Seth Harris

Movie Review – Young Frankenstein

Young Frankenstein (1974)
Written by Gene Wilder & Mel Brooks
Directed by Mel Brooks

Comedy films aren’t really known for their cinematography. Typically they are notable for set pieces or dialogue, which does make sense. Comedy is an intricately constructed thing when done right. However, Mel Brooks and Gene Wilder didn’t just want to make another comedy. They specifically wanted to make a comedy and an authentic tribute to a film from their childhoods that they loved. The result is one of the best-looking comedies ever made with a mix of techniques found in the 1930s and what would have been more contemporary blocking from the 1970s. Young Frankenstein may be the best comedy ever because it nails the visuals and is still uproariously funny.

Patron Pick – Parenthood

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Bekah Lindstrom.

Parenthood (1989)
Written by Lowell Ganz, Babaloo Mandel, and Ron Howard
Directed by Ron Howard

Parenthood has been a film with some solid legs, managing to be adapted into a television series twice on NBC (1990 and 2010), with the latter staying on the air for six seasons. It emerged from the collaboration between director Ron Howard, producer Brian Grazer, and writers Babaloo Mandel and Lowell Ganz. Between the four of them, they have 17 children and took their experiences as parents as inspiration. The result is an ensemble film that touches on various aspects of parenting with children featured at every age, from infant to adult, with multiple themes and topics touched upon with a runtime that peaks at just over two hours.

Movie Review – The Out-of-Towners

The Out-of-Towners (1970)
Written by Neil Simon
Directed by Arthur Hiller

Sometimes you watch a film that makes you feel seen. While watching The Out-of-Towners, my wife and I turned to each other about 15 minutes into the picture and laughed with full recognition. The two people on screen were way too much like ourselves, making this one of the best comedy experiences we’ve had in a long time. It takes a lot of security in oneself to admit that you have some awful, neurotic traits, but I’ve come to a point in my life where I have to be able to laugh at my flaws and do my best to improve in the ways that I can. However, it is hilarious to watch these characters, completely absurd people, in the middle of a simple yet infuriating situation that is still relatable fifty-three years later.

Movie Review – The Graduate

The Graduate (1967)
Written by Calder Willingham & Buck Henry
Directed by Mike Nichols

It’s incredible how some movies have remained as relevant as they were when they were first released. The Graduate is a movie straight out of the ennui of 1960s youth culture, but it’s far more nuanced than that. Roger Ebert’s reading of the film on its original release was to empathize with its protagonist. Thirty years later, he retracted many of his comments to say how his sympathies had shifted to the older woman he has a tryst with, how she is the character the audience is meant to feel heartbreak for. The Graduate is a movie with no heroes or villains, simply people existing, making choices, and never truly knowing if the choices they make are the right ones or not.

PopCult Podcast – The House/Safe

Two unsettling films. One is a stop motion anthology centered around the same house and the horrors that await its occupants. The other is dread-filled exploration of the way modern life sickens us.

Solo Tabletop RPG Review – Artefact

Artefact (Mousehole Press)
Created and Designed by Jack Harrison

The world of solo tabletop roleplaying is made up of a lot (but not entirely) of what you could classify as world-building exercises. These are some extremely fun games that could be easily used to spark ideas for a campaign in another, more complex system. I saw someone refer to these types of games as toys for the GM, something the person planning sessions can play that also helps build the background of stories. One of the best options in this subcategory is Artefact, a brilliant game where you play a magical item, telling your story over the course of anywhere from a decade to millennia. Your life is framed through the Keepers who wielded you over time.

TV Review – The Best of Star Trek Part Two

Balance of Terror (S1E14)
Original air date: December 15, 1966
Written by Paul Schneider
Directed by Vincent McEveety

Balance of Terror marks the first appearance of the Romulans and surprised me in many ways. This is not one of my favorites, but it is a solid standard Star Trek episode with exciting twists. The first is that no Federation member has ever seen a Romulan. I’m not big on detailed Star Trek lore, so this was my first time learning about the brutal nuclear conflict between these powers, which happened without either side ever seeing someone from the other. This is even more surprising because the Romulans look nearly identical to the Vulcans. I had been under the impression the Vulcan-Romulan connection was something known for centuries, but it’s within the context of Star Trek that it is even discovered.

PopCult Presents: The Pitch Episode 2

Head of Acquisitions for PopCult’s new streaming venture Ariana is back with another show. Warner Discovery is cleaning house and with it goes their dramedy Hacks. Will CEO Seth Harris warm up to this one or will his retooling go too far?

This is the second of a six episode mini-series with more to follow, a way for us to play around with the format and new ideas. For now, these are only for patrons but may possible be put up on the main podcast feed in the future.

Comic Book Review – The Department of Truth Book 1

The Department of Truth: The Complete Conspiracy Book 1 (2023)
Reprints The Department of Truth #1-17
Written by James Tynion IV
Art by Martin Simmonds, Elsa Charretier, Tyler Boss, and John J. Pearson

Truth is difficult to come by these days, especially in the United States. I speak from experience. I was homeschooled throughout my childhood, the eldest of four children who were also entirely homeschooled. My parents’ basis for this decision was fueled by the Satanic Panic of the 1980s; I was born in 1981. They were Born Again Christians coming out of the Jesus Freak era of the 1970s, where the Christian Right fully secured its power base, preying on young people disillusioned by the previous decade of collapse. Growing up, our house had the expected paraphernalia of such beliefs. There were, of course, narrow-minded curricula from the usual suspects: Bob Jones University Press and Abeka. It was common during the afternoon to hear the hate-filled spewing of Rush Limbaugh coming from a radio in the kitchen. He was often joined by prestigious reactionaries and fascists like G. Gordon Liddy.

Movie Review – A Shot in the Dark

A Shot in the Dark (1964)
Written by Blake Edwards and William Peter Blatty
Directed by Blake Edwards

By 1964, British actor Peter Sellers was a well-known name in the United Kingdom and the rest of the world due to his appearance as Inspector Jacques Clouseau in 1963’s The Pink Panther. Previously, Sellers had built a career starting as a member of The Goon Squad on British radio and then as an actor, most prominently in Lolita for Stanley Kubrick. At the start of 1964, audiences were shown Sellers’ full range of abilities in Dr. Strangelove, and at the end of that same year, got A Shot in the Dark. Clouseau was a populist character, a mockery of the police that gave the audience laughs over his pompous buffoonery. That’s the core conceit of the character is that he is an idiot who carries himself with unearned confidence and, when he is proven inept time and time again, persists in his methods. He is the perfect parody of a police officer. Filmmaker Blake Edwards wanted to keep the Clouseau money machine going, so he, along with William Peter Blatty (yes, the author of The Exorcist), adapted a French play about a stupid detective investigating a murder and simply made it Clouseau.