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Batman Omnibus by Grant Morrison Volume One (2009)
Reprints Batman #655-658, 663-683 with material from 52 #30,47 and DC Universe #0
Written by Grant Morrison
Art by Andy Kubert, J.H. Williams III, Tony Daniel, Joe Bennett, Giuseppe Camuncoli, Ryan Benjamin, and John Van Fleet
Batman has had a wildly varied history over his 80 years as a comic book character. The popular conception of Batman as The Dark Knight started in the 1970s and was continued by Tim Burton’s 1989 film. That wasn’t always the way. The most notable example of a different sort of Batman is the high-camp television version of the 1960s, but even before then, the title had a much sillier bent in the 1950s as science fiction stories were more popular. Grant Morrison is a writer who always seeks to encompass the totality of a character when he’s writing a comic, finding a way to make all the ideas fit even if some seem absurd. They understand that comics are inherently silly and shouldn’t be taken too seriously. During their run, Morrison managed to reinvent Batman, adding one particular element that has stuck around for fifteen years and counting: Batman’s son.
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2022 was the year I dropped reading monthlies. After decades of reading them, whether buying them myself, reading my college roommate’s copies, or consuming them digitally, I decided it was time to get off the ride. This happens to all comic fans when they reach a certain age. It comes from frustration with the cyclical nature of superhero books. Most of the best stories for a character have already been told, so everything between now and the next great authorial genius coming along is just spinning wheels.
Continue reading “Seth’s Favorite Comics of 2022”
Batman: Killing Time (2022)
Reprints Batman: Killing Time #1-6
Written by Tom King
Art by David Marquez
I don’t think this is a controversial opinion, but here goes: The most interesting thing about the Batman mythos is his villains. If you had to compare Batman to another superhero based on everything surrounding the character, Spider-Man is your best bet. Yet, Spider-Man is a character often more interesting than many of his rogues while still having some fascinating baddies in the mix. Batman, on the other hand, is a one-note character for me; of course, it all depends on who is writing. I’m always eager to see what the villains are up to, though, and this mini-series by Tom King focuses mainly on two of them, a pair we don’t see too often: The Riddler and Catwoman.
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Catwoman: Lonely City (2022)
Reprints Catwoman: Lonely City #1-4
Written & Illustrated by Cliff Chiang
In 1986, Frank Miller’s The Dark Knight Returns mini-series reconceptualized Batman by telling an out-of-canon story. An aging Bruce Wayne retired from being Batman years earlier, but now Gotham City is falling into a deeper cesspool than ever before. Mutant gangs run rampant, and The Joker has resurfaced. Wayne must become Batman again, this time with Carrie Kelly by his side as Robin. The Dark Knight Returns, while ground-breaking & compelling, is a politically questionable book. Miller has always been reactionary to one degree or another, and TDKR is very much indicative of this mindset to not examine but react with emotion. Miller is a passionate guy, and that fervor has gotten him into much-deserved praise and trouble. He’s apologized, but the man is so entrenched in his mindset that it would be hard to pull him out. But 2022 is not 1986, and the reactionary Death Wish-driven media of that era just doesn’t fly these days (unless you’re a big Daily Wire fan, I suppose). Cliff Chiang is here to tell us another story of a future Gotham, which is far more coherent and sets up a conflict between the criminal and the authority leading us to question if those labels are being accurately applied.
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Batman: The Caped Crusader Volume 1 (2018)
Reprints Batman #417-425, 430-431, Annual #12
Written by Jim Starlin, Mike Baron, Robert Greenberger, and Christopher Priest (as James Owsley)
Art by Jim Aparo, Ross Andru, Norm Breyfogle, Mark Bright, Dave Cockrum, Dick Giordano, and Pablo Marcos
Jim Starlin had established himself as the new main writer for the Batman title by this point following a spotty run by Max Allan Collins. While Collins chose to play loose with the timeline, setting some stories earlier and others closer to present day, Starlin shrugs all that off and firmly plants his feet in the present. Robin (Jason Todd) is about 15/16 and Batman has an established lengthy history. If you compare this to John Byrne’s work on Superman that series feels like it is starting fresh with the hero, reintroducing his villains. Starlin came from a place that all of Batman’s rogues’ gallery is well-known already. That didn’t mean he was just going to play with the toys he was given and this collection begins with the introduction of a villain who is still around today.
