1950s – Page 6 – PopCult Reviews

TV Review – The Best of The Twilight Zone Part 1

The Twilight Zone was not the first anthology of the fantastic, but it has gone down as the most memorable and best-written one. That writing was due in part to Rod Serling setting the standard. Rod Serling looked pretty “square,” but he was a political radical, virulently anti-war and firmly in support of racial equality. He made sure that his anthology told stories relevant to what was happening in the society around his viewers. Serling’s wife, Carol, remarked that he would often say, “the ultimate obscenity is not caring, not doing something about what you feel, not feeling! Just drawing back and drawing in, becoming narcissistic”. So you can see that Serling felt compelled to not just entertain but educate whether audiences wanted it or not.

Movie Review – Paths of Glory

Paths of Glory (1957)
Written by Stanley Kubrick, Calder Willingham, & Jim Thompson
Directed by Stanley Kubrick

The boast of heraldry, the pomp of pow’r,
And all that beauty, all that wealth e’er gave,
Awaits alike th’inevitable hour.
The paths of glory lead but to the grave.
– “Elegy Written in a Country Churchyard,” Thomas Gray

When Paths of Glory was released in 1957, it was banned in France until 1975. Germany refused to allow it in the Berlin Film Festival lest the picture strain relations with France. Francisco Franco’s right-wing fascist government in Spain would not allow the movie to be shown, and it wasn’t until 1986, 11 years after Franco died. And lest we let the United States off the hook, Paths of Glory was banned from being shown in any military establishment. All this does is speak to the power of the themes of the picture, Kubrick’s first great anti-war film.

Movie Review – The Killing

The Killing (1956)
Written by Stanley Kubrick & Jim Thompson
Directed by Stanley Kubrick

Just a year after Killer’s Kiss, Stanley Kubrick directed this heist film that dripped with noir. It should be noted that starting with this film, every movie Kubrick ever made was based on a novel. For the most part, his films would come to overshadow the books he adapted because Kubrick didn’t believe he was chained to the source material. I think that is an excellent thing because film adaptation is like language translation, you do not go for the exact 1:1 meaning, you shape the content to communicate the ideas and themes best. Kubrick made this picture under the banner of the Harris-Kubrick Pictures Corporation, a producing partnership he would continue for two more films (Paths of Glory & Lolita).

Movie Review – Killer’s Kiss

Killer’s Kiss (1955)
Written & Directed by Stanley Kubrick

Specific names in filmmaking have power & weight to them. Stanley Kubrick is one of them. In the last decade or so, I’ve noticed a backlash of sorts about Kubrick’s place in the pantheon of great directors. I get that, though. The prevalence of some names over others allows lesser-known, yet equally deserving directors to be overshadowed. I would counter that I think part of what has led to this annoyance with Kubrick is that he intentionally made films that created division in audiences. Furthermore, his influence on the craft of filmmaking resonates across time, and I suspect will continue into the far future, should humanity survive and keep making movies.

Movie Review – The Americanization of Emily

The Americanization of Emily (1964)
Written by Paddy Chayefsky
Directed by Arthur Hiller

You didn’t see a lot of films in the wake of World War II that called military action into question. You would see a slew of anti-war films twenty-odd years out from Vietnam. But on the twentieth anniversary of D-Day, it was a pretty bold move to put out a movie about the lead up to that event, which questioned the leadership of the U.S. military and spoke to how soldiers’ bodies are so often used as props for state-sanctioned propaganda. This material had to be couched inside a romantic comedy-drama, and the subversiveness is hidden deeper in the narrative after we’ve been given a seemingly light set-up.

Movie Review – Marty

Marty (1955)
Written by Paddy Chayefsky
Directed by Delbert Mann

Paddy Chayefsky was born Sidney Chayefsky in the Bronx to Russian-Jewish immigrants. While serving in World War II, he got the nickname “Paddy,” which stuck with him for the rest of his life. During this time, he was wounded by a land mine in Germany, which led to permanent scarring and his shyness around women, an element that would inspire the character of Marty. He’s always been a gifted child in matters of language arts and began writing plays as an adult. After being sent to recover in a London hospital, he penned a musical, No T.O. For Love, which toured around Army camps eventually opening in London.

Movie Review – The Vast of Night

The Vast of Night (2020)
Written by James Montague & Craig W. Sanger
Directed by Andrew Patterson

A story about an alien visitation in New Mexico during the 1950s doesn’t sound terribly original or compelling on the surface. However, the way The Vast of Night is presented with gorgeous cinematography, inventive scene framing, and a narrative that unfolds almost entirely in real-time is what propels into another level of filmmaking. I sat down with moderate hopes after hearing some positive buzz and walked away, absolutely loving this movie. The picture is made by people who fully understand the genre they are delving into and are intelligent enough to play with the tropes. This delivers a film couched in genre expectations but able to explode in fascinatingly unexpected directions.

My Favorite Screwball Comedies

The Palm Beach Story (1942, directed by Preston Sturges)

From my review: This is the ur-text of screwball comedies, every core element boiled down to its purest essence. There are pratfalls galore, windows getting smashed, and people confusing each other for others. It exists as both an ode to the comedies of mixed-up identities from Shakespeare and commentary on the late stages of the Great Depression. This film will inspire future pictures like Some Like It Hot and Intolerable Cruelty, but it doesn’t put on airs of being profound or world-changing. This is a pure character-centered comedy that understands how important it is to have a diverse variety of roles.

Short Film Showcase 2020 #2

Here is another batch of great short films. We start off with Rakka, a short piece made by director Neill Blomkamp (District 9). This serves as both a piece of world building and a proof of concept for a potential larger film or series. The production value here is quite high.

Single Location Movies

Right now, many of us are stuck inside our homes for the foreseeable future, and it can seem like an incredibly dull place. Movies have repeatedly shown us how even one tiny room can hold great stories within. Here are some movies that use small spaces to tell tense and exciting stories.