean Ormston & Dave Stewart

What makes someone a hero? A colorful costume? A suite of superpowers? A catchy name? Jeff Lemire brings us a story about the ultimate sacrifice to give up your life and hopes to save the rest of reality. He plays with the metafiction of writing superhero comics, revealing a world where ideas never came to fruition. The continuity reboot also gets examined as we see what happens when our heroes forget who they were and have to rediscover their heroic identities.