2000s – Page 5 – PopCult Reviews

Movie Review – Mission: Impossible III

Mission: Impossible III (2006)
Written by Alex Kurtzman, Roberto Orci, and J. J. Abrams
Directed by J.J. Abrams

For a brief shining moment in 2002, we could have had David Fincher directing a Mission: Impossible movie. But that didn’t happen, and there would be a sequel. As cheesy & silly as Mission: Impossible 2 was, it was the second highest-grossing movie of 2000, just behind How The Grinch Stole Christmas, which meant we would be getting more of them. Joe Carnahan (Narc, The A-Team) was working in pre-production on the project, and the film was reportedly going to feature Kenneth Branagh as a Timothy McVeigh-styled villain with Carrie-Anne Moss and Scarlett Johansson starring in supporting roles. But after a conflict over the film’s tone, Carnahan left, which sent Tom Cruise to the phone to call J.J. Abrams. Due to scheduling delays, many of the film’s actors left the project, which led to recasting. Eventually, all the pieces came together, and a new Mission: Impossible came to the big screens with a whole different tone & style than the previous two.

Movie Review – Mission: Impossible 2

Mission: Impossible 2 (2000)
Written by Ronald D. Moore, Brannon Braga, and Robert Towne
Directed by John Woo

Is bland & formulaic better than something bizarre & bad? I’m unsure which is the right choice, but I know that Mission: Impossible 2 (of MI 2) is very much the latter. Yet, it’s not the sort of bad that makes watching the film unenjoyable. Unlike some of the later MI pictures, I was glued to the screen for the entirety of this movie. This is mainly due to the sheer 2000s-ness of this one. John Woo is at peak Woo-ocity as well, including his iconic drama doves, one of which almost gives away Ethan Hunt’s position in a crucial scene. To understand MI2 is to remember that this franchise wasn’t quite sure what it would be. I have to hand it to the MI series that, for the longest time, it refrained from dedicating itself to one director or one style, and each picture really did feel like that filmmaker’s take on the concept.

Movie Review – Indiana Jones and the Kingdom of the Crystal Skull

Indiana Jones and the Kingdom of the Crystal Skull (2008)
Written by George Lucas, Jeff Nathanson, and David Koepp
Directed by Steven Spielberg

Once upon a time, there was a man named Indiana Jones. He had many adventures in his day. Then one day, he stopped. That would have been a perfect place to end things. Indy rides off into the sunset with his friends as the end credits of The Last Crusade roll across the screen. For nineteen years, it was the end. In the background, treatments, and drafts of scripts were hammered out as the creatives and executives hemmed and hawed over how much more money they could squeeze out of this one. I was okay with no Indiana Jones movies in the 1990s and most of the 2000s. We didn’t need any more stories anymore because we could always revisit the ones we had. But more was required by the money machine. So we got Kingdom of the Crystal Skull, a medley of scenes from many scripts that are made worse by the development of computer-generated imagery. Poor Indy was forced to put the hat back on and dance for the audience again.

TV Review – Deadwood Season Three

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Deadwood Season Three (HBO)
Written by David Milch, Ted Mann, Regina Corrado, Alix Lambert, Kem Nunn, Nick Towne, Zack Whedon, W. Earl Brown, and Bernadette McNamara
Directed by Mark Tinker, Dan Attias, Gregg Fienberg, Ed Bianchi, Dan Minahan, Tim Hunter, and Adam Davidson

Ratings are the bane of good art. Because everything that involves money must be quantified into a system that evaluates for profit or potential profit, television executives chose to use viewership numbers to determine whether a piece of art continues. There is some logic behind this, as the production of shows involves a lot of money & resources. The idea is that art exists to be consumed in the instant it is delivered to the public. In the modern world, there is no discovery of something beautiful over time; this society prides itself on fantastic newness. Despite being the fourth highest-rated cable television series of 2006, Deadwood was ultimately canceled upon concluding its third season.

Comic Book Review – All-Star Superman

All-Star Superman (2011)
Reprints All-Star Superman #1-12
Written by Grant Morrison
Art by Frank Quitely

I’m not sure what I think of Superman these days. For anyone claiming to believe there is a single definitive version of him, it shows they don’t actually know the character’s history. The Superman who appeared in the pages of Action Comics #1 wasn’t even Siegel & Shuster’s first attempt to create a character with that name. Over the nearly 90 years that Superman has existed in the culture, he has undergone numerous reboots and minor tweaks. The Golden Age Superman is a different person from the Silver Age version who, in turn, is not the same as John Byrne’s rebooted Man of Steel. Even that iteration from 1985 was changed significantly by the end of the 20th century. In All-Star Superman, writer Grant Morrison is focused purely on the Superman of their youth. This was the Superman of the 1960s, a fatherly figure whose powers bordered on god-like, new ones manifesting as writers needed them. Morrison has chosen what is ironically the least human of Superman’s faces to tell a story about life & death, a Herculean postmodern myth.

