Author: Seth Harris

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To Catch a Thief (1955)
Written by John Michael Hayes
Directed by Alfred Hitchcock

To Catch a Thief is an uncharacteristically glamorous affair for Hitchcock, lacking the dark psychological edge most audiences associate with his work. He always liked to have beautiful women in his cast and handsome actors, but usually, somewhere in the story, it would delve into twisted territory. But this keeps things focused on jewel theft in the French Riveria and one man trying to clear his name. It does feature mistaken identity elements, a common trope in Hitchcock’s work, but it lacks the suspense found in films like Rear Window and Dial M for Murder.

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Rear Window (1954)
Written by John Michael Hayes
Directed by Alfred Hitchcock

I first saw Rear Window when I was a child on our local unaffiliated network that aired whatever they could get their hands on. I was probably 10 or 11, but I remember being absolutely caught up in the way Hitchcock told the neighbors’ stories without much dialogue and even illuminated our protagonist in the way the images cut between these other people. This is a genuinely tense & thrilling murder mystery that uses its setting to its fullest. I think Rear Window is an excellent example for filmmakers with limited budgets and filming spaces to take advantage of every facet of that room or building to create a truly suspenseful story.

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Dial M for Murder (1954)
Written by Frederick Knott
Directed by Alfred Hitchcock

1954 was a big year for director Alfred Hitchcock and marked what critics refer to as his “peak years.” This is the period most people think of when they hear the filmmaker’s name. His television series, Alfred Hitchcock Presents, would start in 1955 and run for a decade. He’d helm pictures like Rear Window, Vertigo, North by Northwest, Psycho, The Birds, and more. In 1955 Hitch became an American citizen and began making his pictures for Paramount. He would work with some of his best actors like Jimmy Stewart, Cary Grant, and Grace Kelly. He’d also infamously terrorize actress Tippi Hedren in The Birds & Marnie, revealing some genuinely dark and disturbing psycho-sexual issues of his own. Hitchcock was a very problematic guy but at the same tapping into the depths of the human psyche.