Hypothetical Film Festival #10 – Gary Oldman Forever!

If you don’t know who Gary Oldman is upon seeing the name, then I weep for your soul. He’s one of the best, most versatile actors in the biz right now. Very few actors disappear the way he can. So without further ado, the film festival!



Sid and Nancy (1986, dir. Alex Cox)
Starring Gary Oldman, Chloe Web

This was the one that helped Oldman breakout. His portrayal of seriously messed up Sex Pistol Sid Vicious is shocking, heartbreaking, and exhilarating all at once. Chloe Webb is equally fascinating as the crass Nancy Spungeon. Its completely evident why these two are in love. They are both so deep in the chaos of their lives, they cling to each other to keep from drowning. The tragedy of these two will tear your heart out. The final scene between them is one of the most emotionally painful performances I have seen on film. It was evident from early on that Oldman was an actor to watch.


Bram Stoker’s Dracula (1992, dir. Francis Ford Coppola)
Starring Gary Oldman, Winona Ryder, Keanu Reeves, Anthony Hopkins, Cary Elwes, Billy Campbell, Richard E. Grant

This is not a good movie. It suffers from a lot of indulgence on the part of Coppola, and a lot of poor acting from Ryder and Reeves. What makes the film tolerable is a completely unrecognizable Oldman as the dastardly count himself! Oldman definitely ranks amongst Lugosi and Lee with his take on Dracula. His best performance comes as the decrepit older Dracula that Reeves encounters at the beginning of the film. The film proves that Oldman can make a self-indulgent piece of crap watchable just because of his awesomeness.


Leon/The Professional (1994, dir. Luc Besson)
Starring Jean Reno, Gary Oldman, Natalie Portman

Here Oldman takes on the role of Stansfield, a drugged out cop so crooked he murders an entire poor family. It seems the man of the house had gotten involved with Stansfield’s DEA unit and was hiding cocaine for them. Things go bad a little Matlilda is left an orphan, getting help and training from her neighbor/hitman, Leon. Oldman is the perfect villain for the film, at once charismatic and second later exploding and completely off his hinges. A scene. A scene where Stansfield and Matilda encounter each other in a public restroom is particularly unnerving.


The Fifth Element (1997, dir. Luc Besson)
Starring Bruce Willis, Milla Jovovich, Gary Oldman, Ian Holm

There were a lot of garish sci-fi films in the 1990s. But The Fifth Element is the only one that got that over the top sense just right. Oldman is industrialist Zorg, a schizophrenic Southerner who is obsessed with communicating with a cosmic force of evil and becoming one with it. To do this he must intercept a mysterious Fifth Element. Also on the search are Korben Dallas and Leeloo, the heroes of the film. This is a loud, obnoxious, insane film and it couldn’t be more fun.


Hannibal (2001, dir. Ridley Scott)
Starring Anthony Hopkins, Julianne Moore, Gary Oldman, Ray Liotta, Giancarlo Gianni

I don’t like this movie. It’s too long. It’s too dull. The one gem within it for me is Gary Oldman as the utterly disgusting Mason Verger. Verger had his face gnawed apart years ago by Hannibal Lecter, and is using his vast resources to capture Lecter and feed him to some hogs. Oldman delivers a gruesome, gurgling performance and amps the creep level up to 11. A film ONLY worth watching because of what Oldman brings to it.

Film 2010 #14 – The Book of Eli


The Book of Eli (2010, dir. The Hughes Brothers)
Starring Denzel Washington, Gary Oldman, Mila Kunis, Jennifer Beals, Malcolm McDowell

The post-apocalyptic world has been the setting for many films, the most obvious that comes to people’s minds would be the Mad Max trilogy. In the last few years we’ve seen I Am Legend, Terminator: Salvation, and The Road. So how does this latest entry into the sub-genre stack up? Not exactly a masterpiece, but not without its merits either.

The story follows the enegmatic Eli (Washington), a traveler across the devastated landscape who lives by a stoic system of conduct. He has the reflexes of superhero and a stony resolve. There isn’t much depth given to the character, and he is definitely in the category of Clint Eastwood’s The Man With No Name. We have no back story ever given for Eli and in fact it probably doesn’t matter too much anyway. There are some interesting twists that provide a different context for the film if you were to go back and rewatch it, however, the film never provides any real reason to want to.

The post-apocalyptic world the Hughes Brothers have designed feels incredibly bland. They add some new details: a world so sun bleached everyone must wear sunglasses when going outside. But other than a few details here and there, there is nothing that sets this world apart from richer futurist visions. The one thing that elevates the picture is the acting, particularly of Washington and Oldman. These two actors are much better than the material they are working with and its only due to their acting prowess that they make it enjoyable.

In the end, its a case of great concepts but poor delivery, very much like last year’s Pandorum. The film feels way too rushed (it’s about an hour and half), and the action doesn’t really kick in until an hour in. This imbalance of the plot can definitely be felt and ends up showcasing some of the sloppiness in the screenplay. It’s a film with a look once its on DVD or you come across it on HBO, but definitely not one to rush out to the theaters and see.