Seth Harris

Movie Review – Halloween: The Curse of Michael Myers

Halloween: The Curse of Michael Myers (1995)
Written by Daniel Farrands
Directed by Joe Chappelle

One of the most infuriating things about the Thorns trilogy is how both Return and Revenge end on promising cliffhangers only to have them dashed with the next film in the series. Likewise, the Curse of Michael Myers takes all the character development of Jamie Lloyd and subsequently flushes it down the drain. For what purpose? To apparently introduce a whole host of new characters whom we never really care about and tangentially connected to Laurie Strode. It seems at times that this movie exists in the same universe as the previous two, and then at other moments, it ignores anything we might have learned during them.

Comic Book Review – Superman and Justice League America Volume 2

Superman and Justice League America Volume 2 (2016)
Reprints Justice League America #69-77, Annual #6
Written by Dan Jurgens (with Dan Mishkin)
Art by Dan Jurgens (with Dave Cockrum)

For a collection with Superman in the title, he is gone from the book two issues in. This collection presents stories told just at and after the infamous Death of Superman storyline. We get a tie-in with the League attempting to fight and getting obliterated by Doomsday. That’s followed by a Funeral for a Friend crossover as the League, and other DC superheroes come together to mourn the passing of the great hero. From there, we have Wonder Woman coming onboard, and Dan Jurgens begins to wind down his relatively short-lived run on the book. Jurgens’s departure feels abrupt as he barely slides into home base to finish off the Bloodwyn arc, and then it’s over. There’s a strong sense of a lack of closure for characters that were personal additions like Maxima and Agent Liberty.

Movie Review – Halloween V: The Revenge of Michael Myers

Halloween V: The Revenge of Michael Myers (1989)
Written by Michael Jacobs, Dominique Othenin-Girard, and Shem Bitterman
Directed by Dominique Othenin-Girard

So after leaving audiences hanging with a pretty great cliffhanger in Halloween IV, the producers decided to retcon it immediately and handwave it away as a dream. I wish I could say I was joking. Jamie Lloyd kills her foster mother in the final scene of Halloween IV, wearing a clown costume similar to her uncle’s. It was a daring, shocking frame to close the movie on, hinting at the hereditary nature of the evil within Michael. But then this movie opens by showing where Michael ended up after being riddled with bullets and proceeds to show that the whole foster mommy stabbing was a bad dream Jamie had. It was a clear sign we were bullshit territory.

Movie Review – Halloween IV: The Return of Michael Myers

Halloween IV: The Return of Michael Myers (1988)
Written by Alan B. McElroy
Directed by Dwight H. Little

After the box office failure of Halloween III, likely because audiences weren’t keen on the anthology angle, the producers decided to pivot back to Michael Myers. The franchise would be centered around him, causing the slasher to join the ranks of the constantly returning killers like Freddy Krueger and Jason Voorhies. John Carpenter was pulled back in along with Debra Hill, but they wrote with horror author Dennis Etchison this time. Whatever was in that script was rejected as “too cerebral,” and the desire to just have a meat & potatoes slasher movie was reiterated. Finally, Carpenter & Hill were done with the series and sold away all their rights. They didn’t see anywhere else you could go with Myers other than a cheap by-the-numbers slasher. And that’s basically what the franchise became.

Movie Review – Halloween III: Season of the Witch

Halloween III: Season of the Witch (1982)
Written & Directed by Tommy Lee Wallace

After 1982, John Carpenter and Debra Hill honestly had zero interest in making more movies about Michael Meyers. The producers, however, saw there was still money to get out of the Halloween brand. The compromise was that Halloween III not be a direct sequel to the preceding two films; this meant zero Michael. Instead, they proposed that Halloween movies could become an annual horror anthology. Each film would be set on the holiday but feature original characters in a plot divorced from previous entries. To start this off, writer Nigel Keane penned a script but was so displeased with changes that he asked for his name to be removed. Director Tommy Lee Wallace did a rewrite; therefore, he receives the story credit.

