Black Mirror: Hang the D.J. (2017)
Written by Charlie Brooker
Directed by Tim Van Patten
Amy and George live inside The System, a walled-off community of singles who are paired off by an artificial intelligence known as Coach. The pairings are used to gather data on a person’s preferences in a partner so that they can one day be given their perfect match. The length of the pairings is seemingly random, with some lasting a couple days to others going on for an entire year. Amy and George are each other’s first date in the System, and they are only together for 12 hours. However, even after being paired up with other people, they feel a pull towards each other.
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The Transfiguration (2017)
Written & Directed by Michael O’Shea
Milo is an orphaned teenage boy living in New York City. He lives with his Army veteran brother who is unable to get a job, never explained but implied by either physical or mental injury. Milo has a secret though, he is a vampire. Or Milo believes he is a vampire and has marked out on his calendar the nights he will feed. He’ll stalk bathrooms or hang out in Central Park late into the night, using a secret pen knife to slit his victims’ throats and then lapping up their blood. In the midst of this very dark existence, Milo meets Sophie, a girl who has just moved into his apartment building. They strike up a friendship that becomes a relationship, and Milo attempts to keep his secret from Sophie while fighting his urge to feed on her.
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The Shape of Water (2017)
Written by Guillermo del Toro & Vanessa Taylor
Directed by Guillermo del Toro
Elisa Esposito lives in Baltimore circa the early 1960s. She is mute since birth and works as a cleaning woman at a government laboratory. Her only friends are Zelda, a fellow cleaner, and Giles, her neighbor who is a closeted gay man. One night while working, a new specimen is brought into the lab by Colonel Strickland. The creature was discovered in the South American rainforest and is a humanoid fish person. Elisa feels a connection to this poor animal and worries as Strickland oversees his torture. A plan begins to develop, and Elisa becomes determined to help her new friend escape this nightmare existence.
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I, Tonya (2017)
Written by Steven Rogers
Directed by Craig Gillespie
Everyone has particular images and ideas when they hear the name “Tonya Harding.” In 1994 she was one of the most infamous people in the media. Her story has all the right hallmarks of the bizarre and tragic to make her the sort of person the news gobbles up. A figure skater from the “wrong side of the tracks” who didn’t mesh with the traditional prettiness of the skating establishment. Married to an abusive man who didn’t seem to have any direction in life. The two of them intermingled in a seeming conspiracy of the stupid to take out her rival for the Olympics, Nancy Kerrigan. Tonya maintained she had no idea what was going on, but husband Jeff Gillooly kept insisting she was aware. A sort of practice run for the O.J. Simpson media circus.
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The Battle of the Sexes (2017)
Written by Simon Beaufoy
Directed by Jonathan Dayton & Valerie Faris
It’s 1973 and Billie Jean King is the first female athlete to make $100,000. She is right in the midst of her reign as the queen of the court. On the flipside is Bobby Briggs, 55, a former tennis champion for a brief moment in the late 1930s/early 1940s. He is also a gambling addict but one who wins more often than loses. Briggs gets the idea to play into the women’s lib movement of the time and hype himself as the ultimate male chauvinist, all in a bid to put on the Battle of the Sexes. This match would pit Briggs against King and help fill his pockets with endorsement money as well as build attention for U.S. Tennis. Meanwhile, King is dealing a personal revelation that will shake her life and her career.
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Black Mirror: Crocodile (2017)
Written by Charlie Brooker
Directed by John Hillcoat
Fifteen years ago, on their way home from a club, Rob and Mia hit a cyclist and proceed to toss his body and bike into a lake. Now, Mia is a successful architect who is on a business trip in the city. While she is there, Mia commits a second heinous act and appears to cover this one up as well. However, Shazia an insurance claims investigator is traveling down a path that will come colliding with Mia’s. Shazia uses a new form of technology that uses sensory input to create video images of people’s memories. This way the insurance company has a more accurate gauge of the events that happened. An accident occurs outside Mia’s hotel window the night she makes a decision out of desperation, and she ends up on the list of witnesses to interview.
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The Big Sick (2017)
Written by Emily V. Gordon & Kumail Nanjiani
Directed by Michael Showalter
Kumail is an aspiring stand up comedian in Chicago who is under the constant shadow of his mother’s search for a wife. While he manages to avoid the expectations of his Pakistani heritage while keeping his family happy, Kumail chances to meet Emily. She’s just a woman at a set he’s doing, but the two click and immediately rush into a relationship. Things go wrong when Emily finds out he’s never mentioned her to his family and the reality of their situation sets in. However, the relationship takes an unexpected turn when Emily suddenly contracts an unknown disease, forced to go into a medically induced coma. Kumail is left to get to know her parents while coming to terms with his own parents in regards to Emily.
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