Movie Review – Throne of Blood

Throne of Blood (1957)
Written by William Shakespeare, Shinobu Hashimoto, Ryūzō Kikushima, Akira Kurosawa, and Hideo Oguni
Directed by Akira Kurosawa

I could have gone with more traditional adaptations of MacBeth, but I wanted to see how Kurosawa interpreted the work. I was also interested in learning how far back Japan’s history with Shakespeare’s work went to understand how well-known the play was. Shakeapeare’s plays arrived in Japan during the Meiji Restoration when power was reconsolidated under the Emperor. If you watch Shogun, it is the beginning of the Tokugawa Shogunate, which ended with the Meiji Restoration. It was marked by the opening of Japan’s borders to foreign influence in a way that had never been seen before.

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Movie Review – Ikiru

Ikiru (1952)
Written by Akira Kurosawa, Shinobu Hashimoto, and Hideo Oguni
Directed by Akira Kurosawa

After watching a little over half a dozen Kurosawa films in my life, I have concluded that I prefer his modern films more than his historical ones. That isn’t to say films like Seven Samurai or HIdden Fortress are bad. It’s more that I have difficulty emotionally connecting with that era of Japan. It’s certainly entertaining, but I don’t get invested. Perhaps that’s why I’ve gravitated towards Yasujirō Ozu’s films; they are contemporary to the period they are made in and focus on people living their lives with little melodrama. Ikiru is like if Kurosawa tried his hand at an Ozu picture. It has some thematic similarities, but tonally, this is pure Kurosawa. You can see him shaping the minds of audience members who would go on to become prolific filmmakers in their own right, mimicking the techniques of a master they first observed here.

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PopCult Podcast – Seven Samurai/The Hidden Fortress

Akira Kurosawa is one of the greatest filmmakers to ever live and his movies have had a profound influence on the form. Today we talk about a group of ronin defending a village & the story of a princess in peril that should feel familiar.

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