Seth Harris

TV Review – Squid Game Season 1

Squid Game Season 1 (Netflix)
Written & Directed by Hwang Dong-hyuk

I was skeptical when I first heard about the viral Netflix hit Squid Game. Anytime a show is that popular and popping up in so many corners of the internet, I can’t help but think it’s some shallow meme-ish nonsense. However, the fact that it was a Korean series caught my interest. Over the last twenty years, I’ve enjoyed almost every film I’ve seen from that country. Their filmmakers have a fantastic eye and are telling stories that are relevant beyond their own culture. So when I heard Squid Game was addressing issues of economic class, I was sold that I needed to see it, spurred on by the hilarious right-wing media tripping over their feet to argue it wasn’t a critique of capitalism (even though that is what the creator said) and that it was “really about communism.”

Comic Book Review – The Terrifics Part 1

The Terrifics Part 1
Reviewing stories found in The Terrifics #1-14
Written by Jeff Lemire
Art by Ivan Reis, Jose Luis, Joe Bennett, Evan ‘Doc” Shaner, Dale Eaglesham, Viktor Bogdanovic, Jonathan Glapion, Jordi Tarragona, Dexter Vines, and Scott Hanna

In 2017, DC Comics introduced the concept of the Dark Multiverse to its wide array of alternate realities. It was the creation of writer Scott Snyder who was coming to the end of a large story cycle he’d been developing since New 52 started in 2011. The Dark Multiverse is a collection of realities that mirror the standard Multiverse most readers knew about. In the aftermath of Dark Knights: Metal, the crossover event that introduced all of this, a group of titles was spun-off under the banner of The New Age of DC Heroes, aka the Dark Matter line. By 2020, all eight books were canceled, and this subset of the DC Universe has essentially been forgotten already.

Movie Review – Thumbsucker

Thumbsucker (2005)
Written & Directed by Mike Mills

Mike Mills has been a director that has intrigued me since my college days. I don’t know how to describe his particular aesthetic, and it has undoubtedly changed from his first feature to the present. With his newest film, C’mon C’mon, being released this weekend, I thought I should revisit that debut film and see how it holds up sixteen years later. I have enjoyed all of his output (Beginners, 21st Century Women) and think those earlier music videos and short films haven’t aged with the times very well. Mills certainly isn’t offensive, but he is very twee in how he tells his stories.

Movie Review – Ghostbusters: Afterlife

Ghostbusters: Afterlife (2021)
Written by Gil Kenan and Jason Reitman
Directed by Jason Reitman

Can the Ghostbusters join the ranks of Star Wars and the MCU as a cinematic franchise to be mined into the ground until everyone hates it? This is the question Sony executives will be asking this weekend as they open the second Ghostbusters reboot/sequel in the last 5 years. Having recently rewatched the first two Ghostbusters movies, I was curious to see how hard they hit the nostalgia button with this one, very likely as the studio wanted to wash the stink of the 2016 film away from theaters. I suspected and was proven right that the script would lean heavy into nostalgia bait territory.

Movie Review – Honeydew

Honeydew (2021)
Written & Directed by Devereux Milburn

Sometimes you come across a movie so bizarre that you can’t quite figure out if you enjoyed it or hated it. Honeydew is such a movie. It probably didn’t help that I watched it after consuming my nightly quarter of an edible, but I find that often acts as a filter, heightening the things I like about a piece of media and spotlighting everything I hate. For Honeydew, my mind was confused while watching it because you had so many elements clashing with each other that made the picture feel like it was causing you to love and hate it moment by moment. Ultimately, I wondered if that wasn’t the intent of the movie.

Movie Review – Come True

Come True (2021)
Written & Directed by Anthony Scott Burns

Certain movies hit my personal aesthetics so perfectly I love them immediately. Beyond the Black Rainbow and It Follows are two films that sit in that dreamlike 80s-ish wheelhouse. They don’t spam cultural references to get across their implied eras; they just exude the vibe. When you watch them, it feels like that movie you saw when you were up way too late, half asleep, not sure if you remember it quite right. They are movies where you don’t need concrete logic; you just need them to feel a certain way. Come True is another picture I can add to that list. Its blend of visuals and music made me immediately love it.

Movie Review – Ghostbusters II

Ghostbusters II (1989)
Written by Harold Ramis and Dan Akroyd
Directed by Ivan Reitman

Ghostbusters was always meant to be a standalone movie, but financial success in the 1980s meant you had to make a sequel, which remains true today. But something weird happened where a new chairman of Columbia Pictures took control in 1986. David Putnam liked smaller movies that garnered critical acclaim, even greenlighting a handful of foreign directors’ transitions into American films. So as big as the hype around Ghostbusters even years out from its release, everything seemed to point to the franchise being dead. The main actors were also obstacles as many of them were booked up or simply weren’t keen on revisiting the world of Ghostbusters. Putnam was eventually removed as chair in 1987 after making some incendiary comments about Bill Murray and others. Dawn Steel was put in charge, and after numerous box office failures for the studio, she saw Ghostbusters II as a way to redeem Columbia financially.

Movie Review – Shang-Chi and the Legend of the Ten Rings

Shang-Chi and the Legend of the Ten Rings (2021)
Written by Dave Callaham, Destin Daniel Cretton, and Andrew Lanham
Directed by Destin Daniel Cretton

I think the era of Marvel movies might be over. It was an inevitability; they churned out so much in a decade that they couldn’t help but plug into a formula with a few exceptions here and there. I look forward to Spider-Man: No Way Home, but for shallow nostalgia reasons, and Thor: Love and Thunder is the only one I genuinely think I’ll enjoy. I don’t “stan” any of these or any other comic book cinematic universe’s characters, and I say this as someone who has been reading comics for over thirty years. While on the surface seeming like a fresh new property, Shang-Chi is another boring, well-tread origin story that we’ve seen a thousand times before.

Movie Review – Ghostbusters (1984)

Ghostbusters (1984)
Written by Dan Aykroyd, Harold Ramis, and Rick Moranis
Directed by Ivan Reitman

Ghostbusters is a film that has firmly placed itself in the memory of many an older Millennial. For myself, I can remember my family renting a VCR (that was a thing at one point) and this movie for the weekend when I must have been four years old. I vividly remember sitting in that living room and being scared by the opening library scene. I think that’s one of the things that’s key to why Ghostbusters stuck with so many people. It was as much a comedy as it was a horror movie. That balance of genres helps soften the more frightening moments, but it’s still very much a creepy, scary film. This is something every sequel fails to understand and explains why they’ve done so poorly.

Movie Review – Rose Plays Julie

Rose Plays Julie (2021)
Written & Directed by Joe Lawlor and Christine Molloy

In recent years, I’ve stumbled across mentions of the American discomfort with long silences. I don’t think I’ve ever been affected by this psychological fear, but who knows. I have noticed people who can’t bear a space where nothing is being said or done. However, from what I have seen of cinema from other regions, they are much more comfortable with contemplative silence. They are not averse to letting an audience sit for a moment, taking in all the little sensory details of the space and what has happened. This is core to the way Rose Plays Julie’s story. It deals with such a sensitive & uncomfortable topic that the filmmakers know we need to sit and think.