Category: post-apocalypse

Movie Review – Into the Forest

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Into the Forest (2015, dir. Patricia Rozema)

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It’s hard to pinpoint just where Into the Forest goes wrong, but at some point, I found myself completely disengaged with the film. It tells the story of two sisters, Nell and Eva, stranded at their family home in Northern California, about 32 miles from the closest town after an unexplained global event destroys the power grid and sends society into chaos. The two sisters struggle to survive when they end up without anyone but each other. Through a series of trials and challenges, they learn to let go of their reliance on technology and reconnect with the natural aspects of the forest around them.

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Book Club Announcement – March 2017: Bird Box

Bird Box (2014, Josh Malerman, Ecco)

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The apocalypse came and with it was the poisoning of a sense: sight. Whatever is out there, when you gaze upon it, you become a violent raging killer. Malorie, a single mother in Detroit, lives with her windows boarded up and her children blindfolded on a daily basis. They must learn to grow their other senses because what they might see beyond the door of their home could destroy them.

“Malerman excels at building tension with his eerie descriptions of blindfolded characters groping their way through a world of the dead, aware that something inhuman and beyond comprehension might be observing them, or possibly standing right in front of them. Malorie’s trek down the river is frightening, but even more unsettling is the constant awareness of the characters’ helplessness in both timelines, and the possible price of any attempt to alleviate it: Every time they hear a strange noise, encounter an unnervingly unfamiliar object, or feel what might be a gentle touch from an unseen, alien creature, they’re tempted to lift their blindfolds and settle their fears—possibly at the cost of their sanity, and then their lives” – The AV Club.

Mature Reading: Sweet Tooth



Sweet Tooth #1-11
Written and Illustrated by Jeff Lemire

This blog is intended to be mostly for people unfamiliar with comic books and what’s out there. I know some friends who read Watchmen for a college English class or people who may not be up to date on the newer series out. For those of you not too up to date, DC Comics has an imprint called Vertigo which specializes in non-superhero fare aimed at adults or adolescents with literary maturity. Most of the time the series their present are great, a few seem to fall flat. Sweet Tooth is very much the former. It’s a post-apocalyptic story about mutants and survival and humanity becoming incredibly tribal. The art style increases the uneasy feeling you’re meant to have reading that this scary and violent world. And its all the work of Jeff Lemire, recently signed as an exclusive creator for DC Comics.

Gus is 9 years old and lives with Pa in the middle of the forest. He’s never left the forest and Pa has warned him that outside of it is all the evils in the world, and if Gus doesn’t want to go to Hell he’ll stay put. Then Pa dies and Gus is left alone in the world, slowly running out of food in their desolate cabin. Then one day some men enter the woods carrying guns, and when they see Gus they know they have found something special. You see, Gus has a pair of deer antler growing from his head. His mother died in childbirth and Pa ran away with Gus to keep him safe. The hunter surround the little boy but he is saved by Tommy, a lone mercenary who becomes Gus’ protector. The duo set off to a place Tommy says will be safe for Gus. Along the way they encounter roving bands of killers and thieves that populate the now devastated American Midwest.

Sweet Tooth is a slow burn, and its perfect that way. Almost one year in and we still know very little of the mystery behind Gus. We know that his mutation is one of many that occurred as a result of a virus that killed millions. All the children born in the wake of the virus had animal mutations. There’s even a brothel they run across where a few women dress in animal masks to satisfy the cravings of some of the more perverted clientèle. The environments in the comic are very wide and very open, because its the Midwest it was already like that, but the apocalyptic air increases it a million times.

The artwork in Sweet Tooth is incredibly aesthetically inventive. In one of the more recent issues, Gus is put under hypnosis to pull out his memories of his life in the woods. The way Lemire stages is this is by miniature versions of Gus and the hypnotist walking along the full size Gus’ head, crawling into and out of his ears. It runs through the entire issue and is just one example of the creativity and interesting storytelling at work. This is a very easy one to get caught up on. Only two collections out right now so you could be ready to follow it month to month by catching up in day. A series that I am looking forward to seeing where it goes.