x-men – Page 2 – PopCult Reviews

Comic Book Review – X-Men: Mutant Massacre Omnibus

X-Men: Mutant Massacre Omnibus (2022)
Reprints Uncanny X-Men #210-219, X-Men Annual #11, X-Factor #9-17, X-Factor Annual #2, New Mutants #46, Thor #373-374 and 377-378, Power Pack #27, Daredevil #238, Fantastic Four vs. The X-Men #1-4, and X-Men vs. The Avengers #1-4
Written by Chris Claremont, Louise Simonson, Walt Simonson, Ann Nocenti, Roger Stern, Tom DeFalco, and Jim Shooter
Art by John Romita Jr, Bret Blevins, Rick Leonardi, Alan Davis, Barry Windsor-Smith, Jackson Guice, Marc Silvestri, Terry Shoemaker, Walt Simonson, David Mazzucchelli, Jon Bogdanove, Sal Buscema, and Keith Pollard

One of Chris Claremont’s goals with X-Men was that it would be a team constantly experiencing change. In an interview published around X-Men #200, the writer said he wanted it so that if you picked up issue 100, you’d get one version of the team. A hundred issues later, another version and a hundred issues after that would differ from the first two. This was a particularly refreshing viewpoint in superhero comics, where stagnancy is the default setting. Think about Uncanny X-Men just as the Mutant Massacre was happening. Cyclops was married and had left the book, Magneto had taken over Xavier’s role, and Storm had lost her powers and become a mohawk-wearing punk, bringing in characters like Kitty Pryde, Rachel Summers, and Rogue. There was another significant change coming.

Comic Book Review – The Uncanny X-Men Omnibus Volume Five

The Uncanny X-Men Omnibus Volume Five (2023)
Reprints Uncanny X-Men #194-209, X-Men Annual #9-10, New Mutants Special Edition, New Mutants Annual #2, Nightcrawler #1-4, Longshot #1-6, and Marvel Fanfare #33
Written by Chris Claremont, Dave Cockrum, and Ann Nocenti
Art by John Romita Jr, Barry Windsor-Smith, Rick Leonardi, June Brigman, Dave Cockrum, Art Adams, and Alan Davis

Chris Claremont is wondering where he can go with the X-Men in 1985. He’s been writing the book for an entire decade, and you can feel him struggling to find storylines to latch onto. Plot elements get introduced but seemingly forgotten in the next issue. Sometimes, they will resurface months or even a year later. Outside of Storm, the rest of the cast is just sort of there. If you stand back and look at the comics landscape at this time, the type of stories being told and the tone of comics were dramatically changing. The old Silver Age villain-of-the-month tropes had grown tired, and more mature writing was what people wanted. Well, mature in the case of someone like Alan Moore, but not so much with everyone else. At a minimum, stories were becoming grittier or making meta-commentary on the genre.

Comic Book Review – The Uncanny X-Men Omnibus Volume Four

The Uncanny X-Men Omnibus Volume Four (2021)
Reprints Uncanny X-Men #176-193, X-Men Annual #8, Kitty Pryde and Wolverine #1-6, X-Men and Alpha Flight #1-2, and Marvel Fanfare #40
Written by Chris Claremont (w/Barry Windsor-Smith)
Art by John Romita, Jr, Al Milgrom, Paul Smith, Barry Windsor-Smith, Steve Leialoha, and Craig Hamilton

The Uncanny X-Men was approaching a period of massive changes. This collection ends with Claremont’s 100th issue on the title, and you can feel him searching for new threads to connect old ideas with fresh ones. Issue 176 sees two prologues, one to a story that just feels like treading water, and the other is something that will develop over the next few months.

Comic Book Review – The Uncanny X-Men Omnibus Volume Three

The Uncanny X-Men Omnibus Volume Three (2021)
Reprints Uncanny X-Men #154-175, X-Men Annual #6-7, Special Edition X-Men #1, Marvel Graphic Novel #5, Wolverine #1-4, and Magik #1-4
Written by Chris Claremont
Art by Dave Cockrum, Paul Smith, Bill Sienkiewicz, Brent Anderson, Frank Miller, Walter Simonson, John Romita Jr., Michael Golden, Bret Blevins, John Buscema, Ron Frenz, and Sal Buscema

Chris Claremont’s X-Men run began as an engine running on sagas. The Phoenix saga started almost as soon as he began writing the book and dominated for three years. Following that, you had the Kitty Pryde era, where her joining the team and going through growing pains were crucial features. It wasn’t as saga-ish, but it gave us stories like Days of Future Past, which still ripple through X-Men media to this day. In reading these stories, I get the sense Claremont was trying to find the next big arc, but so much of what came out of the writing was circling around the same ideas or characters and fleshing them out a bit more. This is a time when the writer is trying to figure out how X-Men stays relevant and moves from the trappings of Silver Age storytelling into a more modern, mature era.

Comic Book Review – The Uncanny X-Men Omnibus Volume Two

The Uncanny X-Men Omnibus Volume Two (2020)
Reprints X-Men #132-141, X-Men Annual #4-5, Uncanny X-Men #142-153, Avengers Annual #10, Marvel Fanfare #1-4, Marvel Treasury Edition #26-27, Marvel Team-Up #100, Bizarre Adventures #27, Phoenix: The Untold Story
Written by Chris Claremont and John Byrne
Art by John Byrne & Dave Cockrum

In my last review, I held back on discussing two characters introduced in the previous couple of issues collected in that omnibus. I’ll talk about them now, as one proves to be a core element to the next phase of Claremont’s run. Emma Frost debuted as part of the Hellfire Club’s first volley to capture Jean Grey and bring her into the fold. I had read these issues years ago and didn’t remember that Emma gets taken off the board fairly quickly. This means when the X-Men finally meet the entire Hellfire Club, Emma is catatonic and not part of the action.

