A group of post-apocalyptic survivors live underground and sing about their feelings. A heroin addicted writer hanging out in 1950s Mexico develops intense feelings for a handsome younger man.
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Bones and All (2022)
Written by David Kajganich
Directed by Luca Guadagnino
A recurring trope in American cinema is the story of a pair of lovers, lost in a world without much to offer them, traveling across desolate landscapes and having strange encounters. Most notably, Arthur Penn told us this story with Bonnie & Clyde and Terence Malick with Badlands; the list is ever-growing. More often than not, these stories serve as commentary on the plight of the current youth, a means to examine what makes it challenging to be coming into adulthood at a particular time and how young people respond to these obstacles. Luca Guadagnino’s latest, Bones and All, is one of those movies. He’s not brand new to these ideas; they were explored with a lot of depth in his HBO mini-series We Are Who We Are, albeit with a more grounded concept.
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