Patron Pick – Holes

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Bekah Lindstrom.

Holes (2003)
Written by Louis Sachar
Directed by Andrew Davis

Shortly after moving to the Netherlands, I started recording myself reading children’s books aloud to my niece and nephew. We started with picture books but have since moved on to some of the shorter chapter books. As a primary school teacher, I loved reading Sideways Stories from Wayside School by Louis Sachar to my third graders every year. I discovered that book as a child and found the author’s sense of humor aligned with my own, a celebration of dumb jokes and absurdity. After reading that to my niece and nephew, I decided to try Sachar’s most acclaimed book, Holes. I’d never read it before, and it is a well-done middle-grade novel with some intense themes. I had also never watched the film adaptation from 2003. Getting a screenwriter who wasn’t the book’s author might have helped the picture significantly.

Movie Review – Bad Education

Bad Education (2004)
Written & Directed by Pedro Almodóvar

Few directors working today seem to enjoy the richness of film images more than Pedro Almodovar. Every film he puts out is always full of bold color and intriguing framing & blocking. His stories are complex labyrinths where narratives are rarely linear, the past often haunting the present. Much of Bad Education is set around what the audience doesn’t know, putting us in the protagonist’s shoes. They are learning about the line between fiction and truth, letting the audience enter their imagination and then see how what they pictured matches with the people and events as they actually happened. I wouldn’t blame someone watching this for the first time for feeling confused; it takes at least a couple viewings to fully grasp what is happening in the picture.

Movie Review – Mysterious Skin

Mysterious Skin (2004)
Written by Scott Heim and Gregg Arakai
Directed by Gregg Araki

Growing up in the late 1980s/early 90s, I watched a lot of television. I have vivid memories of certain shows. Unsolved Mysteries, hosted by Robert Stack, was a frequent point of childhood terror that seems silly from the hindsight of an adult. America’s Most Wanted was not as consistently creepy, but a particular type of case terrified me as a child. When AWM would do a story on a child molester and/or murderer who was on the run, it scared the shit out of me. Being only 8/9 years old and homeschooled, I didn’t wholly understand what sex was, but I definitely understood that being touched inappropriately was bad. Pair this with the rampant homophobia in the culture, which was intensified even more through the lens of right-wing propaganda. I was served up in my homeschooling curriculum, and my view of gay men at this time was one of fear. I can’t say when it shifted, but by the time I was in college, I angrily defended gay people in arguments with some of my classmates at a private Christian college.

Comic Book Review – Batman by Grant Morrison Omnibus Volume Two

Batman by Grant Morrison Omnibus Volume Two (2018)
Reprints Batman #700-702, Batman and Robin #1-16, and Batman: The Return of Bruce Wayne #1-6
Written by Grant Morrison
Art by Tony S. Daniel, Frank Quitely, Scott Kolins, Andy Kubert, David Finch, Philip Tan, Cameron Stewart, Andy Clarke, Frazer Irving, Chris Sprouse, Yanick Paquette, Georges Jeanty, Ryan Sook, Pere Pérez, and Lee Garbett

The Grant Morrison run of Batman is not a perfect thing. The transition from the first chapter to this second has got to be one of the clunkiest, with desperate attempts to try and mesh Morrison’s intentions with their story with Dan DiDio’s editorial edicts. This is why the first three comics reprinted here focus so much on trying to take the death of Batman we see in “Batman RIP” and the death of Batman we see in “Final Crisis” and have them make a single cohesive narrative. In my opinion, it is a big mess. However, that leads to one of the best parts of Morrison’s run, Batman and Robin. The side story of The Return of Bruce Wayne? Eh, I’m not the biggest fan, but it does coherently tie up the Doctor Hurt storyline that began in the first volume.

Comic Book Review – Batman by Grant Morrison Omnibus Volume One

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Batman Omnibus by Grant Morrison Volume One (2009)
Reprints Batman #655-658, 663-683 with material from 52 #30,47 and DC Universe #0
Written by Grant Morrison
Art by Andy Kubert, J.H. Williams III, Tony Daniel, Joe Bennett, Giuseppe Camuncoli, Ryan Benjamin, and John Van Fleet

Batman has had a wildly varied history over his 80 years as a comic book character. The popular conception of Batman as The Dark Knight started in the 1970s and was continued by Tim Burton’s 1989 film. That wasn’t always the way. The most notable example of a different sort of Batman is the high-camp television version of the 1960s, but even before then, the title had a much sillier bent in the 1950s as science fiction stories were more popular. Grant Morrison is a writer who always seeks to encompass the totality of a character when he’s writing a comic, finding a way to make all the ideas fit even if some seem absurd. They understand that comics are inherently silly and shouldn’t be taken too seriously. During their run, Morrison managed to reinvent Batman, adding one particular element that has stuck around for fifteen years and counting: Batman’s son.