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Seth’s Favorite Film Discoveries of 2021

Alice Doesn’t Live Here Anymore (1974, dir. Martin Scorsese)

From my full review: Scorsese delivers a pitch-perfect comedy-drama that never once feels phony. He ends up presenting one of the most honest mother-son relationships I’ve seen in a film. Alice is by no means a conventional mother, and she regularly engages in arguments with her son that seem more appropriate for a friend. She is still a parent and is determined to keep her son out of trouble while allowing him space to make mistakes and learn. The things she exposes her son to might cause some viewers to judge her for being immature and irresponsible. Tommy is present when Ben becomes violent with Alice. When Alice gets involved with David, Tommy is a part of their going out. It makes sense, though, because Alice’s life has a big chunk devoted to Tommy, so any person she might partner with is going to need to understand and get along with her child.

Seth’s Favorite Books of 2021

Parable of the Sower by Octavia E. Butler

From my review: The story begins with Lauren, still a teenager, living with her father, stepmother, and brothers in their gated community. The people have barricaded the walls and gate and, under the guidance of Lauren’s father, created a tenuous but self-sustaining system. The story begins with very episodic moments, signs that things aren’t great, and as the narrative continues getting worse. Butler focuses her themes on the balance of individual & collective survival. Lauren begins preparing in secret for the day the walls don’t hold the hungry & wanting out anymore. She learns everything she can from her father’s library about survival in the wilderness and then goes about creating a go-bag with everything she would need to set out. At the same time, there’s a strong emphasis on teaching these skills to others. Lauren knows she could be perfectly prepared, but it will be much harder for her to survive independently. While most people in this future are becoming more savage, Lauren understands life without human connection is simply not worth it.

Seth’s Favorite Films of 1971

McCabe and Mrs. Miller (directed by Robert Altman)
Robert Altman is one of my all-time favorites, and it’s a shame this movie doesn’t come up more often in discussions about westerns. It isn’t a cowboys vs. Indians shoot ’em up. Instead, it’s a bleak & hopeful melancholy love story. John McCabe (Warren Beatty) is a gambler that stumbles into a small Western Washington town. He quickly takes a position of prominence and control in a place populated mainly by lethargic miners. To keep control, he builds a brothel and pays for three sex workers from a few towns over to live there. One of them, Constance Miller (Julie Christie), has excellent business acumen, and the two become partners in building up the town. Unfortunately, their business decisions make them a target of more prominent, more powerful men, which can only lead to tragedy. In addition, opium comes to their home, and that serves to further complicate things. Altman referred to the picture as an anti-Western, and it’s clear because it completely subverts all the tropes you expect from such a movie.

My 10 Favorite Saturday Night Live Cast Members

Throughout 46 seasons, Saturday Night Live has had over 160 cast members. There are ones that are very memorable due to the show spotlighting more often than others. There are ones that were on so briefly most people don’t even know they were on the program (Ben Stiller, Damon Wayans, Robert Downey Jr.). Some cast members are incredibly overrated (looking in Kate McKinnon’s direction), while others are solid MVPs that never got the praise they deserved (did someone say, Ana Gasteyer?). Here are my top 10 favorite cast members (in order of joining the show) of Saturday Night Live with my thoughts on why I love them and a tiny sample of their work.

My Favorite Movies of 1981

Raiders of the Lost Ark (directed by Stephen Spielberg)
From my full review
Raiders certainly holds up as a great adventure movie. The writing is sharp, and the characters are fully realized so that everyone has a personality without becoming an obnoxious exaggeration. Belloq could easily have moved into a farce of a French snob, but he is grounded and feels like a more realistic person. The same is said for the Nazi antagonists alongside him. They are both character types from genre films but also not grotesque cartoons. In modern cinema, we often get more exposition around villains to explain motivation and layout a master plan. While Belloq does have his own designs on the Ark, I don’t think there was ever a scene that felt like awkward exposition. His goals are clearly stated, and then the story moves on.

My 40 Favorite Movies Part 4 (of 4)

Sunset Boulevard (1950, dir. Billy Wilder)
My full review

Funny enough, my first exposure to the narrative of Sunset Boulevard was an episode of Tiny Toon Adventures. The episode was titled “Sepulveda Boulevard” and put Montana Max in the William Holden role while Elmyra played the Norma Desmond analog. Hampton the Pig served as the stand-in for Otto Preminger’s faithful butler. So when I was an adult, I already understood the general narrative of this fantastic film. Billy Wilder delivers a tremendous variation on the noir film by reframing it as a Hollywood movie.

My 40 Favorite Movies Part 3 (of 4)

Twin Peaks: Fire Walk With Me (1992, dir. David Lynch)
My full review

Longtime readers of the blog won’t be surprised to hear what an influence David Lynch has had on me in my taste for media and artistic perspectives. I watched Twin Peaks during its original run at the age of 9-10. However, it wouldn’t be until college that I first saw the feature film prequel Fire Walk With Me, and I can’t say I enjoyed the film on my first viewing. Like many Peaks fans, I found it was very different from what I expected.

My 40 Favorite Movies Part 2 (of 4)

Seven (1995, dir. David Fincher)
My Full Review

As I’ve gotten older, I’ve come to have a lot of respect for David Fincher’s filmmaking. I know Alien 3 was my first encounter with him, but Seven was the first Fincher film to leave an indelible impression on me. I didn’t first see it until I was in college. I was able to pick up one of the special editions that came out in 2000; from what I gather, this was all the material from a Criterion Laserdisc transferred over to New Line Cinema. The bonus materials on a Fincher DVD are often very informative, allowing you to really dig into how he approaches the craft.

My 40 Favorite Movies Part 1 (of 4)

Wet Hot American Summer (2001, dir. David Wain)

In honor of turning 40 years of age, I am presenting a list of my 40 Favorite Films in order. The long list was over 200 items so this has been pared down and mulled over considerably . The films that make up the bottom part of a list like this are often the “just made its.” They had some unique element, in some cases utterly indescribable, that qualified them for a spot over something else. We begin with Wet Hot American Summer, a film I saw in 2001 while a college student. I had become tangentially aware of The State through one of my friends Keith, the same friend who introduced me to Mr. Show and for whom I am incredibly thankful. These shows ultimately helped shape my personal taste in comedy in a significant way.

My Favorite Ned Beatty Performances

Toy Story 3 (2010, dir. Lee Unkrich)

Beatty delivered one of his best performances near the end of his acting career as Lotso-Huggin’ Bear, the villain of the third Toy Story movie. By now, the shine of Pixar has faded a bit, but for the longest time, it seemed they could do no wrong. I was pretty skeptical going into a third Toy Story if the quality could be maintained, yet they presented one of the best outings yet. Helping that work was Beatty in the role of the antagonist. Lotso holds a grudge after he is left behind at a rest stop by his owner. This is made even worse when he arrives home and finds she’s had a replacement Lotso bought for her. Now he spends his twilight years in a daycare where he runs things with an iron fist when the humans go home. Beatty does a great job bringing layers to Lotso, showcasing his charisma and grandfatherly charm at the start. When things get dire, he doesn’t hold back on the villainy, and it is what makes the character one of the more compelling villains created by Pixar.