Movie Review – Halloween II (1981)

Halloween II (1981)
Written by John Carpenter and Debra Hill
Directed by Rick Rosenthal

Little did John Carpenter and Debra Hill know that their low-budget indie slasher flick would spawn so many sequels and reboots, creating a veritable multiverse of Michael Meyers. Timelines branch hither and thither so that the casual viewer will immediately be confused by which reality the story takes place in. Is this the Thorns Trilogy, or is it the Rob Zombie reboot, or is it the one where they bring back Jamie Lee Curtis or the other one where they bring back Jamie Lee Curtis? This October, we will be watching every single Halloween movie post the original 1978 feature. Will we be making sense of it? Hell no. But it should be an interesting journey through one of the most confounding horror franchises of our time.

PopCult Podcast – The Move, Malignant, and Many Saints

Something big happened and Ariana & Seth talk about it here. Plus a double feature of reviews.

Comic Book Review – Superman and Justice League America Volume 1

Superman and Justice League America Volume 1 (2016)
Reprints Justice League Spectacular, Justice League America #61-68
Written by Dan Jurgens (with Gerard Jones)
Art by Dan Jurgens and Ron Randall

In the wake of Crisis on Infinite Earths, one of the significant changes made to continuity was removing characters like Superman and Batman from the founding Justice League roster. Throughout the late 1980s, the JLA consisted of characters that weren’t considered headliners like Blue Beetle, Booster Gold, and Guy Gardner. Once the creative team of Keith Giffen & J.M. DeMatteis stepped down after a five-year run, and JLA was handed over to Dan Jurgens, a writer/artist who was doing some exciting things in the Superman books. So it seemed natural that he would bring Superman to the title as it was time for a new pared-down team to form. That would consist of stalwarts Blue Beetle, Booster Gold, Guy Gardner, Ice, Fire, and two new additions, Maxima & Bloodwynd.

TV Review – The Sopranos Season Six

The Sopranos Season Six (HBO)
Written by Terence Winter, David Chase, Matthew Weiner, Diane Frolov & Andrew Schneider, Robin Green & Mitchell Burgess
Directed by Tim Van Patten, David Nutter, Jack Bender, Alan Taylor, Steve Buscemi, Danny Leiner, Steve Shill, Phil Abraham

From day one, The Sopranos was compared to the work of Martin Scorsese. At a surface level view, that was inevitable as they both dealt in the world of Italian-American life and organized crime. However, Scorsese is concerned more with the intermingling of the sacred & the profane. Harvey Keitel kneels before a statue of Christ and prays for forgiveness throughout Mean Streets. Catholicism is highly prevalent throughout Scorsese’s work, and there are common elements of this religion in the Sopranos. However, I never once believed that Tony’s arc was a spiritual one. He does not believe in God, and it’s clear the world of the Sopranos is not governed by a deity. Instead, Tony’s journey is one of the inner mind; his dreams navigate him through the landscape of his existence. He does not speak to God; he listens to himself, for all the good & ill that leads to.

Patron Pick – Let There Be Light (2017)

This is a special reward available to Patreon patrons who pledge at the $10 or $20 a month levels. Each month those patrons will get to pick a film for me to review. They also get to include some of their own thoughts about the movie, if they choose. This Pick comes from Matt Harris.

Let There Be Light (2017)
Written by Dan Gordon and Sam Sorbo
Directed by Kevin Sorbo

When I was a youth, I fondly remember an hour block of syndicated television on Saturday featuring the adventures of Hercules & Xena. Little did I know over twenty years later, Kevin Sorbo, the man playing Hercules, would be revealed to be such a sanctimonious douchebag, grifting on the current fasci-corporate brand of American Christianity. It shouldn’t surprise me as the “top stars” of the American conservatism movement are washed-up actors (Scott Baio, Dean Cain, anyone?). I guess there’s some resentment about not succeeding in the business, but this isn’t some conspiracy theory about Sorbo’s religious belief; he’s not a good actor, so a cheesy show like Hercules was a terminal point for him. Sam Sorbo, his wife, was a recurring character on the show and is also a mediocre performer. I guess that makes them perfect performers for the Jesus film circuit.