Seth Harris

TV Review – Reservation Dogs Season 2

Reservation Dogs Season 2 (FX)
Written by Sterlin Harjo, Dallas Goldtooth, Ryan RedCorn, Chad Charlie, Kawennáhere Devery Jacobs, Tazbah Rose Chavez, Erica Tremblay, Bobby Wilson, Blackhorse Lowe, Migizi Pensoneau, and Tommy Pico
Directed by Sterlin Harjo, Erica Tremblay, Danis Goulet, Tazbah Rose Chavez, and Blackhorse Lowe

I was a big fan of the first season of Reservation Dogs, finding it to be a smartly written and fresh show. Indigenous comedy is not something we settlers are exposed to very often, and I was grateful to be introduced to the talents involved in this show. Dallas Goldtooth immediately became my favorite with his portrayal of the spirit guide William Knifeman. But despite how much I enjoyed that first season, I wouldn’t say I loved it. That all changed with season two, which takes the established characters and goes further. It is one of the most emotionally moving, yet still hilarious, seasons of television I have watched in 2022.

Comic Book Review – X-Men Epic Collection: Lonely Are The Hunted

X-Men Epic Collection: Lonely Are the Hunted (2018)
Reprints X-Men #24-45, Avengers #53, and Not Brand Echh #4,8
Written by Roy Thomas with Gary Friedrich
Art by Werner Roth, Don Heck, George Tuska, Ross Andru, Jack Sparling, Dan Adkins, John Buscema, and Tom Sutton

As prolific as Stan Lee was, he just didn’t know what to do with all of his co-creations. You can feel his enthusiasm for characters like Spider-Man and the Fantastic Four in how those worlds build outward from the central protagonists. Unfortunately, the same cannot be said for books like Daredevil or the X-Men. Lee clearly had a concept but didn’t seem to know where to go after that, aside from very few antagonists that would carry on into the present. Finally, after 19 issues, he handed the reins over to Roy Thomas, a rising star editor & writer at Marvel. Thomas had come to Marvel in 1966 after a stint at DC Comics. After fill-in writing on some teen romance books, Thomas’ first long-term writing gig came in Sgt. Fury and His Howling Commandos for one year before being handed the X-Men.

PopCult Podcast – Smile/Hellraiser

It is Halloween season! This is the first of three episodes devoted to horror, culminating on October 30th with a double-sized episode.

Movie Review – Onibaba

Onibaba (1964)
Written & Directed by Kaneto Shindo

Societies collapse. No civilization on this planet hasn’t gone through an often violent transformation. Nestled within the comforting, indulgent bosom of the imperial core that is the United States, you can easily be swayed to believe “America is eternal,” but that’s thinking with a child’s mind. The United States isn’t even the same country it was when it was founded. This is why the study of history is vital to understanding our present. Humans make the same mistakes over and over, the clothes and hairstyles just change. It is also beneficial to look at art from periods of societal collapse and art that reflects on them. The chaos of collapse is a fruitful place to find human drama, moments that get to the very center of our experiences of survival.

Movie Review – Carnival of Souls

Carnival of Souls (1962)
Written by John Clifford & Herk Harvey
Directed by Herk Harvey

I made a dumb statement in my review of The Innocents. I caught myself. No one had to call me out. I used the term “elevated horror.” Ugh. I was reminded by seeing an excerpt from a John Carpenter interview that the term is meaningless. The word “elevated” implies better than something else, and when we talk about art, it’s profoundly reductive. I know what I meant and what I should have said. There is some horror that takes itself seriously and other horror that is tongue-in-cheek. I prefer the former because I want that suspension of disbelief. Tongue-in-cheek horror can be good, especially if you don’t want to lose yourself entirely in the work; you need some healthy distance & an ability to laugh at what is on screen. “Elevated” is often used to disparage low-budget films that did not have the resources of others. Yet, plenty of moving pieces of horror didn’t cost much to make. Carnival of Souls is undoubtedly one of those.

Movie Review – The Innocents

The Innocents (1961)
Written by William Archibald, Truman Capote, and John Mortimer
Directed by Jack Clayton

Horror is an umbrella term for diverse subgenres that all focus on one emotion: Fear. As a human being, you know fear has many levels and tones. You can have a momentary fright or slowly sink into the quicksand of dread. Horror cinema has films that fit this spectrum of intensity, with cheap jumpscares ruling the box office (for the most part). My personal favorite type of horror leans into existential fears. Gothic horror often does this exceptionally well, emphasizing atmosphere and striking visuals that linger. Alien is an excellent example of Gothic horror, even though it’s set in space. The fear comes primarily from our sense of dread, knowing that something terrible will happen yet not knowing why or if it can be stopped. Henry James’s The Turn of the Screw is about facing something you cannot fully understand, but it still speaks to something you’ve suppressed within yourself. For many people, that type of horror is all too real.

Movie Review – Hellbound: Hellraiser II

Hellbound: Hellraiser II (1988)
Written by Tony Randel
Directed by Clive Barker and Peter Atkins

The story of Film is littered with production companies & distributors who, at one point, seemed fairly dominant only to vanish overnight. New World Pictures is one of those companies. In 1987, they changed their new New World Entertainment to reflect their ownership of multiple media & product lines. They had purchased Marvel Comics, which dumped a load of potential film & television projects in their laps. New World produced the television series The Wonder Years and the soap opera Santa Barbara. They came close to purchasing Kenner and Mattel, both toy powerhouses of the decade. Ironically, this same drive to expand was followed by a significant financial slump and restructuring.

Comic Book Review – X-Men Epic Collection: Children of the Atom

X-Men Epic Collection: Children of the Atom (2015)
Reprints X-Men #1-23
Written by Stan Lee
Art by Jack Kirby, Werner Roth, and Alex Toth

The X-Men have had quite a tumultuous history. When I was getting into comic books in the late 1980s/early 1990s, they were insanely hot. X-Men comics were some of the best-selling books, which spun off into action figures, video games, and multiple animated series. When we think of the X-Men, many immediately think of Wolverine. My personal favorites have always been Colossus and Nightcrawler. Yet, none of that is present at the beginning and wouldn’t be for over a decade. The original X-Men was such an oddball book, feeling like an afterthought by Stan Lee.

PopCult Podcast – Bullet Train/Bodies Bodies Bodies

There’s only thing worse than hanging out with a bunch Zoomers at a hurricane party. And that would be riding a high speed train in Japan filled with assassins.

Movie Review – Blonde

Blonde (2022)
Written & Directed by Andrew Dominik

I knew this would be one of those movies where social media would have the stupidest takes on either side of loving or hating it. The criticism, of course, lacks as much nuance as the film itself. But that’s how most Americans engage with art; in a completely shallow way. They have been trained so they don’t get pesky ideas or start understanding how complex existence can be. Blonde is a bad movie, but it is not misogynistic out of malice but rather from completely vapid stupidity. Andrew Dominik’s failure is not that he did not accurately represent Marilyn Monroe’s life but that he made a terrible adaptation of a novel. It has no narrative threads or thematic consistency to tie everything together and comes off as an incoherently angry waste of time.