A major part of 1980s cinema were high school comedies. From Fast Times at Ridgemont High to Ferris Bueller, teens were a prominent element of the successful comedy films. However, there are a lot of comedies, often overlooked, from the 1980s that stand as some of the best ever made. This film festival is devoted those movies:
All of Me (1984, dir. Carl Reiner)
Starring Steve Martin, Lily Tomlin, Victoria Tennant
Roger Cobb (Martin) is a successful lawyer who is called in to help with the final arrangements of the eccentric, dying heiress Edwina (Tomlin). Through a mystic mix-up Edwina’s dying soul ends up taking over the right side of Roger’s body. The rest of the film hinges on Martin’s excellent physical comedy chops. While Tomlin provides the voice in Roger’s head, there are moments where Martin must switch back and forth between Edwina and Roger in an argument, and then have them physically fight. All of this takes place with just Martin on screen. It was also the fourth teaming of Martin and director Carl Reiner, and the two work wonderfully together.
Lost in America (1985, dir. Albert Brooks)
Starring Albert Brooks, Julie Hagerty
In my opinion, one of the best comedies ever made! Brooks doesn’t always succeed with his very specific style of humor, but all the elements come together here. David Howard (Brooks) has crunched the numbers and found that he and his wife Linda (Hagerty) can quit their jobs, buy an RV, and travel the country, with plenty of money to start them up where ever they decide to settle. However, one night in a casino and things go downhill. Brooks is absolutely hysterical in this film, but Hagerty matches him as well. Julie Hagerty has always been one of the most overlooked female comedy talents and this film showcases why is right up there at the top.
Planes, Trains, and Automobiles (1987, dir. John Hughes)
Starring Steve Martin, John Candy
John Hughes, most well known for his high school comedies, employed the talents of John Candy in many of his late 80s films. This picture, set around Thanksgiving, follows Neal Page (Martin) and Del Griffith (Candy) as two business whose fates become entangled as they try to make their way home for the holiday. The conceptual nature of the humor isn’t revolutionary, its basically the Odd Couple formula, but its the chops of its leads that make it good. This is also the first film I can recall where we are introduced to the curmudgeonly Martin persona. Typically he played the goofball, but here we get the easily irritated character to play off of Candy’s happy go lucky everyman.
Dirty Rotten Scoundrels (1988, dir. Frank Oz)
Starring Michael Caine, Steve Martin, Glenne Headly
Lawrence Jamieson (Caine) is a con man who has full control of his territory, the French Riviera. That is until brash and crude American Freddie Benson (Martin) shows up in town. At first, Lawrence tries to scare him out of town, then volunteers to teach him what he knows. They partner for awhile till an incredibly wealthy mark hits the scene and then its every man for himself. Martin definitely gets the bigger comedy bits in the film, but don’t underestimate Caine. He is forced to be more subtle, but delivers huge laughs of his own. Frank Oz, is a director with major ups and downs in his career but this is definitely the high point of all his work. The comedy feels classy, yet not pretentious. And I’ve always been surprised that no one thought to team Caine and Martin together in at least one more picture after this.
A Fish Called Wanda (1988, dir. Charles Crichton)
Starring John Cleese, Jamie Lee Curtis, Kevin Kline, Michael Palin
The greatest thing this film did was was introduce us to the comedy power of Kevin Kline. Kline plays Otto, a parody of American arrogance who is helping mob moll Wanda (Curtis) plot against her criminal boyfriend, abscond with the cash he stole, and flee the UK. Her boyfriend’s attorney, Archie Leach (Cleese) proves to be a nuisance and she attempts to seduce him. There’s also Michael Palin as chronic stutterer Ken Pile, a man who loves his exotic fish more than life itself. All of these characters mingle in a film that reaches the thresholds of great farce. The script was penned by Cleese and works on the same level of intelligence as Monty Python, yet grounds itself in a real world that is slightly off. The highlight is Kline though, who typifies the way Americans come off to their British cousins.