Seth Harris

Comic Book Review – X-Statix: The Complete Collection Volume 1

X-Statix: The Complete Collection Volume 1
Reprints X-Force #116 – 129, Brotherhood #9, X-Statix #1-5
Written by Peter Milligan
Art by Mike Allred, Darwyn Cooke, and Paul Pope

This is the most of Peter Milligan’s work that I have ever read. Before this is was a handful of Justice League Dark issues and a mini-series he did for DC’s Flashpoint crossover. I can’t say I was ever a fan of what I read, it is all so strange & off. That doesn’t mean it’s bad, more that your brain sort of has to adjust to the wavelengths Milligan is broadcasting on. It’s evident he has his own style and is writing first for himself. I prefer writers who practice that approach, write a story you would want to read, and the audience will come to you. This is one of those forgotten runs in Marvel’s X-Men niche, running alongside Grant Morrison’s brilliant reboot of the main title. Milligan’s take on X-Force got a lot of attention when it kicked off, but I don’t remember it lasting too long, the series kept going but the buzz faded.

Movie Review – Lookin’ to Get Out

Lookin’ To Get Out (1982)
Written by Jon Voight
Directed by Hal Ashby

For some reason, in the 1980s, Hal Ashby made three crime films and a pilot for a failed crime series. I have no idea why he was given this material or why he would be attracted to it. Throughout his 1970s work Ashby reflected a deeply anti-authoritarian theme, particularly toward law enforcement. That’s not to say these movies a pro-police, they traffic in annoying criminal cliches and don’t necessarily give their roguish protagonists anything interesting or unique to do.

TV Review – Star Trek: Picard Season One, Episode One

Star Trek: Picard (CBS All Access)
Season 1, Episode 1 – “Remembrance”
Written by Akiva Goldsman & Michael Chabon & Alex Kurtzman and James Duff
Directed by Hanelle Culpepper

Fifteen years prior, in 2387, a disaster occurred. A star in the Romulan Empire went supernova wiping out Romulus and leaving billions stranded as refugees. During the aftermath of this event, Captain Jean-Luc Picard abandoned his post on the Enterprise to aid in the crisis. Since then, he has become a hero to a large faction of displaced Romulans but has cut ties with Starfleet. He growls at one point that Starfleet, as it exists now, is not the organization he once committed himself to. You could see this path unfold on The Next Generation as Picard would frequently move to follow his principles over the commands of his superiors.

Movie Review – Neighbors

Neighbors (1981)
Written by Larry Gelbart
Directed by John G. Avildsen

Animal House and The Blues Brothers are probably the only films John Belushi was in that a large number of people agree were good pictures. Neighbors is a movie that held a consensus as a complete disaster. This was the final film Belushi would star in, dying from a drug overdose, a combination of heroin and cocaine. When you look at the final product and Belushi in it, there’s a lot to like, but so many elements fail hard. Part of the film’s inability to find success in the box office lies in the fact that it’s an art-house picture, not a mainstream comedy. But when your two big names are Belushi and Dan Akroyd, and it’s 1981, you are going to try and sell this as a comedy for the crowds.

PopCult Media Moment (01/24/20)

Last weekend, I reviewed Disney’s The Black Hole, a terribly flawed science fiction horror flick with some great ideas embedded within. I did a little internet sleuthing and found out a sequel was in the works starting back in 2009. Director Joseph Kosinski (Tron: Legacy) was set to helm the film with Jon Spaights (Prometheus, Doctor Strange) writing. While the film was in the scriptwriting stage, Disney bought Lucasfilm and decided to drop the remake. It was said at the time Spaihts’ script was “too dark for Disney.” Since then, Disney has been busy with many other projects.

Comic Book Review – Miracleman: The Golden Age & The Silver Age

Miracleman: The Golden Age w/The Silver Age
Reprints Miracleman #17-22, extra material from #23-24
Written by Neil Gaiman
Art by Mark Buckingham

Alan Moore’s departure from Miracleman did not mean the end of the character. Instead, Moore personally handed the reins over to Neil Gaiman. This was 1990, and by that time, Gaiman was growing in prominence with The Sandman title for DC Comics. This was not the height of Gaiman’s fame but definitely at the moment where he became one of the premier writers in the genre. Gaiman set out with big plans for the Miracleman title, a trilogy of six-issue volumes that would explore the utopian world Moore set up. However, Eclipse, the company that published Miracleman was struggling in the direct market distribution model, publishing exclusively for comic book/hobby shops. This was to be an unfinished magnum opus, ending on a cliffhanger.

Movie Review – Honey Boy

Honey Boy (2019)
Written by Shia LaBeouf
Directed by Alma Har’el

Filmmaking as therapy is a common theme in autobiographical movies. Just recently, I reviewed Pedro Almodovar’s Pain and Glory, which served as an outlet for the director to talk about aging and his physical ailments. Actor Shia LaBeouf similarly uses film as confession & therapy, though more intimate and raw than Almodovar. LaBeouf, if you don’t know, was a child actor on the Disney Channel before he reached higher levels of fame in Michael Bay’s Transformers films. The film jumps between these two periods, fictionalizing or obscuring the details, so it’s not about LaBeouf specifically.

Movie Review – The Black Hole

The Black Hole (1979)
Written by Gerry Day & Jeb Rosebrook
Directed by Gary Nelson

Who is Disney’s The Black Hole for? It’s too dark and metaphysical for kids to understand, yet it’s presented as a 1950s B-science fiction film unironically, which makes it less elevated than the material could be. The Black Hole is a film for no one, yet it has fascinated me years after first seeing it on a library VHS tape borrowed when I was eight years old. It is essential to understand the landscape The Black Hole was released in, and how out of touch with contemporary cinema is feels at moments. It’s also an exploitation flick in that it cribs from Star Wars, Alien, and 2001: A Space Odyssey, but never in a good way.

Movie Review – Pain and Glory

Pain and Glory (2019)
Written & Directed by Pedro Almodovar

Pedro Almodovar is no strange to autofiction in his cinema, that doesn’t mean he’s always factually honest with us. Almodovar is very much an impressionist, more interested in the emotions and underlying psychology of events in our lives. Pain and Glory is the most obviously autobiographical, Antonio Banderas playing a version of the aging director. This is a meditation on the physical changes that come with time, how our bodies are both vessels of pleasure and suffering during our lives. The structure is that of interconnected short stories, vignettes centered around the protagonist that allow him to reflect and reconnect with people from his past.

TV Review – Servant Season 1

Servant Season 1 (Apple TV+)
Written by Tony Basgallop
Directed by M. Night Shyamalan, Daniel Sackheim, Nimrod Antal, Alexis Ostrander, Lisa Bruhlmann, and John Dahl

A few months ago, I posted reviews of the first episodes of a handful of Apple TV+ shows, and overall I wasn’t very impressed. The entire slew seemed very derivative of already popular shows from the past (The Newsroom, Game of Thrones, etc.). I was intrigued by Servant, a horror series produced by M. Night Shyamalan. Despite my intense disappointment with that director’s recent output, I figured he was producing so he couldn’t screw the show up too badly. The first couple episodes were a little rough going, it took some time to get a feel for the tone the series was going for. By the end of the season, they had me hooked, and I am ready for season two to get here.