1990s – PopCult Reviews

Movie Review – Plainclothes

Plainclothes (2025)
Written and directed by Carmen Emmi

Who determines what is and isn’t a crime? It feels strange to look back and realize that being queer in public was still criminalized in a variety of ways well into the 21st century in America. The specific crime highlighted in this film was known as “cottaging” in the UK and refers primarily to same-sex sexual encounters between men in public spaces like restrooms or parks. While I can understand the desire to prohibit public sex, since it involves people who have not consented to witness it, the laws were far more focused on marginalizing and punishing gay men for wanting intimacy. The reason so many men used these public spaces was because they were hiding their sexuality, and the reason for that was simple: if their homosexuality became common knowledge, they would be ostracized from society. This leads me to see these sorts of stings as little more than a way to further torment an already persecuted group of people.

TV Review – Cowboy Bebop

Cowboy Bebop (1998)
Written by Shinichirō Watanabe, Keiko Nobumoto, Michiko Yokote, Ryōta Yamaguchi, Sadayuki Murai, Dai Satō, and Akihiko Inari
Directed by Shinichirō Watanabe, Yoshiyuki Takei, Ikurō Satō, Kunihiro Mori, Tetsuya Watanabe, Ikurō Satō, Kunihiro Mori, and Hirokazu Yamada

Last year, after a lifetime of not finding anime TV series really appealing, I watched Neon Genesis Evangelion. I enjoyed it and decided to check out another anime series. I’ve been well aware of titles over the years but never felt like sitting down and watching them. One show I heard about over and over in the early 2000s was Cowboy Bebop. I watched a lot of Adult Swim comedies, and I can recall a vague image of Cowboy Bebop, but I don’t think I had ever seen an entire episode. I saw reviews later of people claiming it was the best anime of all time, in their opinion, and several people I know adore it. This seemed like a good choice for my next watch.

Movie Review – Titus

Titus (1999)
Written by William Shakespeare & Julie Taymor
Directed by Julie Taymor

Titus Andronicus was the first of Shakespeare’s tragedies, written between 1588 and 1593. It feels different than his later work, more concerned with the spectacle of blood & gore that was made popular by his contemporaries. Some critics hold that Shakespeare was parodying popular plays of the time, like the work of Christopher Marlowe, which was immensely bloody. Death was something people in the West had a far closer proximity to in those days, incredibly violent deaths. Disease ran rampant and was not a pretty thing to watch take a person’s life. While war had not become industrialized yet, it was more intimate. To kill with a blade meant smelling the breath of your enemy, feeling their blood on your hands. This was also an era where the mythologizing of the Roman Empire was in full swing, used to justify England’s first moves towards colonizing other lands. When the Victorian Era came about with its censorious bent, Titus was considered uncouth and fell out of favor.

Movie Review – Hamlet (1996)

Hamlet (1996)
Written by William Shakespeare & Kenneth Branagh
Directed by Kenneth Branagh

If there was one Shakespeare play I would choose as my introduction to the writer, it would be Hamlet. I wouldn’t pick it because it is the easiest to read but because it exemplifies those literary elements that make Shakespeare’s work resonate across cultures and eras. Kenneth Branagh made this production based on the text presented in the First Folio, which is considered the most official version. That said, the director also allowed himself to play with the images. Flashbacks are employed throughout in a manner that couldn’t have been possible on stage. The result is what I believe to be THE film adaptation of Hamlet.

Movie Review – Romeo + Juliet

William Shakespeare’s Romeo + Juliet (1996)
Written by William Shakespeare & Craig Pearce and Baz Luhrmann
Directed by Baz Luhrmann

Romeo + Juliet exists as the confluence of two things. The first was the Shakespeare boom of the 1990s when films based on or inspired by his work had a moment in popular culture. At the same time, Australian director Baz Luhrmann received heaps of praise for his directorial debut, Strictly Ballroom. Luhrman’s approach to the text was that he saw Shakespeare as a writer for the masses, and thus, if the Bard made a contemporary feature film, it would be bold & loud. Luhrmann reasoned the popular entertainment of the day were things like bear-baiting and prostitution; Shakespeare would have played things in a way that kept the crowds happy.

