spider-man – PopCult Reviews

Comic Book Review – Spider-Man Epic Collection: Man-Wolf at Midnight

Spider-Man Epic Collection: Man-Wolf at Midnight (2022)
Reprints Amazing Spider-Man #124-142 and Giant-Size Super-Heroes #1
Written by Gerry Conway
Art by Ross Andru, Gil Kane, John Romita, and Paul Reinman

Something terrible happened to Peter Parker, and no one will let him process it and move on. The iconic man behind the spider lives in stasis between two poles: Uncle Ben’s death and Gwen Stacy’s death. There is this brief period between the two where he could be Spider-Man. Yet even in that, Captain Stacy’s death was a way of reigniting the angst of Peter’s guilt. This is who Spider-Man effectively is in popular culture: a perpetually grieving man who can never be absolved of his guilt. At least Batman is allowed to be grim, while Spidey has to joke about everything while psychologically unable to express the weight of his pain. Reading this collection caused me to completely rethink how I feel about this character.

Comic Book Review – Spider-Man Epic Collection: The Goblin’s Last Stand

Amazing Spider-Man Epic Collection: The Goblin’s Last Stand (2017)
Reprints Amazing Spider-Man #105-123
Written by Stan Lee & Jerry Conway
Art by John Romita, Gil Kane, Jim Starlin, and Paul Reinman

Throughout the 1960s, Stan Lee had his hand in every single Marvel comic being published. This was most often in the role of scripting, which ensured the comics all had a similar voice. He also garnered the ire of his artistic collaborators, Jack Kirby & Steve Ditko, being the most well-known. The fact that most people associate Marvel with Lee without knowing who these other people are indicates the sort of manipulator Lee was. By 1972, Lee stepped away from writing duties and assumed the role of publisher, overseeing Marvel’s growing media empire.

Movie Review – Spider-Man: Across the Spider-Verse

Spider-Man: Across the Spider-Verse (2023)
Written by Phil Lord, Christopher Miller, and Dave Callaham
Directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson

In January 2019, I was sitting at home on a weekday due to an unexpected week of snow. By the end of the week, the snow was melting, but there was still ice on the rural backroads, so we were still closed out of precaution. Buses wouldn’t handle these conditions well. I got a text from one of my sisters asking if I wanted to see this new animated Spider-Man movie with her and my nephew. I’d been aware of it but wasn’t chomping at the bit to go see it. However, getting to spend time with her and my nephew was something I always loved to do.

Comic Book Review – Amazing Spider-Man Epic Collection: The Death of Captain Stacy

Amazing Spider-Man Epic Collection: The Death of Captain Stacy (2021)
Reprints Amazing Spider-Man #86-104
Written by Stan Lee & Roy Thomas
Art by Gil Kane & John Romita with John Buscema

This was my least favorite of the four Amazing Spider-Man collections I read for this series. The art changes, but it’s not the art that made me dislike it; it is the writing. Stan Lee was clearly running out of steam with his ideas for Spider-Man. It also supports the claims that Lee relied on his artists to handle many plots to which he would add flourishes. I won’t say these are terrible stories, but you definitely get the sense he was reaching for ideas, and a lot of this doesn’t feel as powerfully written as the earlier issues.

Comic Book Review – Amazing Spider-Man Epic Collection: The Secret of the Petrified Tablet

Amazing Spider-Man Epic Collection: The Secret of the Petrified Tablet (2020)
Reprints Amazing Spider-Man #68-85 & Annual #5
Written by Stan Lee
Art by John Romita & John Buscema (with Larry Lieber & Marie Severin)

One of the things I’ve noticed while reading through these issues of Amazing Spider-Man is how John Romita’s art style is what I think of when I imagine Silver Age art. There’s a cleanness to the linework, a certain way he draws textures, an overall simplicity compared to modern art, as well as development compared to earlier comics and the art happening over at the Distinguished Competition. However, this collection starts with a story illustrated by Larry Lieber, whose style is similar to Romita’s. Lieber served as a man of many talents while at Marvel. He scripted Stan Lee’s plots for Thor, Iron Man, and Ant-Man, with his first superhero work being the first appearance of Thor. Lieber is actually the younger brother of Stan Lee and thus has had a long-running relationship with the company. He illustrated the Spider-Man newspaper strip from 1986 to 2018, retiring at 86. He’s still alive today, having turned 91 in October 2022.

