Fish Tank (2009, dir. Andrea Arnold)
Starring Katie Jarvis, Michael Fassbender, Kierston Wareing
Mia is angry at everyone and everything. She headbutts a girl for simply mouthing off to her. She fights constantly with her mother. She’s considered an oddball by the boys. She’s been kicked out of school. This her last chance. Andrea Arnold’s portrait of a 15 year old girl growing up in contemporary Essex, England is an incredibly immersing film. I have to admit, I sat down to watch it less than enthused but found myself completely engrossed in the picture. Arnold’s emphasis on naturalism comes shining through and every frame of the film feels honest and real.
Mia’s world is changed when her mother brings Conner home. Conner is a handsome, charming man who treats Mia and her younger sister with kindness. The four make a nice little family, going out for a drive in the country one day, and Conner and Mia catching a fish together. But there is a palpable tension between Mia and Conner. The film constantly veers from her seeing him as a replacement father but also an object of sex. And for a girl in Mia’s situation, such a confusion would be understandable. There is no single strong male or female influence in the girl’s world, so when one comes along she clings to him for dear life.
There’s a recurring action of Mia’s that is glanced in the first moments of the film and repeated throughout. A ragged emaciated horse stands chained to large boulder in the middle of gravel covered field. Mia climbs a fence and uses a stone to smash at the chain and free the horse. With each attempt she find the action more and more futile. Another action which Mia repeats again and again is when she busts into an abandoned tenement flat and practice hip hop dancing. Music becomes a link between she and Conner and also a possible mode of escape. Where Mia and her family end up is a balanced mix of sadness and hope, and Conner’s role in it all is the most shocking.
The film is all about newcomer Katie Jarvis who, in her film debut, is absolutely amazing. Katie’s personal life is not too different from her character’s. She was a mother at 16 and was discovered while screaming at her boyfriend on the street. The same anger and fire in Mia is all brought to the film by Katie herself. Director Andrea Arnold is also a powerful force, making this world feel completely honest and knowing when and what to show the audience. An amazing achievement in contemporary British cinema.
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