political

TV Review – The Falcon and Winter Soldier

The Falcon and Winter Soldier Episode 2 (Disney+)
Written by Michael Kastelstein
Directed by Kari Skogland

It should be literally impossible to discuss a piece of Captain America media without the conversation becoming political. This is something that’s annoyed me about the candy-consumption of so much fandom is that they want their entertainment divorced entirely from a discussion about current events and the state of the world. That might work to an extent with Guardians of the Galaxy or the Silver Surfer, but when the characters are very much tied to the government and foreign policy, you cannot avoid it. The fundamental nature of Captain America is a product of World War II-era jingoism. That doesn’t mean he hasn’t been used to tell nuanced stories that make critiques of the United States, but we are simply not going to ever get something like that from Marvel. Marvel has repeatedly partnered with the American military-industrial complex to help mythologize “the soldier” in popular culture. In Black Panther, they couldn’t let Wakanda be autonomous; they had to inject a CIA agent in as one of the good guys. So it is literally impossible to talk about this Disney+ series without getting political.

Movie Review – Assassination Nation

Assassination Nation (2018)
Written & Directed by Sam Levinson

You will probably hate this movie. I can’t say I liked it, but it certainly was a terrible mess like I expected it to be. After seeing the trailer in 2018, I was worried we had another #Horror on our hands, one of the worst “Hello, fellow kids” movies I’ve seen in recent memory. Assassination Nation is nowhere near that bad. At its worst, the film is a little overly ambitious. It’s heavily preachy & on the nose in the final scene, which irked me a little. I think the same themes could have been communicated in just as clear but more subtle manner.

Movie Review – Mangrove

Mangrove (2020)
Written by Steve McQueen & Alastair Siddons
Directed by Steve McQueen

The summer of 2020 was a season marked by the continued spread of COVID-19 and a massive civil unrest movement that came out of a reaction to the state-sanctioned murders of a growing number of Black people in America. What followed in major cities across the country were all-out police riots with hordes of uniformed officers revealing what brutal thugs they indeed were. The media narrative pushed was that there were riots, but in hundreds of videos released across social media, anyone could see that these attacks from police were made on peaceful demonstrators who were being very direct about their thought on law enforcement in America. Steve McQueen reminds us that this is not merely an American phenomenon or even something specific to our point in history. Police and the justice system are inherently racist, and they cannot be engaged in good faith.

Movie Review – Borat Subsequent Moviefilm

Borat Subsequent Moviefilm (2020)
Written by Peter Baynham, Sacha Baron Cohen, Jena Friedman, Anthony Hines, Lee Kern, Dan Mazer, Erica Rivinoja, Dan Swimer, and Nina Pedrad
Directed by Jason Woliner

My experience was seeing the first Borat film was one of those never able to forget things. I was living in Bellingham, Washington at the time, and a group of friends went to the theater on opening night, so the place was packed. We were all familiar with Da Ali G Show and Borat, but we had no idea what we were in store for with this movie. The sometimes subtle other times explosively over the top manner in which Sacha Baron Cohen skewered American culture was unlike anything I’d see in a movie theater before. I would expect it from indie movies but not from a studio picture. Of course, we couldn’t stop quoting the picture for hours after we left the theater, and eventually, because of cultural overuse, I sort of began to dislike the movie. Having revisited Borat since I think it is a seminal work of satire, one of the most brutal takedowns of the United States at the time.

Movie Review – A Face in the Crowd

A Face in the Crowd (1957)
Written by Budd Schulberg
Directed by Elia Kazan

Southern folksy charm is one of those things I see visitors to the American Southeast remark upon often. The city of Nashville likes to boast that it’s the largest small town in the country, and I have to admit, if you are walking down the street, you will have strangers saying, “Hello” and waving. But this friendliness can also be a sinister mask, obscuring ulterior motives and manipulations. When this manner is adopted by someone in the media with less than divine intentions, it can be downright corrosive to society. All that is warm, genial, and welcoming is not good for your health.

A Brief History of America on Film

This Fourth of July seems more shallow than past iterations of the holiday. We are in the midst of a viral pandemic and civil unrest that has ripped the mask off centuries long systemic oppression. These are not super patriotic times in my opinion, particular as I look around and see my fellow Americans unwilling to undertake the most minor inconvenience in order to treat their neighbors with dignity & love. This is not a list about how great America is, I eschew the Exceptionalism myth. These are movies that speak to the shrouded dark heart of a flawed experiment called the United States.

Book Update – May-June 2020

How Long Til’ Black Future Month: Stories by N.K. Jemisin

This is a beautiful melange of fantasy & science fiction told from a black perspective. Some stories feel like a red hot bullet right between the eyes in our current context. There’s a story about the spirit of a city becoming aware she not merely a human walking its street with the idea that these city spirits travel and awaken their kin across the world over time. We’re presented with a Jim Crow-era story of a black witch and her children encountering a demonic fey-like entity posing as a beautiful blonde white woman. There are stories of secret agents from an alternate universe Haiti sneaking through New Orleans to take out a white cabal. You get the transformational narrative of a young chef introduced to alien ingredients and becoming a sorceress who can create food that radically affects her customers. The most resonant for me was the opening story, “The Ones Who Stay and Fight,” where a beautiful utopia is described, a place where all prejudices are gone, and humanity lives in beautiful harmony and follows a path that parallels and reflect our own. You can read that story, and you most certainly should here.

Movie Review – Nixon

Nixon (1995)
Written by Stephen J. Rivele, Christopher Wilkinson, and Oliver Stone
Directed by Oliver Stone

I’m never sure how I feel about Oliver Stone, and he seems to be a polarizing filmmaker for many people. His particular style of storytelling grates on me, and I think he slips into maudlin melodrama and absurdity way too quickly. There seems to be a lack of cleverness or subtlety in his work. I believe early pictures like Platoon and Born on the Fourth of July are okay. I have never really been able to get my head around Natural Born Killers. His George W. Bush film was a complete disappointment for me. I think JFK is probably his best work because the paranoid conspiracy focus matches Stone’s manner of directing best. Then we come to Nixon, his three hour plus presidential epic.

Black Books Matter

It’s not just important to support Black Lives, but you also need to engage in and promote Black Art. Here are some books I absolutely love that are written by Black authors. I hope you find something here to pick up and read. These are not just books by Black writers but also some of the best books period I’ve ever read.

Movie Review – Network

Network (1976)
Written by Paddy Chayefsky
Directed by Sidney Lumet

Network is a masterpiece. This is true both in the sheer craft of Paddy Chayefsky’s dialogue and structure, but especially for how the themes are blended so perfectly in the narrative. One of my biggest complaints about the film has nothing to do with what we see on screen but with the audience’s popular interpretation. Most people know Network for the famous “I’m Mad As Hell” speech, which leads me to the belief they shut the film off right as the second act starts. The statement has to be viewed in the context of the entire movie and how the words of Howard Beale are used and twisted by institutions in power.