Comic Book Review – Amazing Spider-Man Epic Collection: The Goblin Lives

Amazing Spider-Man Epic Collection: The Goblin Lives (2019)
Reprints Amazing Spider-Man #53-67, Spectacular Spider-Man #1-2, Marvel Super-Heroes #14, and Not Brand Echh #6,11
Written by Stan Lee (with Gary Friedrich & Arnold Drake)
Art by John Romita (with Don Heck, Jim Mooney, Ross Andru, Larry Lieber, & Marie Severin)

Once upon a time, superheroes were not the most popular thing in the media. In the 1960s, Stan Lee and his collaborators at Marvel were reinventing the niche genre that had been quite popular since the 1930s. Thirty years after their debuts, the familiar superheroes were quite stale. If you walked over to DC Comics, you would find stories with Superman acting as a father figure, mentoring children. Batman wasn’t much better.

Comic Book Review – Amazing Spider-Man Epic Collection: Spider-Man No More

Amazing Spider-Man Epic Collection: Spider-Man No More (2018)
Reprints Amazing Spider-Man #39-52, Amazing Spider-Man Annual #3-4, and Not Brand Echh #2
Written by Stan Lee
Art by John Romita, Larry Lieber, Don Heck, and Marie Severin

Steve Ditko was gone and with him ended the first era of Spider-Man. This second era wasn’t going to be a downturn in quality, though. Stan Lee brought in artist John Romita whose style would become the standard for how Spider-Man was presented even outside the comics for decades to come. Romita’s art is different from Ditko’s. Where the former artist portrayed Spider-Man/Peter Parker as a spindly, almost spidery lanky fellow, Romita bulked the character up a bit. His muscle mass increased, but not too much, and the glasses disappeared. This wasn’t a Spider-Man who was a 90-pound weakling anymore. However, he was still an outcast to a degree. His dual identity was even more of a problem going forward as Peter tried to engage in serious adult relationships. The power and the responsibility that followed plagued every chance Peter had at happiness.

Comic Book Review – Ultimate Spider-Man Volumes 7 & 8

Ultimate Spider-Man: Irresponsible (2019)
Reprints Ultimate Spider-Man #40-45
Written by Brian Michael Bendis
Art by Mark Bagley

Ultimate Spider-Man: Cats & Kings (2019)
Reprints Ultimate Spider-Man #46-53
Written by Brian Michael Bendis
Art by Mark Bagley

Ultimate Spider-Man goes back into the daily struggle of Peter Parker’s life. He’s still searching for a costume replacement as his last one was shredded. It’s a great reminder that Spider-Man always works best when facing realistic challenges to balance out the fantastic villains that come his way. His relationship with Mary Jane is on the rocks, and he reacts with the sort of demeanor one would expect from a teenage boy, with a lot of immaturity and anger. Despite bearing the moniker Spider-MAN, Peter is still very much a child. That anger translates into an inability to listen to others, such as when Flash Thompson tries to make a connection with Peter, mend fences, and our protagonist blows him off.

Comic Book Review – Ultimate Spider-Man Volumes 5 & 6

Ultimate Spider-Man: Public Scrutiny (2012)
Reprints Ultimate Spider-Man #28-32
Written by Brian Michael Bendis
Art by Mark Bagley

Ultimate Spider-Man: Venom (2011)
Reprints Ultimate Spider-Man #33-39
Written by Brian Michael Bendis
Art by Mark Bagley

In the fifth volume of Ultimate Spider-Man, writer Brian Michael Bendis steps back to focus on Peter Parker even more. While the original Lee/Ditko Spider-Man stories spent much time on Peter’s personal life, Bendis has outdone them. He builds on the readership’s likely background knowledge of the characters to play with expectations and develop them beyond simple archetypes. The Daily Bugle becomes a key feature in this collection, and thus we get to see J. Jonah Jameson clashes with his staff, particularly Ben Urich, who challenges his boss’s view on Spider-Man. In addition, a bank robber is running around town dressed up like Spidey, which gets Jameson salivating over the tabloid possibilities.

Comic Book Review – Ultimate Spider-Man Volumes 3 & 4

Ultimate Spider-Man: Double Trouble (2011)
Reprints Ultimate Spider-Man #14-21
Written by Brian Michael Bendis
Art by Mark Bagley

Ultimate Spider-Man: Legacy (2006)
Reprints Ultimate Spider-Man #22-26
Written by Brian Michael Bendis
Art by Mark Bagley

It was quite an admirable feat. Stan Lee & Steve Ditko were creating a cohesive continuous narrative in comics that hadn’t really been done before. The events of one issue carried over into the next, and the circumstances of an entire year had an actual weight on the direction of Peter Parker’s life. Brian Michael Bendis was writing Ultimate Spider-Man in an era where that continuity was even more expected, and so the ties between Spider-Man and his supporting cast & villains are expected to be even more tightly knit. When villains appeared in the original run of Spider-Man, they had highly loose or no connection to Parker’s world. Green Goblin, Doctor Octopus, Sandman, and the rest became who they were independent of each other, but in the Ultimate Universe, they will have much tighter connections.