1990s – Page 20 – PopCult Reviews

Movie Review – Leaving Las Vegas

Leaving Las Vegas (1995)
Written & Directed by Mike Figgis

Leaving Las Vegas was based on a novel of the same name written by John O’Brien. O’Brien moved to Los Angeles in the early 1980s with dreams of becoming a screenwriter. By 1992, his marriage had fallen apart, and he had become severely depressed. He was still writing though, even using a connection through his ex-wife to pen an episode of Nickelodeon’s Rugrats, which was subsequently edited to the point of being unrecognizable. O’Brien published his first novel in 1990, Leaving Las Vegas, which was sold to become a film in 1994. Within weeks of the deal, O’Brien died from a self-inflicted gunshot wound to the head. He was 33 years old. He died alone in his apartment.

Movie Review – Heat

Heat (1995)
Written & Directed by Michael Mann

I’d always heard how good Heat was, but it was a film that I’ve circled around without ever sitting down and watching it, until now. I wouldn’t say I am a fan of Michael Mann’s, but I have appreciated every film I’ve seen, with Collateral being my favorite until now. I’ll just get this out of the way now, I loved Heat, so much. Christopher Nolan owes a significant part of his career to Mann, and I hope he has given adequate thanks for the aesthetic he has mimicked. This is a dense neo-noir multi-character novel turned into a movie that delivers on its themes and character arcs so beautifully & tragically.

Movie Review – The Quick and The Dead

The Quick and The Dead (1995)
Written by Simon Moore
Directed by Sam Raimi

Without planning it, I’ve managed to watch a Sam Raimi film in all three of my Flashback series this year. For 1990 I re-watched Darkman, and for 1985 I saw the disappointing Raimi-Coen Brothers collaboration Crimewave. The Quick and The Dead represents a more reigned in presentation from Sam Raimi, with signature flourishes but presented in a less manic style than his two previous works, Darkman and Army of Darkness. There’s a lot to like about this Western in the way it embraces and challenges the genre, it’s definitely a mixed bag, but something I think is overall a delightful and well-made picture.

Movie Review – Nixon

Nixon (1995)
Written by Stephen J. Rivele, Christopher Wilkinson, and Oliver Stone
Directed by Oliver Stone

I’m never sure how I feel about Oliver Stone, and he seems to be a polarizing filmmaker for many people. His particular style of storytelling grates on me, and I think he slips into maudlin melodrama and absurdity way too quickly. There seems to be a lack of cleverness or subtlety in his work. I believe early pictures like Platoon and Born on the Fourth of July are okay. I have never really been able to get my head around Natural Born Killers. His George W. Bush film was a complete disappointment for me. I think JFK is probably his best work because the paranoid conspiracy focus matches Stone’s manner of directing best. Then we come to Nixon, his three hour plus presidential epic.

Comic Book Review – The Flash by Mark Waid Finale

The Flash by Mark Waid Finale
Includes The Flash #142-159, 162, 1 Million, Speed Force #1, The Flash 80-Page Giant #1
Written by Mark Waid & Brian Augustyn, Michael Jan Friedman
Art by Pop Mhan, Josh Hood, Paul Pelletier, and Jim Aparo

Two years ago, I started reading through and reviewing Mark Waid’s run on The Flash. When I decided to wrap up my George Perez/Wonder Woman run, I also chose to do the same with this series. Because there isn’t an omnibus out, I used the DC Universe app’s comics library to find the remaining couple years of issues that brought Waid’s landmark run to an end. I found myself enjoying these last three arcs a lot more than some of the previous storylines; however, Waid signs off in such an anti-climactic fashion. The story just sort of ends, he jumps on four months later for a last go, and then it’s over.

TV Review – The Best of the The X-Files Part 2

Clyde Bruckman’s Final Repose (Season Three, Episode Four)
Original airdate: October 13, 1995
Written by Darrin Morgan
Directed by David Nutter

This was the period where X-Files was reaching its sweet spot. The show was firmly submerged in the pop culture zeitgeist, so the writers started to play around with the one-off Monster of the Week episodes. This might be the best episode the series ever produced. It has a tightly written, clever plot with genuinely surprising & well-earned twists. Peter Boyle (Young Frankenstein, Everybody Loves Raymond) guest stars as Clyde Bruckman, an insurance salesman who gained the ability to see every person’s death. He becomes caught up in a case where Mulder & Scully are chasing down a serial killer who targets psychics and fortune-tellers. This entry into the series is incredibly dark & bleak while still injecting big doses of sly humor. Little touches like the injection of celebrity psychic the Stupendous Yappi and revelations about Mulder’s extracurricular activities help lighten a weighty & poignant study. The conclusion of this episode is just so satisfying and bittersweet.

Movie Review – The Indian in the Cupboard

The Indian in the Cupboard (1995)
Written by Melissa Mathison
Directed by Frank Oz

Frank Oz is one of my favorite comedy directors of the 1980s and 90s. I consider Little Shop of Horrors, Dirty Rotten Scoundrels, and What About Bob? among my favorite movies from that period. He was also no stranger to making family-friendly fare with The Muppets Take Manhattan directorial credit as well as being one of the top performers among Jim Henson’s Muppet troupe. That’s what makes The Indian in the Cupboard feel so strangely disappointing and lifeless. The movie isn’t horrible, but it feels like it’s missing a critical emotional component that ends up leaving the picture ultimately forgettable.

Movie Review – Assassins

Assassins (1995)
Written by Lana & Lilly Wachowski, and Brian Helgeland
Directed by Richard Donner

I’ve previously mentioned Richard Donner when I reviewed Ladyhawke and discussed how he is a perfect example of a journeyman filmmaker. Assassins is yet another example of this. Here we have a story that is rife for stylish exploitation, but instead, we get a very by the numbers shooting. The cinematography is mostly standard except for a few interesting choices here and there. Donner just simply isn’t anywhere close to being an auteur, and that’s not a bad thing. In the case of this film, it really could have used a filmmaker with a more inventive touch.

Movie Review – Clueless

Clueless (1995)
Written & Directed by Amy Heckerling

I was fourteen when Clueless came out, and like most adolescent boys of the time, I acted like it didn’t interest me, that it was for girls. I couldn’t avoid it, though, and I can remember how it permeated culture that summer. I never saw the movie until now. Clueless is such a product of its time and word that Paramount is talking about remaking; it feels tone-deaf. You cannot remake this. It was based on Emma so you could do another contemporary retelling of that story, but Clueless is such a specific tone and look that captures an exaggerated version of the mid-90s. Better to let this film simply exist as an artifact of its time then try to recreate the feeling you had first seeing it as a teenager.

Movie Review – Friday

Friday (1995)
Written by Ice Cube & DJ Pooh
Directed by F. Gary Gray

I haven’t laughed watching a comedy film like this in a very long time. This was a couldn’t stop, tears in my eyes, perpetual motion machine of laughing. Friday was an independent picture made by people that were figuring out how to be filmmakers and showing some of the best promise of any debut I’ve ever witnessed. Yes, there are weak points, and not all the jokes hit, but this is an instance where gags are being thrown at the screen every second. When ones do hit, they connect hard, and you’ll find yourself uncontrollably losing it.