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Batman: Second Chances (2015)
Reprints Batman #402, 403, 408-416 & Batman Annual #11
Written by Max Allan Collins, Jo Duffy, and Jim Starlin
Art by Jim Starlin, Denys Cowan, Chris Warner, Ross Andru, Dick Giordano, Dave Cockrum, Kieron Dwyer, Mike DeCarlo, and Jim Aparo
Batman: Second Chances collects the issues just before and following Frank Miller’s iconic Year One arc. The stories here focus mainly on establishing a grittier tone for the post-Crisis Batman while developing Jason Todd, who served as Robin. The result is a jumble of small arcs and one-offs that aren’t brought together for any thematic purpose. Instead, this is just a means to collect some stories that would never have a place otherwise. Nevertheless, I enjoyed it as a historical artifact, a record of what Batman comics felt like in the late 1980s before other creators like Alan Grant and Chuck Dixon became the architects of a new Batman mythos.
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Batman: The Dark Knight Detective Volume 1 (2018)
Reprints Detective Comics #568-574, 579-582
Written by Mike W. Barr, Joey Cavalieri, and Jo Duffy
Art by Alan Davis, Paul Neary, Jim Baikie, Terry Beatty, Norm Breyfogle, E.R. Cruz, Carmine Infantino, Dick Giordano, Pablo Marcos, and Klaus Janson
At the same time, Frank Miller was reinventing the Batman mythos in the pages of the titular book; very different things were happening in Detective Comics. It was a very different experience and an example of how DC Comics editorial had not thoroughly planned out the post-Crisis period, much like how the New 52 reboot wasn’t as coordinated as it could have been. Things begin messily with Joey Cavalieri penning a Legends crossover. If you have read the Legends storyline (one I highly recommend), you’ll quickly pick up that this crossover is entirely unnecessary and not coordinated with the actual event. You can see this in G. Gordon Godfrey, who looks like this in Legends and looks like this in Detective Comics. I thought there’d be some sort of editorial guidance for artists when using characters from crossovers so that they would, at minimum, look the same.
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Batman: Year One (2007)
Reprints Batman v1 #404-407
Written by Frank Miller
Art by David Mazzucchelli
I’ve immensely enjoyed going back to older DC Comics these last few years, and every once in a while, you’re reminded of how great a particular work is after it faded in your memory a little. Batman: Year One is a comics masterpiece. One thing I’ve liked to do is go to the DC Database, search an issue I’ve read and see what else was published that same month. It can give you a great picture of what the publisher felt like at the time. Batman #404, the opening chapter in this story, hit the stands in February 1987, almost one full year after the final issue of Crisis on Infinite Earths (March 1986) was published and a month before Legends wrapped up (April 1987). This was right in the middle of DC Comics reinventing itself as a modern comics company, trying to catch up with the headway Marvel had. Year One was sharing the comics rack with Byrne’s Superman run, Watchmen was halfway through its twelve-issue run, George Perez’s Wonder Woman #1, and a handful of mini-series and other comics attempting to inject some new life into these characters. Nothing came close to Batman: Year One.
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The Batman (2022)
Written by Matt Reeves and Peter Craig
Directed by Matt Reeves
There are few comic book characters with as many iterations in popular media as Batman. From the 1943 movie serial to his appearances in Zack Snyder’s superhero films, if you’d like to see a version of Batman, you only have to take your pick. One of the aspects of Batman we haven’t seen too much of in cinemas is that of the Detective. Most films centered on the character focus on action and big set pieces but give little time for investigation. However, some of the best Batman stories from the animated series focus on the character following clues and uncovering the truth. Matt Reeves has delivered the first Batman feature film to really showcase that aspect and has also provided some of the best interpretations of the series villains we’ve ever had.
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For most people, The Riddler is seen as either Frank Gorshin’s iconic performance from the Batman ‘66 series or Jim Carrey from Joel Schumacher’s Batman Forever. This portrayal of the puzzle-obsessed villain mimics the persona of The Joker more than presenting how The Riddler was shown in the comics. It makes sense, The Joker is the villain we most associate with Batman, and that type of insanity is the element actors pick up on. Tommy Lee Jones’ performance as Two-Face in Batman Forever is another example of someone aping the mannerisms and behavior we would expect from The Joker. So just who is The Riddler then?
Continue reading “Supervillain Spotlight – The Riddler”