pedro almodovar – PopCult Reviews

PopCult Podcast – The Seed of the Sacred Fig/The Room Next Door

This week we look at an Iranian film that depicts life for one family during the recent hijab protests in The Seed of the Sacred Fig. That’s followed by our review of Pedro Almodovar’s English language debut The Room Next Door.

Movie Review – Tie Me Up! Tie Me Down!

Tie Me Up! Tie Me Down! (1989)
Written by Pedro Almodóvar and Yuyi Beringola
Directed by Pedro Almodóvar

As he does in almost all his work, Pedro Almodovar delivered yet another provocative, gorgeous story centered on a woman and complications in her life. It would be easy to denounce this movie as “problematic” if you view art as a surface-level thing without facets and complexity. Almodovar is an exceptionally talented artist who knows this is a film about a profoundly gross relationship. The audience feeling unease throughout is intentional, and the ending is such a perfect note to go out on. The face of our lead shows a sudden realization through the haze of the intense bubble she’s been trapped inside. This is wrong, this is something very dark & twisted she’s trapped within.

Movie Review – Bad Education

Bad Education (2004)
Written & Directed by Pedro Almodóvar

Few directors working today seem to enjoy the richness of film images more than Pedro Almodovar. Every film he puts out is always full of bold color and intriguing framing & blocking. His stories are complex labyrinths where narratives are rarely linear, the past often haunting the present. Much of Bad Education is set around what the audience doesn’t know, putting us in the protagonist’s shoes. They are learning about the line between fiction and truth, letting the audience enter their imagination and then see how what they pictured matches with the people and events as they actually happened. I wouldn’t blame someone watching this for the first time for feeling confused; it takes at least a couple viewings to fully grasp what is happening in the picture.

Movie Review – The Skin I Live In

The Skin I Live In (2011)
Written & Directed by Pedro Almodovar

Most of the legendary filmmaker Pedro Almodovar’s films are overflowing with warmth & color. They may touch on sensitive subject matter, but the characters within these stories are usually ones we like and want to be around. This is not the case with The Skin I Live In, Almodovar’s first foray into science fiction/horror. Instead, he has made a cold, desaturated movie that is beautiful in a dark & disturbing way. The film reflects how one of its central characters has become desensitized, literally feeling nothing any longer. Sex in this picture is not an act of love & beauty but discomfort & suffering. There’s no farce or melodrama here. Unlike the rest of Almodovar’s filmography, this is a work that comes out of a dark, angry place.

Movie Review – Parallel Mothers

Parallel Mothers (2021)
Written & Directed by Pedro Almodovar

At this point, can we acknowledge that Pedro Almodovar’s work exists in its own genre of cinema? The feel and look of all his movies are just so beyond everything else out there. He builds suspenseful narratives on premises that aren’t inherently thriller material. There is an ever-present sinister vibe, but ultimately his characters embrace the conflict and work through it, often forming makeshift families and coming to terms with the weight of the past. Almodovar clearly loves the stylish thrills of Hitchcock and the scandalous developments of telenovelas but also feels a need to address the history of Spain, especially war crimes and atrocities. The result is just unlike anything you will see anywhere else.

Film 2010 #18 – Broken Embraces

Broken Embraces (2009, dir. Pedro Almodovar)

Starring Penelope Cruz, Lluis Homar, Blanca Portillo, Jose Luis Gomez, Ruben Ochandiano, Tamar Novas

Director Pedro Almodovar has never disappointed me and continues that successful streak with his latest picture. There is something captivating about how he calmly lays out the strands of a plot. He does it so masterfully that before you know it, you’re completely absorbed in the story he is telling. With Broken Embraces, Almodovar weaves together his dramatic tones as seen in films like All About My Mother and Talk To Her with noir elements he began using in Bad Education. The result is a masterpiece.

The story begins with blind screenwriter Mateo Blanco, who signs his scripts under the pseudonym Harry Caine. His day to day affairs are looked over by his long time production assistant Judit Garcia and her son, Diego. Into their life comes Ray X, a mysterious director who appears to know something of Mateo’s past. Diego wants to know more and Mateo begins to tell the tale of he and an actress named Lena’s relationship.

Everything about the structure and pace of the film is spot on. Almodovar takes his time before getting to the core story, which is told mostly in an extended flashback, framed by the present day story. I’ve begun to look at the director’s films as having a lot of similarities with Shakespeare’s work from a structural standpoint. The plots are fairly straightforward with a cluster of key characters and flashbacks and framing devices are used frequently. I think by refraining from attempting to over complicate his scripts with too many characters or sub-plots and twists, Almodovar creates very classic films that are going to last for decades to come.