The Lovely Bones (2009, dir. Peter Jackson)
Starring Saorise Ronan, Mark Wahlberg, Rachel Weisz, Stanley Tucci, Susan Sarandon
Before he was known as the director who brought The Lord of the Rings to the big screen, Peter Jackson was a small budget New Zealand filmmaker. Among his work was the wacked out zombie flick Dead Alive, the Muppet show on crack Meet the Feebles, and the amazing Heavenly Creatures. And it is Heavenly Creatures, that seems to bear the strongest kinship to Jackson’s latest film. Both films focus on female protagonists and involve their subconscious being brought to the surface in surreal landscapes. However, where The Lovely Bones is an improvement in technical achievement, it lacks the narrative strength of Heavenly Creatures.
Based on the 2003 novel by Alice Sebold, The Lovely Bones is a first person narrative where the newly deceased Susie Salmon chronicles her afterlife and her family’s reactions to her death. Susie is unable to be at rest in the afterlife, due to her murderer still wandering free. She begins to influence the actions of her family and direct them towards the murderer’s house so that the case can be solved and she can move on. This is juxtaposed to her living out fantasies in a strange surreal afterlife landscape.
This film felt as much like fantasy as the Lord of the Rings trilogy. While there are no orcs or wizards, characters are so unrealistic they might as well be wielding magic wands and riding dragons. Susie is so perfect in her actions and attitudes that I could not connect or empathize with her at all. Susie’s biggest rebellion as a teenager comes in being embarrassed about her new knit cap. Everything Susie does is framed by the film in a sort of gauzy light. In contrast, Mr. Harvey, her murderer is filmed in an equally absurd but menacing way. He constant sweatiness and heavy breathing is over-emphasized, and Jackson employs low camera angles to create a sense of looming danger.
This over simplification causes the film to come across as shallow as a silent film. I half expected, Mr. Harvey to start twirling his mustache and tie Susie to a railroad track. I assume the audience is meant to be wowed by the CG effects employed in the afterlife sequences, but because of the initial depthless nature of the characters it was simply some pretty pictures. At the end, the characters are so poorly developed it doesn’t seem possible to have the strong emotional response I’m sure Jackson and co-scripter Fran Walsh intended. It seems that since, and in despite of the success of, the Lord of the Rings series, Jackson has been returning a diminishing product (see King Kong as well). One hopes that he can make his next project a bit more meaningful and more character-driven.