adaptation – Page 26 – PopCult Reviews

Movie Review – Stalag 17

Stalag 17 (1953)
Written by Edwin Blum & Billy Wilder
Directed by Billy Wilder

It’s strange to say that Billy Wilder’s film about Americans in a Nazi prisoner of war camp is the most light-hearted of his movies I’ve watched so far. But that is most definitely the case. I almost wonder if Wilder took a step back from the bleak tone of his previous work, especially after Ace in the Hole was received so poorly by American audiences. Stalag 17 is much more of a “cheer for the heroes” type of film, but Wilder still manages to make the main protagonist buck conventions.

Movie Review – Doctor Sleep

Doctor Sleep (2019)
Written & Directed by Mike Flanagan

Two things are pretty hot right now. Adapting Stephen King novels & reboots of 1980s stuff. So what if you combined the two? You’d end up with Doctor Sleep, a direct sequel to King’s novel The Shining and, as a movie, a direct sequel to Stanley Kubrick’s The Shining, two very different animals. Mike Flanagan isn’t what I’d call an inspired choice, he did a decent enough job with The Haunting of Hill House on Netflix, but I haven’t been overly impressed with his feature film work. For some reason, some people see him as some sort of horror auteur, which I assume is how he got this gig.

Movie Review – Elmer Gantry

Elmer Gantry (1960)
Written by Richard Brooks and Sinclair Lewis
Directed by Richard Brooks

When you look at the Joel Osteens and megachurches of our time, you need to understand they came out of the evangelical Christian movement. This fire & brimstone rhetoric taught people that the path to material happiness was through submission to the Lord primarily through giving up their income to the Church. Little was offered in exchange, save a euphoric fervor that lasted long enough for the revival grifters to make tracks to the next town. Then the wave of spiritual enlightenment faded, and the townspeople waited until the next grinning preacher came riding into town with promises of a cure for what ails you.

Movie Review – Neighbors

Neighbors (1981)
Written by Larry Gelbart
Directed by John G. Avildsen

Animal House and The Blues Brothers are probably the only films John Belushi was in that a large number of people agree were good pictures. Neighbors is a movie that held a consensus as a complete disaster. This was the final film Belushi would star in, dying from a drug overdose, a combination of heroin and cocaine. When you look at the final product and Belushi in it, there’s a lot to like, but so many elements fail hard. Part of the film’s inability to find success in the box office lies in the fact that it’s an art-house picture, not a mainstream comedy. But when your two big names are Belushi and Dan Akroyd, and it’s 1981, you are going to try and sell this as a comedy for the crowds.

Movie Review – The Children’s Hour

The Children’s Hour (1961)
Written by Lillian Hellman and John Michael Hayes
Directed by William Wyler

The Bad Seed is an iconic film that established the trope of the evil child with actress Patty McCormack delivering a stunning performance. I have to believe this movie was the inspiration to bring The Children’s Hour to the big screen. Originally a stage play first performed in the late 1930s, The Children’s Hour is a melodrama with witch-hunt elements. But the catalyst for all the conflict is an evil little girl, a truly despicable young lady who I’m sure you will grow to hate as much as I did.

Movie Review – The Last Detail

The Last Detail (1973)
Written by Robert E. Towne
Directed by Hal Ashby

The Last Detail chronicles the birth of a friendship that has to die. It’s a portrait of masculine camaraderie wounded by the artificial structures of authoritarianism. This is a tragedy where everyone physically lives, but spiritual dies because they are asked to do what is unnatural. It’s a quiet and profane road trip buddy film that meanders and wanders on its way to the final destination.

Movie Review – Day of the Locust

Day of the Locust (1975)
Written by Waldo Salt
Directed by John Schlesinger

There’s an exhausting sunbaked feeling surrounding Day of the Locust. The music and the soft lighting make conflicting claims, but if you pay close attention, you notice the rotten smell wafting up from underneath. You see it in the cracks in Tod Hackett’s apartment, hidden by a framed quote claiming the presence of God is protecting the people within. This is shown as the landlady tells Tod about the earthquake of 1932, where she and her tenants were spared while others died across the city. Tod ends up covering the crack with his artwork, slowly building a fresco of Hollywood in flames, hollow, empty faces screaming out.

Movie Review – The Landlord

The Landlord (1970)
Written by Kristin Hunter & Bill Gunn
Directed by Hal Ashby

Hal Ashby was an unlikely person. His films reflect that, focusing on the buffoonery of the privileged class, always giving the upper hand to the vulnerable, people of color especially. Ashby grew up in a dysfunctional family in Utah that culminated with the suicide of his father. The young Hal dropped out of high school and never got a degree. Years later, when the studio would put out biographies of filmmakers in press packets, they lied and said Ashby graduated from the University of Utah. Unlike his contemporaries, like Francis Ford Coppolla or Martin Scorsese, Ashby had no formal academic background.

Movie Review – Little Women (2019)

Little Women (2019)
Written & Directed by Greta Gerwig

There is a moment early in Greta Gerwig’s adaptation of Little Women, where aspiring author Jo and her new friend Laurie are dancing on the front porch of the house where a party is taking place. The characters are lost in the silly joy of the evening in a way that is entirely genuine. The music is playful alongside them, and I couldn’t help but find myself smiling, totally absorbed in that piece of the story. This is how it feels throughout this version of Louisa May Alcott’s novel, a celebration of life that doesn’t hide the fact that bad things still happen. How we use those tragedies to inform our understanding of ourselves is what matters.

Movie Review – An Elephant Sitting Still

An Elephant Sitting Still (2019)
Written & Directed by Hu Bo

For four hours, we follow a quartet of people through the bleak, washed-out industrial landscape of northern China. Their stories are not exclusively experienced by the Chinese people but are suffering humanity feels across the globe, particularly those living in the husk of communities hollowed out of unfeeling powers that exist in an abstraction that leads to ennui. How can you do anything about inter-generational pain that comes from a source so distant and seems so endless? This is what our four protagonists struggle with as their lives intersect and converge.