Seth Harris

Patron Pick – Fences

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month, those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Bekah Lindstrom.

Fences (2016)
Written by August Wilson
Directed by Denzel Washington

There is no argument against the acting in this film. It is solid from top to bottom, with Viola Davis stealing the show from a strong Denzel Washington. The emotions feel real, lived in, and presented with authenticity. The film adheres rigidly close to the original stage play to the point that the deceased August Wilson has sole screenwriting credit. That may not be the best direction for a film based on the play rather than a recorded performance of the stage play. Director Washington does a decent job giving filmic qualities to the material, but not enough. The world feels constricted because we never leave the house while so much time passes. Additionally, some themes about masculinity and fatherhood feel muddled, and the ultimate message is troubling.

Comic Book Review – The Saga of The Swamp Thing Volume Four

The Saga of the Swamp Thing Volume Four (2010)
Reprints The Saga of the Swamp Thing #43-45, Swamp Thing #46-50
Written by Alan Moore
Art by Stephen Bissette, John Totleben, Stan Woch, Rick Veitch, Alfredo Alcala, Ron Randall, and Tom Mandrake

This collection from Moore’s Swamp Thing run sealed the deal for me. I haven’t ever read better moments of horror in a comic book than some of the sequences in these issues. Moore knows how to take surreal imagery and turn it into dread-inducing moments where reality bends & warps. In that distortion, we are treated to a story that blends horror with epic dark fantasy. It’s fascinating to see how Moore set a standard for the occult corner of the DC Universe that has held strong four decades later.

Movie Review – Night and the City

Night and the City (1950)
Written by Austin Dempster, William E. Watts, and Jo Eisinger
Directed by Jules Dassin

For years, American film industry censorship worked to soften the edge of noir films. There would always be a good cop, or crime would always punished severely. This caused the stories to lose their bite present in the source material, where writers wrestled with big existential questions and faced the cruelty of life in the modern era. The United Kingdom, while not exempt from moralizing about films, allowed for a more nuanced version of noir to be presented on the screen. At the time of its release, Night and the City was noted for being a film without sympathetic characters (save for maybe one woman). Some critics of the time saw the film as “trashy” and “pointless” in reaction. I take a different stance; this movie points out how desperately people live in the struggle for survival exacerbated by capitalism.

TV Review – The Venture Brothers Season Three

The Venture Brothers Season Three (Adult Swim)
Written by Jackson Publick & Doc Hammer
Directed by Jackson Publick

Season One of The Venture Brothers was rough, though very inspired. Season Two focused on tightening things up and connecting the elements introduced into this unique world. I remember the episodes from these seasons with much detail. I owned them both on DVD in the mid/late-2000s and watched them on repeat with my then-roommate Eddie. Season three came along as I was starting graduate school and dealing with some new stresses in life, so I watched it, but there were a lot of distractions. It was also the last Venture Brothers season I watched in its entirety, so everything after this will be new territory for me. Season three felt a little new as well, with sudden flashes of memories that I had seen these stories before.

Movie Review – The Third Man

The Third Man (1949)
Written by Graham Greene
Directed by Carol Reed

The film noir was an international hit. In our last review, we saw how Akira Kurosawa interpreted the genre in Japan. This time around, we look at a British application of noir. After watching this movie, I had a question: are Cold War/spy films a subgenre of film noir? There is undoubtedly some shared DNA. Look at a book/film like John Le Carre’s The Spy Who Came in From the Cold, which has all the tropes of a film noir, most importantly, a doomed protagonist who faces the consequences of his past actions despite trying to do better. Over time, the spy novel/movie became its own thing, but it was born out of the noir.

Movie Review – Stray Dog

Stray Dog (1949)
Written by Akira Kurosawa & Ryūzō Kikushima
Directed by Akira Kurosawa

When we think about Japanese filmmaker Akira Kurosawa, we typically think of samurai films, his earlier work like Rashomon & the Yojimbo films, or his later epics like Ran or Throne of Blood. But Kurosawa was a far more diverse filmmaker than that. He directed four noir movies in the post-war era of Japan, and Stray Dog served as the way forward for the genre in Japan. Watching Stray Dog today, you can see its influence spread beyond Japan. Noir from China and South Korea show their roots in this earlier picture, its unique mixture of comedy and crime stories. Where American noir was restrained by the morals of the Hays Code, particularly that crime can’t pay and the police cannot be mocked, Japanese cinema had no such restraints. As a result, Stray Dog feels ahead of its time compared to the noir of the States in the 1940s.

PopCult Podcast – Afire/Theater Camp

One of the most prominent German filmmakers today delivers his latest film which prove disappointing. Then we hop the bus to go visit the grounds of a Broadway kids camp.

Solo Tabletop RPG Review & Actual Play – Public Access Part Two

Public Access (The Gauntlet)
Created by Jason Cordova
You can purchase this game here.

Read part one here.

After trying out Public Access as a solo game for a session, this was a lesson in seeing how some games need more work to be good solitary experiences. After this first session, I reasoned that I could keep going, but I wouldn’t really be playing a solo game, but playing the game in the same way you might play a board game against yourself by simulating other players and making their moves. I realized having other characters with different stats made a difference with Public Access, but I didn’t want to play them mechanically just to make the game work.

Comic Book Review – The Saga of the Swamp Thing Volume Three

The Saga of the Swamp Thing Volume 3 (2010)
Reprints The Saga of the Swamp Thing #35-38, Swamp Thing #39-42
Written by Alan Moore
Art by Stephen Bissette, John Totleben, Stan Woch, Rick Veitch, Alfredo Alcala, and Ron Randall

This third volume of Swamp Thing stories starts with an issue published the same month Crisis on Infinite Earths #1 hit the stands. Now, there isn’t a direct link between the two things right away, but Moore eventually shows he was well aware of the storyline and finds a clever way to fold it into this ongoing series. There are times when Swamp Thing feels wholly disconnected from the greater DC Universe; this would increase more when it became a Vertigo title in the 1990s and became utterly self-contained. Before we get to some of Moore’s big moves, the book begins with a chilling two-parter about how Americans have left their home a toxic nightmare.

Movie Review – Out of the Past

Out of the Past (1947)
Written by Daniel Mainwaring
Directed by Jacques Tourneur

RKO Pictures was once one of the big Hollywood studios, and now it’s gone. Radio businessman David Sarnoff and his company RCA merged with a theater chain and film booking company to form this all-in-one studio. They were always considered makers of low-budget fare, but that didn’t stop RKO from making its mark on cinema. Fred Astaire & Ginger Rogers’ song and dance career bloomed at the studio, and Katharine Hepburn saw her first screen success at RKO. The studio was the home of Val Lewton’s innovative horror experiments like Cat People. RKO’s most well-known productions are still King Kong and Citizen Kane, pictures that have created ripples through world cinema today. They produced It’s A Wonderful Life and even much of Walt Disney’s early work. After a series of takeovers and buyouts, the company’s body of work lies mainly under the control of Warner Discovery. Out of the Past is a standout of their many influential pictures due to its perfect encapsulation of so much of the film noir tropes.