Comic Book Review – The Uncanny X-Men Omnibus Volume One

The Uncanny X-Men Omnibus Volume One (2020)
Reprints Giant-Size X-Men #1, X-Men #94-131, and X-Men Annual #3
Written by Chris Claremont and John Byrne (w/Len Wein & Bill Mantlo)
Art by Dave Cockrum & John Byrne

Last year, I read through the initial X-Men run featuring the original five. Stan Lee & Jack Kirby started out as the creative team, quickly stepped aside, and the title just never found its footing. There was a great stint when Roy Thomas wrote with Neal Adams on pencils; that was a standout, but overall, it was a forgettable comic book. For five years, the X-Men book reprinted its sixty-six issues, and as Marvel got closer to running out of stories to reprint, they decided to do something new with the concept. Len Wein was doing double duty as writer & editor at Marvel in the mid-1970s and worked with artist Dave Cockrum to create some new mutants to shake up the X-Men dynamic. He also pulled in a character he’d introduced around the same time in the pages of Incredible Hulk. It was a short, clawed Canadian superhero named Wolverine.

Comic Book Review – X-Men Epic Collection: It’s Always Darkest Before the Dawn

X-Men Epic Collection: It’s Always Darkest Before the Dawn (2019)
Reprints Amazing Adventures #11-17, Amazing Spider-Man #92, Incredible Hulk #150, 161, 172 & 180-182, Marvel Team-Up #4 & 23, Avengers #110-111, Captain America #172-175, Defenders #15-16, and Giant-Size Fantastic Four #4
Written by Steve Englehart, Len Wein, Gerry Conway, Stan Lee, Roy Thomas, Archie Goodwin, Mike Friedrich, Tony Isabella, & Chris Claremont
Art by Sal Buscema, Tom Sutton, Herb Trimpe, Gil Kane, Don Heck, John Buscema, Bob Brown & Jim Starlin

This is the easiest to pass up of all the original X-Men Epic Collections. It takes place in the gap between the initial run and Chris Claremont’s takeover in 1974, so we have a lot of short arcs with the X-Men guest-starring in other books. That was my mindset at first, but the more I’ve thought about it, the more I see this as a flame carried by people who loved these characters. It would have been easy to let the X-Men slide into obscurity like many other characters whose books got canceled. They could have fallen into comic book limbo, but because writer/editor Len Wein believed in the concept, he and other creators kept finding places for these mutant heroes to pop up.

Comic Book Review – X-Men Epic Collection: The Sentinels Live!

X-Men Epic Collection: The Sentinels Live! (2018)
Reprints X-Men #46-66, Ka-Zar #2-3, and Marvel Tales #30
Written by Roy Thomas, Arnold Drake, Gary Freidrich, Denny O’Neill, Linda Fite, and Jerry Siegel
Art by Neal Adams, Jim Steranko, Werner Roth, Don Heck, George Tuska, Barry Windsor-Smith, and Sal Buscema

The X-Men were in a spiral downward during this period, with writers coming and going every few issues. Roy Thomas’ run was paused for a few issues before returning with a surprisingly new collaborator on pencils. Eventually, the steam would run out of the concept, and for four years, there would be no new stories published in the X-Men title, only reprints. In this book, we see that last period where you could pick up a new monthly story featuring only the original team. After all this time, some of their personalities are still muddy and often contradictory when new writers jump on the book. There are some hidden gems here, though, stories that rooted themselves so much they still have effects on the title today.

Comic Book Review – X-Men Epic Collection: Lonely Are The Hunted

X-Men Epic Collection: Lonely Are the Hunted (2018)
Reprints X-Men #24-45, Avengers #53, and Not Brand Echh #4,8
Written by Roy Thomas with Gary Friedrich
Art by Werner Roth, Don Heck, George Tuska, Ross Andru, Jack Sparling, Dan Adkins, John Buscema, and Tom Sutton

As prolific as Stan Lee was, he just didn’t know what to do with all of his co-creations. You can feel his enthusiasm for characters like Spider-Man and the Fantastic Four in how those worlds build outward from the central protagonists. Unfortunately, the same cannot be said for books like Daredevil or the X-Men. Lee clearly had a concept but didn’t seem to know where to go after that, aside from very few antagonists that would carry on into the present. Finally, after 19 issues, he handed the reins over to Roy Thomas, a rising star editor & writer at Marvel. Thomas had come to Marvel in 1966 after a stint at DC Comics. After fill-in writing on some teen romance books, Thomas’ first long-term writing gig came in Sgt. Fury and His Howling Commandos for one year before being handed the X-Men.

Comic Book Review – X-Men Epic Collection: Children of the Atom

X-Men Epic Collection: Children of the Atom (2015)
Reprints X-Men #1-23
Written by Stan Lee
Art by Jack Kirby, Werner Roth, and Alex Toth

The X-Men have had quite a tumultuous history. When I was getting into comic books in the late 1980s/early 1990s, they were insanely hot. X-Men comics were some of the best-selling books, which spun off into action figures, video games, and multiple animated series. When we think of the X-Men, many immediately think of Wolverine. My personal favorites have always been Colossus and Nightcrawler. Yet, none of that is present at the beginning and wouldn’t be for over a decade. The original X-Men was such an oddball book, feeling like an afterthought by Stan Lee.