Comic Book Review – Daredevil by Chip Zdarsky Volume 1

Daredevil by Chip Zdarsky Volume 1 (2020)
Reprints Daredevil #1-10
Written by Chip Zdarsky
Art by Marco Checcetto, Lalit Kumar Sharma, and Jorge Fornes

I can’t say Daredevil has ever been a character I was drawn to reading. I’ve mostly been a DC Comics fan since I was a kid but have certainly read a healthy amount of Marvel Comics in that time too. However, Daredevil just felt like someone I never really clicked with and would instead read X-Men or Spider-Man. Nevertheless, this run by acclaimed writer Chip Zdarsky has garnered much praise, which intrigued me. So, I sat down and read through the run’s first ‘deluxe’ volume. 

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Movie Brain – January 14th, 2022

There’s much talk about schools in America right now as the core infrastructure that keeps that country running collapses around its working citizens. As someone who spent over a decade working in American schools, I find it hilarious to read what non-school employees think happens in the building, both when COVID isn’t an issue and now when it is the most pressing one. There are big sweeping gestures to blame teachers’ unions and the teachers themselves. Nothing about the whole conflict shows any sense of hope that when/if the society comes out of this plague, education will be improved in any manner. At best, this reveals the dirty truth: public education serves mainly as warehousing for children so wealthy people can extract their parents’ labor. In turn, the children are indoctrinated with conditioning that will make them good workers when they reach adulthood, given meaningless tasks to perform, and constantly told they must conform with what the authorities demand.

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Movie Review – Witness

Witness (1985)
Written by Earl W. Wallace, Pamela Wallace, and William Kelley
Directed by Peter Weir

Peter Weir was in the middle of pre-production work on The Mosquito Coast when backing fell through. He’d return to the project, but Paramount offered him the director’s chair for a picture they had trouble courting someone for. Witness, based on an episode of Gunsmoke, had been circulating in Hollywood for years. It was 182 pages (about 3 hours in movie time) and was critiqued by some executives for focusing too much on the Amish lifestyle rather than the thriller elements. Harrison Ford had already shown interest, so Weir’s first American film was a bit of a gamble but certainly helped by his star’s prominence in the industry.

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Movie Review – The Year of Living Dangerously

The Year of Living Dangerously (1982)
Written by David Williamson, Peter Weir, and C.J. Koch
Directed by Peter Weir

In a complete coincidence, I am currently reading The Jakarta Method: Washington’s Anticommunist Crusade and the Mass Murder Program that Shaped Our World by Vincent Bevins. I’m just about four chapters in but am already learning a lot about Indonesia and the part the CIA played in completely destabilizing that country. However, I was completely unaware that this film is specifically about the coup attempt in that country in the mid-1960s. This immediately raised my radar, wanting to see how the picture treats its communist characters. Will they be nuanced, developed participants in the story or faceless monsters like orcs in Lord of the Rings. Is this a movie influenced by anti-communist Western propaganda or an honest telling of what was happening in Indonesia?

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Movie Review – Gallipoli (1981)

Gallipoli (1981)
Written by David Williamson & Peter Weir
Directed by Peter Weir

Set around a decade after Picnic at Hanging Rock, Peter Weir’s Gallipoli continues his interest in looking at the so-called “wonder of civilized society.” He does it this time by making a war film that spends a large chunk of its time looking at the characters on their way to the war. His purpose is to examine ideas closely related to white Australian culture that might not be immediately familiar to people outside of the continent. One of these is the idea of ANZAC, the belief that Australians and their cousins in New Zealand possess unique traits that set them apart from their ancestral lands. In many ways, this is the myth of American exceptionalism Down Under. Weir also knows that you cannot talk about war in this era without addressing male friendship and how profound that love can be and how easily it is abused.

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Movie Review – The Last Wave

The Last Wave (1977)
Written by Peter Weir, Tony Morphett, and Petru Popescu
Directed by Peter Weir

Australia has been a land profoundly defined by its colonialist nature. The divide between the descendants of European settlers and the indigenous people is the story at the continent’s core. The Last Wave attempts to examine how even “well-meaning” Australians are simply never going to fully understand the complexity of Aborigine society, and that is simply how it is. This is related to the cultural roots of the settlers in punitive, authoritarian religious movements while the Aborigines live under a much more esoteric system of beliefs. But, more importantly, the film is about how Aborigine spirituality prepares its people far better for the chaotic shifts of the universe than the dogmatic Christian religions.

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Comic Book Review – Descender Deluxe Edition Volume 1

Descender Deluxe Edition Volume 1 (2017)
Reprints Descender #1-16
Written by Jeff Lemire
Art by Dustin Nguyen

Jeff Lemire is one of the most prolific comic writers of the current era, having penned some of the most memorable books of the last few years. He broke out with titles like Sweet Tooth and The Essex County trilogy and now authors superhero, science fiction, horror books, and more. I’ve been following his fantastic Black Hammer universe at Dark Horse comics for a few years and am close to wrapping up Twin Peaks-like Gideon Falls. So I decided to look at his other work at Image Comics, starting with this space opera epic clearly inspired by Astro Boy. 

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Movie Review – Picnic at Hanging Rock

Picnic at Hanging Rock (1975)
Written by Cliff Green
Directed by Peter Weir

The Australian New Wave was an explosion of cinema from the Land Down Under that lasted from 1970 through 1990. Many of the filmmakers involved branched into cinema outside their home country like George Miller (Mad Max) or Phillip Noyce (Rabbit Proof-Fence). Peter Weir is arguably the most successful of these directors, having had a very lucrative career in Hollywood through the 1980s. However, the gap between Weir’s projects grew as the years went on. His last film was The Way Back, released in 2010. I plan to look at his film catalog to figure out his familiar themes and techniques as a means to fully appreciate his work. 

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Movie Brain – January 7th, 2022

In 2021, I would post semi-weekly under the banner of Weekly Wonderings. These were just some thoughts on current events or things going on with me at the time. Once we got to the Netherlands, I slacked on that and eventually stopped altogether. I wasn’t sure what to talk about and focused more on movie reviews and other blog content. In 2022, I want to do something like Weekly Wonderings again but a little more focused on a single topic for a post. The posts will also relate to how the media (film, television, etc.) has shaped my own perception of things and how I’m expanding my understanding to break out of these societal structures. With things being what they are in the United States and globally, I wanted to talk a little about what we think of when discussing the apocalypse and what it may actually be.

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Movie Review – The Lost Daughter

The Lost Daughter (2021)
Written & Directed by Maggie Gyllenhaal

Motherhood always makes for a promising theme to tackle in film or literature. Being a mother is an intense experience from what I can observe as a childless man. I’ve been around many mothers as a primary school teacher, both as work colleagues and my students’ parents. In American culture, mothers are often juxtaposed against Mary, the mother of Jesus, saintly figures who sacrifice themselves to care for their offspring. The debate over reproductive rights is right in the middle of these ideals, pushing the assumption that all women love being mothers once they finally experience it, not so in The Lost Daughter.

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