Movie Review – The Glass Shield

The Glass Shield (1994)
Written by Charles Burnett, John Eddie Johnson, and Ned Welsh
Directed by Charles Burnett

Charles Burnett continued making movies after My Brother’s Wedding, despite it being taken away from him in the editing room. In 1990, he directed what is arguably his best film ever, To Sleep With Anger, which I previously reviewed. That was my introduction to Burnett a few years ago, coming across this movie I’d never heard of with Danny Glover. The 1990s for Black filmmakers was an extremely fruitful period. Directors like Spike Lee & John Singleton found enormous fame and opportunities. People who worked on their films in various production capacities also emerged as writers & directors. Burnett was clearly aware of the types of movies finding a foothold with audiences, stories of the Black experience, especially regarding racism. But none of the pictures Hollywood was making ever really zeroed in on the most insidious problem in these communities, but Burnett sure as hell was going to talk about it.

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Comic Book Review – Seven Soldiers

Seven Soldiers (2010)
Reprints Seven Soldiers of Victory #0, Shining Knight #1-4, Guardian #1-4, Zatanna #1-4, Klarion the Witch Boy #1-4, Mister Miracle #1-4, Bulleteer #1-4, Frankenstein #1-4, Seven Soldiers of Victory #1
Written by Grant Morrison
Art by J.H. Wiliams III, Simone Bianchi, Cameron Stewart, Ryan Sook, Mick Gray, Frazer Irving, Pasqual Ferry, Yanick Paquette, Serge LaPointe, Doug Mahnke, Billy Dallas Patton, Michael Blair, and Freddie Wiliams II

I will not be able to fully unpack Seven Soldiers in this small setting. This is a book worthy of its own full-length book detailing the references, symbolism, and meaning that Grant Morrison has packed into it. I will spend this time talking about how much I appreciate and enjoy this book, touching on some thematic and structural aspects as we go. This cannot be an exhaustive deconstruction of such an overwhelming piece of comic art.

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Looking at Art – Mural de La Plena

Welcome to Looking at Art. Here’s what we do: I just spend some time looking at the piece, writing down thoughts & questions I have. Thinking about how it makes me feel and trying to make connections. Then I will do some research and report back to you with any details that are relevant to the piece. Finally, I put all that together and contemplate how the piece’s meaning has changed for me & what my big takeaways are. Today’s selection is:

Mural de La Plena (1952-1954)
Rafael Tufiño
Painting, Mural, Oil on Masonite (20 panels)
4.6 m x 9 m

I chose this piece because it comes from Puerto Rico, and Ariana is from Puerto Rico. Beyond that and the essential information above, I have yet to learn about the history of this mural. I do know bits & pieces of Puerto Rican history. It is a colony (labeled ‘commonwealth’) of the United States. Puerto Rico was handed over to the United States in 1898 after being a Spanish colony since Columbus landed there. It was initially inhabited by the Taino indigenous people, who are now primarily interracial, having been forced into & more recently chosen to be in relationships with non-Taino people. Puerto Rico, like Washington D.C., is a place where the citizens do not have representation in the U.S. federal government and therefore are denied the rights enjoyed by the mainland states, Alaska, and Hawaii. They may vote in presidential primaries but are legally forbidden to vote in the general election unless they have residency in the States.

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Movie Review – My Brother’s Wedding

My Brother’s Wedding (1983)
Written & Directed by Charles Burnett

The career of Charles Burnett has always been one plagued with obstacles. When he was coming up, you couldn’t be a Black filmmaker with deeply artistic inclinations and not have a ton of shit thrown in your path. Today, Black filmmakers benefit from how he carved out a way, and they routinely express their admiration & gratitude for what Burnett did. Killer of Sheep did incredible in the foreign film festival circuit, but when Burnett returned to the States, there wasn’t even a whisper about the movie. In his homeland, he would work in obscurity, a seeming refusal among the white film critic establishment to even acknowledge his work existed. In the 1980s, Burnett was still working, making movies that spoke to him with little focus on their bankability. He definitely would like to have been given the acclaim his white peers received, but that would never happen. 

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TV Review – Better Call Saul Season Six

Better Call Saul Season Six (AMC)
Written by Peter Gould, Thomas Schnauz, Ariel Levine, Gordon Smith, Ann Cherkis, and Alison Tatlock
Directed by Michael Morris, Vince Gilligan, Gordon Smith, Rhea Seehorn, Melissa Bernstein, Giancarlo Esposito, Thomas Schnauz, and Michelle MacLaren

Growing up in America, you often hear the refrain of “Be Yourself” on children’s television and at school. Their idea is to encourage kids to embrace who they are and be proud of these things. It’s a beautiful sentiment. However, with most notions fed to children in the States, it has a common contradictory concept fed to kids at around the same time. You need to change, you need to figure out how to “fit in,” and you need to adapt. It’s no wonder the United States has reached a zenith of mental health collapse after every generation since at least post-WWII has been churned through this tug of war. What even is the Self is not an accumulation of experiences processed through your unique psychological processes, with even them being influenced by a barrage of input from the external world. Who is good and evil in a world where those terms exist with the utmost flexibility in definition? Is it better to change or to embrace who you are and try to do something good with it?

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Movie Review – Killer of Sheep

Killer of Sheep (1978)
Written & Directed by Charles Burnett

To be Black in America is to live in a constant state of contemplating whiteness. Of course, being a white person, I can’t say with any absolute sense what that feels like, but I can imagine it can be overwhelming at certain times. Eventually, you would become somewhat numb but never enough to escape the torment of it, to be constantly reminded of an artificial inferiority imposed on you by a culture of people who revel in their mediocrity. As a result, in the United States, there have been waves of Black cinema, each with its own distinct tones & styles, attempting to capture & communicate a feeling of what it felt like to be Black at that time.

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February 2023 Posting Schedule

New Movie Reviews
Feb 10 – Babylon

Film Series
Feb 1 thru 8 – Charles Burnett: In Rebellion
Killer of Sheep, My Brother’s Wedding, The Glass Shield, Namibia: The Struggle For Liberation

Feb 13 thru 17 – Three Colors trilogy
Blue, White, Red

Feb 20 thru 27 –  Four by Douglas Sirk
Magnificent Obsession, All That Heaven Allows, Written on the Wind, Imitation of Life

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Patron Pick – The Wonder

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Matt Harris.

The Wonder (2022)
Written by Emma Donoghue, Sebastián Lelio, and Alice Birch
Directed by Sebastián Lelio

You will not be able to predict the opening shot of this movie if you haven’t heard about it already. But that first image immediately puts the viewer in a place where their expectations are gone. What you think this movie is and what it will be about are all flushed, creating an open canvas for your mind. Now you are just going with the picture, discovering it simultaneously as it happens before your eyes. We rarely get this sort of film anymore, especially from Netflix. By the end, you may not fully grasp what has happened, and that’s okay. The ideas in The Wonder are big & essential, but you need to sit with them for a while. That’s also not an experience many popular films are providing for their audiences, and we need it.

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Movie Review – A Simple Plan

A Simple Plan (1998)
Written by Scott B. Smith
Directed by Sam Raimi

The 1990s were an eclectic decade for Sam Raimi. Darkman was his entry into the 90s, which helped to get his third Evil Dead film, Army of Darkness, greenlit through Universal Pictures. That was followed a few years later by the western The Quick and The Dead. Then came A Simple Plan (He would wrap up the decade with the Kevin Costner baseball movie For Love of the Game, so he wasn’t sticking to a single genre). 

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