Movie Review – Richard III

Richard III (1995)
Written by William Shakespeare & Ian McKellan and Richard Loncraine
Directed by Richard Loncraine

Shakespeare was no stranger to putting despicable people at the center of his narratives. The point was often to explore them in more complexity than a one-dimensional story might provide. He didn’t excuse evil but wanted to understand how these minds operated. How else can we prevent future evil if we don’t understand the roots of the present one? Richard III is a profoundly evil figure who revels in the suffering he causes others, yet he doesn’t exist in a vacuum. He is the byproduct of a cruel system that inevitably makes people like him.

Movie Review – Prospero’s Books

Prospero’s Books (1991)
Written by Willliam Shakespeare & Peter Greenaway
Directed by Peter Greenaway

I’ve always enjoyed The Tempest most of all Shakespeare’s comedies. I think it’s a fun, beautiful celebration of Shakespeare’s work in the theater. This isn’t a unique analysis on my part, but it is a widely accepted reading of the play. Prospero is the Bard; this island is his stage, and the magic he employs is really just imagination & writing. The story seems to be a revenge tale at the start but becomes a celebration of life by the end. Our protagonist realizes the revenge he seeks is not as important as the happiness his child could have, so he cedes to the future rather than dwells in the past.

TV Review – Northern Exposure Season Six

Northern Exposure Season Six (1994-95)
Written by Diane Frolov, Andrew Schneider, Mitchell Burgess, Robin Green, Jeff Melvoin, Meredith Stiehm, and Sam Egan
Directed by Michael Fresco, Jim Charleston, James Hayman, Lorraine Senna, Oz Scott, Michael Vittes, Victor Lobl, Daniel Attias, Michael Lange, Janet Greek, Stephen Cragg, Scott Paulin, and Patrick McGee

Wow. That was…um, something. By the time season six of Northern Exposure ends, you will have been waiting for it to end for a while. David Chase didn’t do too much damage in season five, but by the time six rolled around, it became clear he was disinterested in the whole thing other than ways to shoehorn in his own interests. While watching these episodes, I thought about how weird it would be to watch the pilot and then jump to season six. It would feel like an almost totally different series.

Comic Book Review – Daredevil by Frank Miller Part Two

Daredevil Visionaries: Frank Miller Volume Three (2021)
Reprints Daredevil #183-191 and What If? #28 & 35, and Bizarre Adventures #28
Written by Frank Miller (with Roger McKenzie & Mike W. Barr)
Art by Frank Miller & Klaus Janson (with Terry Austin)

Daredevil by Frank Miller Omnibus Companion (2024)
Reprints Peter Parker, the Spectacular Spider-Man #27-28, Daredevil #219 and 226-233, Daredevil: The Man Without Fear #1-5, and Daredevil: Love and War
Written by Frank Miller (with Bill Mantlo and Denny O’Neill)
Art by Frank Miller, John Buscema, David Mazzuchelli, Bill Sienkiewicz, Al Williamson and John Romita Jr.

The second Daredevil Visionaries volume concluded with the iconic Death of Elektra. I’d heard about that story since I was a kid and even seen it recreated in cinemas with the dreadful 2003 adaptation. Nothing could compare to reading the real thing, a wonderfully tense blend of art & writing that delivered an operatic tragedy into the life of the Man Without Fear. Having never read these books, I wondered where Miller would go now. Elektra was such a big part of the first half of his run. I also learned that his “Born Again” storyline wasn’t part of this initial run but a return to the book in 1987, riding high off the acclaim of The Dark Knight Returns at DC Comics, about to return to them for Batman: Year One.

Movie Review – Hana-bi

Hana-bi (1997)
Written and directed by Takeshi Kitano

One of my favorite things as a film fan is coming across a filmmaker doing something all their own. No film exists in a vacuum, so you’ll always see influences from others. But how that filmmaker mixes their ingredients makes all the difference. Takeshi Kitano started his media career as a comedian and TV host in the early 1970s. It was Merry Christmas, Mr. Lawrence, in 1983, where Kitano made his feature film debut. It was a non-comedic role as a Japanese soldier who brutalized Allied prisoners. In 1989, he made his directorial debut with Violent Cop, a neo-noir film. And then it was this movie, translated into English as “Fireworks,” that won Kitano the Golden Lion at the Venice International Film Festival, only the third Japanese director after Akira Kurosawa and Hiroshi Inagaki to win the honor.