Hypothetical Film Festival #2 – Offbeat Science Fiction

When you drop the term “science fiction” to a non-initiated non-geek there are a lot of cliched, stereotypical things that come to their mind. They think of the behemoth Star Wars franchise, the obsession of the Star Trek fan, and a myriad of other negatives things that in actuality not truly representative of sci-fi. So you want to bait your non-sci-fi friend into warming up to the genre? Here is a hypothetical film festival meant to show some of the breadth of what science fiction can be.

1) Tremors (1990, dir. Ron Underwood)
Kevin Bacon, Fred Ward, Reba McEntire, Michael Gross

An excellent starter film. If you haven’t seen Tremors (and why haven’t you?!) it is an incredibly irreverent, farcical pic in the vein of Roger Corman’s B-monster movies. The plot concerns two handymen (Bacon and Ward) in a rundown former mining town that is on life support. A series of mysterious deaths occur at the same time a young student seismologist discovers a serious of strange quakes happening in the region. The handymen discover that a brood of prehistoric gigantic worms are burrowing their way under the town and popping up to swallow the citizenry. What follows is a mix of slapstick comedy and bizarre sci-fi tropes that make for a fun, light flick. Beware of the follow up films in this series though. They lack the humor and budget of this film.

2) A Scanner Darkly (2006, dir. Richard Linklater)
Keanu Reeves, Winona Ryder, Robert Downey, Jr, Woody Harrelson

Philip K. Dick is considered to be a master of re-defining the science fiction literary genre and creating his own branch of more philosophical literature that incorporated science fiction elements into the story structure. Sadly, the majority of attempts to adapt his stories and novels to the screen have failed to live up to their source material (Total Recall, Minority Report) or good films but definitely not what Dick intended (Blade Runner). A Scanner Darkly, an animated film, has been the first adaptation that seems to understand the intent of Dick’s work. The plot concerns Bob Arctor (Keanu Reeves), an undercover police agent in the near future who has been assigned to track down the production of the dangerously addictive drug, Substance D. He ends up posing as a dealer and shacking up with two brain fried addicts (Downey Jr and Harrelson) and dating fellow dealer (Ryder). The catch is that Arctor’s identity must be kept secret to everyone up to his superiors by wearing a scramble suit (a suit that obscures a person’s face and body by shifting through a mosaic of indexed images of people). Arctor’s suffers a crisis of identity as a result and the film focuses a lot of its time on his meditation on figuring out who he really is. Director Linklater is sure to keep this feeling like a not-to distant future by playing the tech side very low. A very nice transition into a branch of sci-fi Hollywood seems to ignore.

3) Happy Accidents (2001, dir. Brad Anderson)
Starring Marisa Tomei, Vincent D’Onofrio

While director Brad Anderson has become known more for his horror film work (Session 9, The Machinist), he made his start with relationship focused films. Happy Accidents works as a perfect date movie but also presents a contemporary science fiction plot that is inventive and clever and has no need for big budgets special effects. Ruby (Tomei) has had horrendous luck with men and had all but given up till she meets Sam Deed (D’Onofrio). Sam is a charismatic, quirky Midwesterner who charms Ruby right away and things move much faster than she planned. Then, Sam reveals something about himself that sends Ruby running; he claims to be from the year 2470. What follows is a clever play on the typical romantic comedy that will keep you guessing whether Sam is yet another nut-job or the real deal. A perfect example of what science fiction can be but is usually presented as.

4) Delicatessen (1991, dir. Marc Caro, Jean-Pierre Jeunet)
Starring Dominique Pinon, Jean-Claude Dreyfus

The minds behind Amelie and The City of Lost Children present this surreal slapstick post-apocalyptic flick. At an undisclosed time in the future, the world is in ashes and one apartment building in the ruins is attempting to keep life going on as usual. A new maintenance man has shown up (Pinon), who tries to figure out how the original maintenance man vanished. This leads him to discover that the landlord (Dreyfus) is butchering passersby and selling the meat to his voracious tenants. Add in a literal underground rebellion of sewer men and you have a very strange, very funny black comedy. A movie that proves even the end of the world can be hilarious.

5) Fantastic Planet (1973, dir. Rene Laloux)

This amazing French/Czech animated film exemplifies what pre-Star Wars science fiction was about: huge, transcendental ideas and the exploration of surreal worlds. On the title planet, the gigantic blue-skinned Draag employs minute, humanoid Oms as household slaves and pets. A small clan of Om have broken away and formed a civilization in the wilderness with plans to overthrow the Draag. This film contains some amazing psychedelic imagery and is a great science fiction picture for people who are more in the Philip K. Dick vein of the genre.

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