Comic Book Review – Justice League: Forever Heroes & Injustice League

Justice League: Forever Heroes (2014)
Reprints Justice League #24-29
Written by Geoff Johns
Art by Ivan Reis and Doug Mahnke

Justice League: Injustice League (2015)
Reprints Justice League #30-39
Written by Geoff Johns
Art by Doug Mahnke and Jason Fabok

Last week, I shared the big Justice League event of the time, Forever Evil. While that event was happening in its mini-series, the main Justice League book changed a bit. The heroes readers were familiar with were caught in a pocket dimension prison, so the Justice League comic devoted its pages to telling the origins of the villainous Crime Syndicate. For the unfamiliar, the Crime Syndicate are villainous versions of classic DC Heroes. They are:

Ultraman (Superman)
Owlman (Batman)
Superwoman (Wonder Woman)
Johnny Quick (The Flash)
Power Ring (Green Lantern)

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Comic Book Review – Justice League: Trinity War & Forever Evil

Justice League: Trinity War (2014)
Reprints Free Comic Book Day 2012, Trinity of Sin: Pandora #1-3, Trinity of Sin: Phantom Stranger #11, Justice League #22-23, Justice League Dark #22-23, Justice League of America #6-7, and Constantine #5
Written by Geoff Johns, Jeff Lemire, and Ray Fawkes
Art by Ivan Reis, Dough Mahnke, David Finch, and Mikel Janin

Forever Evil (2015)
Reprints Forever Evil #1-7
Written by Geoff Johns
Art by David Finch

DC did a good job of not having any major events in its shared universe for the first three years of the New 52. But we all knew that wouldn’t last. Things kicked off with Trinity War, an event being teased for a while that brings together the three Justice League ongoing titles that were being published at the time. It seems ARGUS, the government organization working as the Justice League’s liaison, was secretly building a team behind their back. This ties back into Green Arrow’s failure to be inducted early in the series’ run. Now Oliver Queen is in the Justice League of America alongside Hawkman, Martian Manhunter, Katana, Green Lantern (Simon Baz), Stargirl, Vibe, and most surprisingly, Catwoman. 

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Comic Book Review – Justice League: Throne of Atlantis & The Grid

Justice League: Throne of Atlantis (2014)
Reprints Justice League #13-17 and Aquaman #15-16
Written by Geoff Johns
Art by Ivan Reis, Paul Pelletier, and Tony S. Daniel

Justice League: The Grid (2014)
Reprints Justice League #18-20, 22-23
Written by Geoff Johns
Art by Ivan Reis, Jesus Saiz, and Joe Prado

Despite its title, the Throne of Atlantis begins with a two-part story, “The Secret of the Cheetah.” It concerns Wonder Woman’s nemesis, The Cheetah. At this point in the New 52, the Wonder Woman ongoing title was written by Brian Azzarello and was primarily concerned with Diana’s relationship with the Olympian gods. Her non-mythic villains were available, so Johns attempted to develop what The Cheetah is like in this reimagined DC Universe. The Cheetah as a solo villain against the Justice League is very unbelievable as she hasn’t quite proven to be a physical powerhouse against Wonder Woman. There’s some extra magic curse MacGuffin added to the story. I get the sense a lot of this story came out of the image of Superman receiving the curse and taking on cheetah features of his own. It’s reminiscent of those Silver Age covers that promised wild transformations of your favorite heroes. I find the constant push to create some sort of love triangle between Superman – Wonder Woman – Steve Trevor, or Batman really annoying and so unnecessary.

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TV Review – Veep Revisited

Veep (HBO)
Seasons 1 thru 7
Created by Armando Iannucci

If you follow this blog, you know one of my interests is examining how media is used to prop up the legitimacy of institutions in America. Since the early days of film, people have been rewriting history or portraying offices like the President with this sense of eternal nobility. This type of writing, present in the works of filmmakers like Aaron Sorkin, turns my stomach. It ultimately serves as propaganda to admonish activism that pushes for material change and instead pivot the American mindset into being satisfied with shallow sentiment and hollow platitudes. For example, the West Wing constantly presents those who populate the White House as flawed but virtuous, centrists who are always right and debate themselves into wins against conservatives and leftists. When The West Wing was originally airing, I remember someone I knew who liked the show admitting that it was ultimately “porn for liberals.” It provided a comforting fantasy with little to no connection to what happens in reality. Veep is the antithesis of this.

