1970s – Page 14 – PopCult Reviews

My Favorite Films About Love

It’s Valentine’s Weekend, so that means people are buying cheap chocolate and flowers en masse to profess their love for one another. Love is an emotion that’s been present in cinema since its inception. In 1896, William Heise released the short film The Kiss, one of the first publicly viewable movies. Since then, many stories have been told about people falling in and out of love, both comedic and tragic. Even some horrific. Here are my favorite movies about Love.

A Woman Under the Influence (1974, directed by John Cassavettes)
John Cassavettes paved the way for independent film in America and made a name for himself as an iconoclastic director. His muse & wife was Gena Rowlands, who he cast as Mabel, the titular woman. Nick (Peter Falk) is her devoted husband, who notices Mabel’s behavior becoming erratic. While the film never labels Mabel’s condition, it’s clear she’s somewhere in the realm of bipolar disorder. Mabel ends up in an institution after attempting self-harm, and Nick thinks life can just go back to normal when she returns home. Cassavettes understood that true love could endure the most trying of circumstances, that people who really love each other can do so even when the one they care about doesn’t appear to love them back.

Movie Review – The Shaggy D.A.

The Shaggy D.A. (1976)
Written by Don Tait
Directed by Robert Stevenson

I remember watching the original Shaggy Dog film as a kid and enjoying it quite a bit. I remember memorizing the Latin incantation and playing the film out with my siblings. Now it’s been twenty-plus years since I last saw that movie, and I never happened to sit down and watch the follow-up. By this time, the original Wilby Daniels, Tommy Kirk, had been arrested for marijuana possession, and thus his career with Disney was terminated. In 1976, Dean Jones was a go-to in the studio’s acting stable, and so he was put into the role.

Movie Review – The Black Hole

The Black Hole (1979)
Written by Gerry Day & Jeb Rosebrook
Directed by Gary Nelson

Who is Disney’s The Black Hole for? It’s too dark and metaphysical for kids to understand, yet it’s presented as a 1950s B-science fiction film unironically, which makes it less elevated than the material could be. The Black Hole is a film for no one, yet it has fascinated me years after first seeing it on a library VHS tape borrowed when I was eight years old. It is essential to understand the landscape The Black Hole was released in, and how out of touch with contemporary cinema is feels at moments. It’s also an exploitation flick in that it cribs from Star Wars, Alien, and 2001: A Space Odyssey, but never in a good way.

Movie Review – The Million Dollar Duck

The Million Dollar Duck (1971)
Written by Ted Key & Roswell Rogers
Directed by Vincent McEveety

This was the first film that critic Gene Siskel walked out on. He would only do that with two subsequent movies (1980’s Maniac and 1996’s Black Sheep). The story is a stock Disney script for the time, one of the gimmick comedies, not rising much above a Disney Channel original movie. The production quality is at the television level as well. By the midway mark of the film, I was checking out, despite trying to stay engaged from the outset. There are only so many gags you can do with this plot before it wears out its welcome.

Movie Review – Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean

Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982)
Written by Ed Graczyk
Directed by Robert Altman

Self-delusion is one of the scariest things you can experience. It’s a pretty big problem in our culture and has been for a long time. People become terrified of what they would have to do if they acknowledged reality, so they construct false realities that are more emotionally comforting. There is rarely a consideration of the harm these lies can have on the believer and the people around them; if someone is lost in their happiness, then we accept to some point that it’s okay. Media and the concept of celebrity have led to some particular types of self-delusion with fans becoming stalkers and some times even wishing violence on a figure they once adored. If a star dies tragically and/or young, they can elicit an even more fanatical response from admirers.

Movie Review – Coming Home

Coming Home (1978)
Written by Waldo Salt and Robert C. Jones
Directed by Hal Ashby

Ron Kovic has proved to be an inspirational figure since the 1970s. His memoir, Born on the Fourth of July, was turned into a film by Oliver Stone in the 1980s. But before that, he served as the basis of this movie by Hal Ashby. Kovic was serving in Vietnam when he was caught by the Viet Cong while helping a South Vietnamese unit. The soldier was shot through his foot, then shoulder, ending up with a collapsed lung and a spinal cord injury that left him paralyzed from the chest down. Kovic’s passionate anti-war activism inspired Jane Fonda to want to make a film about injured veterans and their families to share the story of what happens after the parades and medals are handed out.

Movie Review – Bound for Glory

Bound for Glory (1976)
Written by Robert Getchell
Directed by Hal Ashby

The details are all a lie, but the experience is authentic. The time and place look just like it would have during the Great Depression. The trials and travails of the Okies are just as it would have been. The film is engaging in myth-making, building episodes, and lore to capture the essence of someone who exists as an icon. There’s nothing wrong with myths, they served a fundamental purpose in the ancient times, informing humans about their world and how to be in it. I would think most music biopics weave stories about their protagonists to get across some sense of the themes in their music. To do that some times you have to make those stories up.

Movie Review – Shampoo

Shampoo (1975)
Written by Robert Towne & Warren Beatty
Directed by Hal Ashby

By the time February 1975 rolled around, Nixon had been a former president for six months. The aftermath of the Watergate scandal was the death of much of the optimism of the 1960s, a nation splintered and mistrustful of people in power. The United States was driven to a Constitutional crisis with the Supreme Court being defied by then-President Nixon. Some people wanted to move on, get to the next thing, and forget about the wounds. Others wanted to perform an autopsy of the past decade, trying to figure out how we went from the hippie movement of the late 1960s to a ravaged industrial hellscape of the mid-1970s.

Movie Review – The Barefoot Executive

The Barefoot Executive (1971)
Written by Lila Garrett, Bernie Kahn, Stewart C. Billett, and Joseph L. McEveety
Directed by Robert Butler

At some point in the late 1960s, Disney shifted from more fantasy-oriented live-action films like Mary Poppins or Bedknobs & Broomsticks to what is referred to as “gimmick comedies,” spurred on by the phenomenal success of The Love Bug. These movies were intended to be silly for kids and more “mature” and contemporary so that the parents would enjoy them as well. Roy Disney, Walt’s older brother, took over after Walt took ill and eventually passed away in 1966. The company actually created a cinematic universe with some of these movies, starting with The Absent-Minded Professor and leading into a trilogy of films starring Kurt Russell as college student Dexter Riley. A total of five films were set at the fictional Medfield College. The legacy of these movies can be seen on the Disney Channel with its original sitcoms. They are the spiritual successors to the cheap television-style plots of these movies.

Movie Review – The Last Detail

The Last Detail (1973)
Written by Robert E. Towne
Directed by Hal Ashby

The Last Detail chronicles the birth of a friendship that has to die. It’s a portrait of masculine camaraderie wounded by the artificial structures of authoritarianism. This is a tragedy where everyone physically lives, but spiritual dies because they are asked to do what is unnatural. It’s a quiet and profane road trip buddy film that meanders and wanders on its way to the final destination.