Seth Harris

Movie Review – Star Wars: The Rise of Skywalker

Star Wars: The Rise of Skywalker (2019)
Written by J.J. Abrams & Chris Terrio
Directed by J.J. Abrams

Let’s just get this out of the way. I hated this movie. It’s everything I hate about fan culture & the bloated cinematic universe fad that is currently what theatrical release films have become. I say this as someone who was so delightfully surprised by The Last Jedi. I appreciated the new directions that film was taking Star Wars thematically, opening the Force up into a more egalitarian essence. I saw it in-universe as a course correction, the Force realizing that it’s existence between two eternally warring factions wasn’t bringing the balance it sought. Instead, we closed The Last Jedi on a moment that reminded the audience of both the young Luke Skywalker and ourselves, dreaming that we too can be the hero, that anyone can.

TV Review – The Mandalorian Season One, Episode Seven

The Mandalorian (Disney+)
Season One, Episode Seven – “Chapter Seven: The Reckoning”
Written by Jon Favreau
Directed by Deborah Chow

And with the return of Jon Favreau in the writing credits, the story of The Mandalorian improves and moves forward. After three weeks of arguable plot-stalling, things start moving again. Dyn Jarren finally hears that message from his old friend Greef Karga, imploring him to return to Nevarro. The Imperial faction in the sector has amassed there in their search for the lost target (aka Baby Yoda). Jarren gathers allies from previous adventures: Cara Dune, Kuiil, and IG-11 to help him even the odds.

TV Review – Watchmen Season One, Episode Nine

Watchmen (HBO)
Season One, Episode Nine – “See How They Fly”
Written by Nick Cuse & Damon Lindelof
Directed by Frederick E. O. Toye

Where previous episodes have taken their time and meditated on their characters and themes, this final chapter in the HBO Watchmen sequel feels more plot-heavy and honestly a little rushed. But that is the way finales work when you are trying to tie up the loose ends of a story as complex as this. The plot beats come fast and furious, leading to a reasonably satisfying conclusion with a nice tease of an ending scene. Did this follow-up to the revered comic book match the power of that work? Not entirely, but it had genuine moments of genius and illuminated characters in deeply meaningful ways.

Movie Review – She-Devil

She-Devil (1989)
Written by Barry Strugatz & Mark R. Burns
Directed by Susan Seidelman

In watching films in this series, my hope is always to come across a maligned picture that’s actually better than people make it out to be. I’d love to be surprised and discover some lost gem that was misunderstood in its time. The movies are chosen based on either the status of the performers or the franchise being adapted. I picked She-Devil because the names on the marquee are Meryl Streep and Roseanne Barr. Barr was particularly huge at the time with a hit tv series, and this film was seen as a stepping stone into big-screen work. What happened was that the film flopped, and Barr stuck with her television gig. But is the movie as bad as audiences and critics believed at the time?

Short Film Showcase #7

Detour (2017)
Written & Directed by Michel Gondry

There is nothing wholly unique about this short compared to Gondry’s other work, its another foray into whimsy and visually comedy. A little girl and her family go on vacation to the countryside. Her favorite tricycle falls off the back of the van and begins an odyssey to return to the child. Gondry plays with expectations and perspectives in little bits here & there, resulting in a heartwarming story. This feels very much like a Pixar-style tale, in particular, the Toy Story films.

TV Review – Best of Star Trek: The Next Generation Part 9

Descent Parts 1 & 2 (original airdates: June 21st, 1993, September 20th, 1993)
Written by Jeri Taylor, Ronald D. Moore, and René Echevarria
Directed by Alexander Singer

I’ve always liked the idea of Data’s brother Lore more than the execution. I think that is due in part to Brent Spiner’s decisions as an actor when he plays Lore. He’s not merely doing a more human Data or an evil version of the android. Spiner chooses to be a mustache-twirling embarrassment. Lore never feels like a genuine threat to the Enterprise, always a momentary annoyance they have to deal with. That continues in this two-parter that I wish was better because it does hold one crucial aspect, it features the return of Hugh the Borg.

TV Review – The Mandalorian Season One, Episode Six

The Mandalorian (Disney+)
Season One, Episode Six – “Chapter Six: The Prisoner”
Written by Christopher L. Yost & Rick Famuyiwa
Directed by Rick Famuyiwa

The first three episodes of The Mandalorian now reveal themselves as a 90 minute pilot for what the actual series will be. The show is nothing but a formulaic procedural set in the Star Wars universe. We are three episodes away from the “pilot,” and it’s clear that we will be getting nothing but one-offs where Dyn Jarren moves on to a new location, worries about getting caught with Baby Yoda, gets involved in a problem in the area, then moves on. This is the same plot used by several television Westerns, The Incredible Hulk, Highway to Heaven, wash rinse repeat. There will be some moderately well-known faces along the way, but this is just a guest appearance.

Movie Review – Hagazussa

Hagazussa (2017)
Written & Directed by Lukas Feigelfeld

The first film most viewers will compare Hagazussa to is Robert Eggers’ The Witch. While both pictures do tell period stories about witches, they are very different when it comes to their tone & pacing. The Witch is a tightly structured film with clear character development and themes about family. Hagasuzza is more akin to the work of Panos Cosmatos (Beyond the Black Rainbow, Mandy) with its creeping crawl and slow psychedelic horror burn. Ultimately, I found myself often frustrated with Hagazussa because its narrative is so fluid and ill-defined. It’s all mood without a compelling main character with a clear arc.

TV Review – Watchmen Season One, Episode Eight

Watchmen (HBO)
Season One, Episode Eight – “A God Walks into Abar”
Written by Jeff Jensen & Damon Lindelof
Directed by Nicole Kassell

Doctor Manhattan has always been my favorite character in the Watchmen story due to his tragic nature. He’s a man transformed into a god through a horrific scientific mistake. The result is he has omnipotence and omniscience and a disconnect from his fellow humans. Manhattan exists in multiple points in space & time simultaneously and knows everything that will ever happen to him. This leads to frustration from the people he has relationships with because he will be completely open about knowing when they will split or tragedy will strike. Intimacy crumbles and the shared history between these people begin to feel like a series of steps in a procedure, the discovery and mystery of love are gone.

Comic Book Review – House of X/Powers of X

House of X/Powers of X
Reprints House of X #1-6 & Powers of X #1-6
Written by Jonathan Hickman
Art by Pepe Larraz and R.B. Silva

Forty-four years ago, writer Chris Claremont was tasked with reviving the middling X-Men title for Marvel. Compared to books like Spider-Man, Fantastic Four, and Captain America, X-Men was never a marquee hit for the company. Its characters were often operating in their own mutant pocket within the larger universe, occasionally being a part of the larger world. Claremont embraced the marginalization of mutants and expanded the mythos farther than it ever had been. At the end of his sixteen-year run on Uncanny X-Men, spinning off titles like Excalibur and New Mutants, Claremont left the book due to clashes with a new editorial staff. What remained was the template for what X-Men could be that every writer has clung to tightly since. The adherence to Claremont’s characterizations and plots have been so rigid that X-Men was a moribund franchise within Marvel for the last five years. Characters died only to be resurrected months later, and there never seemed to be real growth & change save for a small handful of heroes & villains. Then came Jonathan Hickman.