Bunny and the Bull (2009, Paul King)
Starring Edward Hogg, Simon Farnaby, Veronice Echegui, Richard Ayoade, Julian Barrett, Noel Fielding
Note: This film has no planned release date for either theaters or DVD in the US. So, your best bet is to torrent the sucker.
“Come with us now on a journey through time and space”. If you are familiar with the immensely popular British series The Mighty Boosh then those are familiar words to you. The director of that series, Paul King, embarks on his feature film debut, bringing with him some familiar faces in supporting roles as well as the quirky aesthetic sensibilities of his television series.
The premise puts agoraphobic Stephen in the midst a year long hermit period. He is dealing with a trauma that occurred in Europe while he was on holiday with his friend Bunny. The two follow Stephen’s idea of fun by touring the various museums of the continent, but once Bunny takes the wheel things become a lot crazier. They meet waitress Eloisa who is looking for a way back home to Spain, and Bunny decides that once they arrive there, he is going to fight a bull.
The strongest thing this picture has going for it are the inventive visuals. King is definitely a peer to a director like Michel Gondry, in the way he intentionally lets the audience in on the hacked together set pieces. A fast food delivery bag becomes the setting for a flashback in a restaurant. A snow globe becomes the Swiss mountain chateau the men stayed in. A photograph of their train becomes a chain of photos, set against a landscape made of similar snapshots. The Mighty Boosh did the same, and it caused the universe to feel like a timeless fantasy-scape.
The plot on the other hand is not very strong. There’s no real depth to the two main characters, Stephen is a very stereotypical neurotic and Bunny is the typical crazy risk-taker. There’s not attempt to give us more about these characters or attempt to explain their motivations. The rest of the film is populated with set piece characters, such as the dog-milking Polish man, an innkeeper overly fond of her stuffed bear, and a former matador who uses a shopping cart with horns for practice. The film is very pretty to look at, and showcases the cleverness of the director aesthetically, I just hope he can find a richer level of writing for his next film.