Deadly Class Volume 7: Love Like Blood (2018)
Reprints Deadly Class #32-35
Deadly Class Volume 8: Never Go Back (2019)
Reprints Deadly Class #36-39, FCBD 2019 Deadly Class Killer Set
Written by Rick Remender
Art by Wes Craig & Jordan Boyd
In the same way, Book 2 started with all-out action and violence, so too does Volume 7. The new kids are in Mexico, having met up with Marcus and Maria. Saya’s brother has sent in his Yakuza. Viktor and the other kids from school have shown up to claim the trophy of killing Marcus. Things explode, and the book never seems to let up. Readers have been waiting for a rematch between Marcus and Viktor since Book 2’s first act, and Remender goes out of his way to subvert our expectations. I can honestly say I didn’t expect that moment to happen like it did, but it was very satisfying, and I think it will lead to more complex stories down the road.
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Deadly Class Book Two: The Funeral Party (2018)
Reprints Deadly Class #17-31
Written by Rick Remender
Art by Wes Craig and Jordan Boyd
Deadly Class: The Funeral Party feels like a much-needed upgrade from the previous entry as we finally get beyond just Marcus’s specific perspective. The action kicks off right away with the freshman class forced into a brutal massacre to determine who moves on to a sophomore year. This is a moment where we really get to know some of the previously marginal players in the story. Shabnam rises to the occasion as a major villain in the series though still having to engage in a tug of war with Viktor and other cliques.
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The Wicked + The Divine Book Three (2018)
Reprints The Wicked + The Divine #23 – 33
Written by Kieron Gillen
Art by Jamie McKelvie and Matthew Wilson
This penultimate volume in The Wicked + The Divine series is my favorite of the series. It jumps into a completely new realm with the death that capped off the last book. To shake things, the first issue in this collection is a mock-up of fake magazine articles about each member of the Pantheon, giving some much-needed depth and background to these characters. I always love when a creator plays with the format of their comic, like Grant Morrison’s Batman run and Jonathan Hickman’s current X-work. Things get back to the standard form with the next issue, but the status quo is shaken up.
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The Kindergarten Teacher (2018)
Written & Directed by Sara Colangelo
In the middle of The Kindergarten Teacher, the titular educator, Lisa is sitting in the office of her poetry teacher Simon. She’s going to night school to workshop her poems, and he’s interested in some pieces she’s brought in. When Simon learns she teaches the littlest of students, he remarks, “That’s so fragile. You give them something that they carry with them forever.” You see Lisa contemplating this statement and realizes he’s correct, weighing how much influence she truly has over these tiny people charged to her care. Lisa’s entire arc in this film is about her own fragility and regret, which is what drives her to take some shocking actions.
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Reprints Venom v4 #1-6
Written by Donny Cates
Art by Ryan Stegman
I’ve previously delved into the world of Venom via Rick Remender’s run on the series. I always admit upfront that I am not a fan of the character. Venom came about right as Marvel was being dominated by the future Image Comics founders, most artists, where grimy & complicated design overshadowed proper character development. Venom is essentially “evil Spider-Man” and has become an anti-hero with an apparently large fanbase, comparable to The Punisher or Deadpool (two more characters I don’t really like). I had heard extremely positive buzz about Donny Cates’s current run and decided to put aside my personal biases and give this one a look.
Continue reading “Comic Book Review – Venom: Rex”
Written & Directed by David Amito & Michael Laicini
The subtitle of this found-footage horror movie is “The Deadliest Film Ever Made.” I don’t think it rises to that level, but it does deliver a compelling piece of meta-fiction. The structure of the film is bookended with faux-documentary segments giving the fictional back history of Antrum and giving a slight analysis of what we see. The majority is the infamous film itself, an attempt to recreate a grindhouse tone of horror, cheap and nasty, with hints of potentially real danger.
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Doomsday Clock (2017 – 2019)
Reprints Doomsday Clock #1-12
Written by Geoff Johns
Art by Gary Frank
In 2016, when DC Rebirth hit the stands, it became clear that DC Comics was working towards some crossover between their universe of characters and the Watchmen reality. For the next year, the event was teased in smaller stories, but the details remained obscure. What we knew was that Doctor Manhattan has some role in the New 52 reboot of the DCU, a 2011 line-wide decision to try and revitalize the characters. It appeared to be an in-universe way to explain why such drastic changes happened and why certain characters vanished.
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