Movie Review – Star Wars: The Rise of Skywalker

Star Wars: The Rise of Skywalker (2019)
Written by J.J. Abrams & Chris Terrio
Directed by J.J. Abrams

Let’s just get this out of the way. I hated this movie. It’s everything I hate about fan culture & the bloated cinematic universe fad that is currently what theatrical release films have become. I say this as someone who was so delightfully surprised by The Last Jedi. I appreciated the new directions that film was taking Star Wars thematically, opening the Force up into a more egalitarian essence. I saw it in-universe as a course correction, the Force realizing that it’s existence between two eternally warring factions wasn’t bringing the balance it sought. Instead, we closed The Last Jedi on a moment that reminded the audience of both the young Luke Skywalker and ourselves, dreaming that we too can be the hero, that anyone can.

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TV Review – The Mandalorian Season One, Episode Seven

The Mandalorian (Disney+)
Season One, Episode Seven – “Chapter Seven: The Reckoning”
Written by Jon Favreau
Directed by Deborah Chow

And with the return of Jon Favreau in the writing credits, the story of The Mandalorian improves and moves forward. After three weeks of arguable plot-stalling, things start moving again. Dyn Jarren finally hears that message from his old friend Greef Karga, imploring him to return to Nevarro. The Imperial faction in the sector has amassed there in their search for the lost target (aka Baby Yoda). Jarren gathers allies from previous adventures: Cara Dune, Kuiil, and IG-11 to help him even the odds.

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TV Review – Watchmen Season One, Episode Nine

Watchmen (HBO)
Season One, Episode Nine – “See How They Fly”
Written by Nick Cuse & Damon Lindelof
Directed by Frederick E. O. Toye

Where previous episodes have taken their time and meditated on their characters and themes, this final chapter in the HBO Watchmen sequel feels more plot-heavy and honestly a little rushed. But that is the way finales work when you are trying to tie up the loose ends of a story as complex as this. The plot beats come fast and furious, leading to a reasonably satisfying conclusion with a nice tease of an ending scene. Did this follow-up to the revered comic book match the power of that work? Not entirely, but it had genuine moments of genius and illuminated characters in deeply meaningful ways.

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TV Review – The Mandalorian Season One, Episode Six

The Mandalorian (Disney+)
Season One, Episode Six – “Chapter Six: The Prisoner”
Written by Christopher L. Yost & Rick Famuyiwa
Directed by Rick Famuyiwa

The first three episodes of The Mandalorian now reveal themselves as a 90 minute pilot for what the actual series will be. The show is nothing but a formulaic procedural set in the Star Wars universe. We are three episodes away from the “pilot,” and it’s clear that we will be getting nothing but one-offs where Dyn Jarren moves on to a new location, worries about getting caught with Baby Yoda, gets involved in a problem in the area, then moves on. This is the same plot used by several television Westerns, The Incredible Hulk, Highway to Heaven, wash rinse repeat. There will be some moderately well-known faces along the way, but this is just a guest appearance.

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TV Review – Watchmen Season One, Episode Eight

Watchmen (HBO)
Season One, Episode Eight – “A God Walks into Abar”
Written by Jeff Jensen & Damon Lindelof
Directed by Nicole Kassell

Doctor Manhattan has always been my favorite character in the Watchmen story due to his tragic nature. He’s a man transformed into a god through a horrific scientific mistake. The result is he has omnipotence and omniscience and a disconnect from his fellow humans. Manhattan exists in multiple points in space & time simultaneously and knows everything that will ever happen to him. This leads to frustration from the people he has relationships with because he will be completely open about knowing when they will split or tragedy will strike. Intimacy crumbles and the shared history between these people begin to feel like a series of steps in a procedure, the discovery and mystery of love are gone.

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Comic Book Review – House of X/Powers of X

House of X/Powers of X
Reprints House of X #1-6 & Powers of X #1-6
Written by Jonathan Hickman
Art by Pepe Larraz and R.B. Silva

Forty-four years ago, writer Chris Claremont was tasked with reviving the middling X-Men title for Marvel. Compared to books like Spider-Man, Fantastic Four, and Captain America, X-Men was never a marquee hit for the company. Its characters were often operating in their own mutant pocket within the larger universe, occasionally being a part of the larger world. Claremont embraced the marginalization of mutants and expanded the mythos farther than it ever had been. At the end of his sixteen-year run on Uncanny X-Men, spinning off titles like Excalibur and New Mutants, Claremont left the book due to clashes with a new editorial staff. What remained was the template for what X-Men could be that every writer has clung to tightly since. The adherence to Claremont’s characterizations and plots have been so rigid that X-Men was a moribund franchise within Marvel for the last five years. Characters died only to be resurrected months later, and there never seemed to be real growth & change save for a small handful of heroes & villains. Then came Jonathan Hickman.

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TV Review – The Mandalorian Season One, Episode Five

The Mandalorian (Disney+)
Season One, Episode Five – “Chapter Five: The Gunslinger”
Written & Directed by Dave Filoni

The opening of this episode delivers a promise that we are in for something a little more exciting than the last chapter. Dyn Jarren is pursued by one of the bounty hunters following the Guild’s call to arms. It’s a fun short dogfight in space that ends with Jarren’s ship broken down and seeking repairs on a familiar planet, Tatooine. The Mandalorian needs to seek out money to pay for the repairs and skulks through Mos Eisley for something under the table. The result is a decent episode, but still, one lacking the forward momentum of the core story. The ending does hint at a more significant arc happening here, but it’s very procedural.

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Movie Review – Waves

Waves (2019)
Written & Directed by Trey Edward Shults

From the dizzying opening to the serene closing, Waves is an emotional rollercoaster that exists in two clear halves. Director Trey Edward Shults has explained that he wanted the first section to feel like a building anxiety attack and that the second piece would be a reassuring hug that things will get better. The result is one of the most beautiful and human films of 2019. It’s clear Shults has drawn inspiration from sources as varied as Moonlight, Punch-Drunk Love, and Chungking Express, managing to paint his dynamic style of filmmaking across the screen.

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Movie Review – Ad Astra

Ad Astra (2019)
Written by James Gray and Ethan Gross
Directed by James Gray

Ad Astra is like Apocalypse Now mixed with 2001 and directed by Terrence Malick. That is a very loaded statement, but it’s the most accurate way I can sum up this film in a single line. Is it as good as those individual parts? No, but it is still one of the best science fiction films I’ve seen in years. The story is kept centered on the characters while allowing space for awe & wonder over the cosmic landscape. There are brief moments of action & peril that help to punctuate how empty and cold the solar system feels. This is an odyssey in a not too distant future that feels like the most likely bland extrapolation of what humanity would do with a conquered solar system.

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Movie Review – Marriage Story

Marriage Story (2019)
Written & Directed by Noah Baumbach

I have never been divorced and have no plans to ever be. Noah Baumbach explores the time that makes up the dissolution of a relationship in his latest film, Marriage Story, and it feels real and painful. As Adam Driver’s Charlie says at one point, “It feels like I’m in a dream.” Even if we haven’t been divorced, we can relate to those moments in life that are so massive and painful that your brain goes hazy and disconnects from reality, simply to save your sanity. Yes, this is a film that features a couple getting divorced, yet it is so brimming over with love and sentiment.

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