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Comic Book Review – The Flash by Geoff Johns Omnibus Volume 3

The Flash by Geoff Johns Omnibus Volume 3 (2022)
Reprints Final Crisis: Rogues’ Revenge #1-3, Blackest Night: The Flash #1-3, Blackest Night: Black Lantern Corps #1, The Flash: Rebirth #1-6, The Flash Secret Files and Origins 2010, The Flash v3 #1-12, Flashpoint #1-5
Written by Geoff Johns
Art by Scott Kolins, Ethan Van Sciver, Francis Manapul, Andy Kubert

I’m not sure what has happened to Geoff Johns in the last few years. It’s been a disheartening turn of events between some weighty accusations lobbed at him by Justice League star Ray Fisher and some egregious delays on books like Shazam. Recently, artist Bryan Hitch shared that plans for a Justice Society revival book with Johns had been scrapped even after promotional art was shown off in 2021. Johns has become a writer whose work I prefer to wait to be collected than deal with the chronic delays. This definitive collection of his Flash work marks the point where things really went off the rails for the writer and DC Comics for about a decade. Looking at these stories, we can see how the previous consistently high-quality stories being told by Johns about the Flash lost some luster.

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Comic Book Review – The Terrifics Part 1

The Terrifics Part 1
Reviewing stories found in The Terrifics #1-14
Written by Jeff Lemire
Art by Ivan Reis, Jose Luis, Joe Bennett, Evan ‘Doc” Shaner, Dale Eaglesham, Viktor Bogdanovic, Jonathan Glapion, Jordi Tarragona, Dexter Vines, and Scott Hanna

In 2017, DC Comics introduced the concept of the Dark Multiverse to its wide array of alternate realities. It was the creation of writer Scott Snyder who was coming to the end of a large story cycle he’d been developing since New 52 started in 2011. The Dark Multiverse is a collection of realities that mirror the standard Multiverse most readers knew about. In the aftermath of Dark Knights: Metal, the crossover event that introduced all of this, a group of titles was spun-off under the banner of The New Age of DC Heroes, aka the Dark Matter line. By 2020, all eight books were canceled, and this subset of the DC Universe has essentially been forgotten already. 

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TV Review – When was SNL Funny? Part 9 (of 9)

And so we come to the finale. This chunk of Saturday Night Live where they lost me. I’d watched at varying levels since I was a teenager, but by season 41, I just didn’t find it remarkably funny anymore. It certainly got worse when Trump became president, and the show pivoted into the most shallow critique of him, not on policy ever but instead on what a meanie he was or mocking his hair. Those sort of pointless jokes signals a lack of perspective, in my opinion, a writing staff that has been declawed or never had any, to begin with. All the while, the show made sure to hold up people like Jeff Bezos as heroic and pen jokes for Update criticizing citizen-led protests against Amazon warehouses. SNL affirmed its place as a comedy for the bourgeoisie.

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TV Review – Sense8

Sense8 Season 1 and 2 (2015-2018)
Written by Lana Wachowski, Lilly Wachowski, J. Michael Straczynski, David Mitchell, and Aleksandar Hemon
Directed by Lana Wachowski, Lilly Wachowski, Tom Tykwer, James McTeigue, and Dan Glass

Sense8 was one of those shows I missed out on when Netflix when it premiered in 2015. It had two seasons and got canceled due to its expensive budget since they filmed on location. I toyed with the idea of watching it for the longest time. Due to my lack of commitment to some things, I sometimes hesitate to go into things people love or find great comfort in. Word of mouth can be so grand that when you finally get you can feel like a jerk for perhaps not enjoying it as much as others do.

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TV Review – When Was SNL Funny Part 8 (of 9)

Saturday Night Live was never a controversial show. If anyone took offense to the comedy being presented, then they have to be one of the most sheltered people on the planet. You can feel the punches being pulled at every turn when it comes to politics. Or when they want to take jabs, it’s entirely superficial rather than writing clever political comedy (see everything Armando Iannucci has done). The 2010s were, for me, the sign that SNL was becoming a piece of processed cheese, it looked okay, but you weren’t craving it. The people involved were always much funnier outside the show than in it. The perfect example is 2011’s Bridesmaids, which showed Kristin Wiig being much more entertaining than I ever found her on SNL.

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Comic Book Review – Superman by Grant Morrison Omnibus

Superman by Grant Morrison Omnibus (2021)
Reprints Action Comics v2 #0-18, Annual #1
Written by Grant Morrison (with Sholly Fisch)
Art by Rags Morales, Andy Kubert, Brent Anderson, Gene Ha, Brad Walker, Cully Hamner, Ben Oliver, Cafu, Ryan Sook, Bob McLeod, Travel Foreman, Chris Sprouse, Karl Story, and more

It’s interesting to read these Grant Morrison stories alongside John Byrne’s Superman work. Byrne was tasked with rebooting Superman in the wake of the Crisis in 1986, reworking concepts and cutting away things considered to be too old-fashioned. Morrison was partially asked to do the same thing in 2011 when the New 52 initiative was rolled out. I don’t think Morrison was allowed as much leeway as Byrne because D.C. had become much more integrated alongside their parent company Warner Media. Like Byrne, Morrison is taken well-known concepts around Superman and trying to make them relevant for their time. However, they are a professed lover of the Silver Age, so Morrison isn’t entirely willing to make everything a modern parallel to our world. In true Morrison fashion, we get a tale of metaphors made reality, of meditations on fictional universes, and ultimately a vision of Superman that would be quickly discarded as editorial interference kept the New 52 from ever amounting to much.

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