Movie Review – Out of the Past

Out of the Past (1947)
Written by Daniel Mainwaring
Directed by Jacques Tourneur

RKO Pictures was once one of the big Hollywood studios, and now it’s gone. Radio businessman David Sarnoff and his company RCA merged with a theater chain and film booking company to form this all-in-one studio. They were always considered makers of low-budget fare, but that didn’t stop RKO from making its mark on cinema. Fred Astaire & Ginger Rogers’ song and dance career bloomed at the studio, and Katharine Hepburn saw her first screen success at RKO. The studio was the home of Val Lewton’s innovative horror experiments like Cat People. RKO’s most well-known productions are still King Kong and Citizen Kane, pictures that have created ripples through world cinema today. They produced It’s A Wonderful Life and even much of Walt Disney’s early work. After a series of takeovers and buyouts, the company’s body of work lies mainly under the control of Warner Discovery. Out of the Past is a standout of their many influential pictures due to its perfect encapsulation of so much of the film noir tropes. 

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TV Review – My Brilliant Friend Season One

My Brilliant Friend Season One (HBO)
Written by Elena Ferrante, Francesco Piccolo, Laura Paolucci and Saverio Costanzo
Directed by Saverio Costanzo

We open with a phone call in the middle of the night. An older woman answers. Her friend has gone missing. The friend’s son is worried. The woman chastises him and ends the call. And then she remembers. This is the opening to My Brilliant Friend Season One, an adaptation of the first book in Italian author Elena Ferrante’s Neapolitan trilogy. The entire series is couched in the search for meaning from past experiences, piecing together how the friendship of Elena & Lila came to be, mainly how their dreams of where their lives would go went so astray due to being women and growing up in the times that they did. That period is the post-war period in Italy, the universe consisting of a single tenement and the surrounding neighborhood. The result is a powerfully moving exploration of women coming of age and learning how little agency they are given by the society around them.

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Movie Review – The Postman Always Rings Twice

The Postman Always Rings Twice (1946)
Written by Harry Ruskin and Niven Busch
Directed by Tay Garnett

The Postman Always Rings Twice is one of the great archetypal noir stories. It shares some elements with the equally iconic Double Indemnity. However, this film’s setting and the intentionally tortuous way it lets its characters double back on their decisions turns it into a knife that slowly drives its way between our ribs. Both were based on the novels of James M. Cain, who also wrote Mildred Pierce. He came from journalism and penned many editorials, which he would later explain were written as a character rather than himself. That first-person confessional style became a crucial part of his novels, the noir protagonist who has come to the end of his rope and reflects on the events that got him to this tragic point. The Postman Always Rings Twice serves as Cain’s grandest statement in the noir genre, pulling together all his strengths to deliver a harrowing story.

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Movie Review – The Killers

The Killers (1946)
Written by Anthony Veiller, John Huston, and Richard Brooks
Directed by Robert Sidomak

Ernest Hemingway is not a name we often associate with noir & crime literature. The short story this film is based on isn’t necessarily a piece of noir fiction, either. That piece makes up only the opening sequence of this film, which expands significantly on the central character through extensive flashbacks. Up to this point, Hemingway had been vocal about how much he disliked Hollywood’s adaptations of his work. However, The Killers stood out as one that garnered his praise. Many people liked it, leading to four Oscar nominations, including Best Director and Best Film Editing. The film’s director was a German man who fled Hitler’s Nazi regime after propaganda minister Joseph Goebbels leveled an attack on one of the filmmaker’s pictures. The Killers is a film that is a tragic examination of masculinity, all coming from men who suffered extensively under the social expectations of what sort of men they could be.

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PopCult Podcast – Are You There God? It’s Me, Margaret/The Angry Black Girl and Her Monster

It’s all about the girls in book adaptations this week’s episode. One is a beloved coming of age novel that has been the subject of much censorship since it was published over 50 years ago. The other is a remix of a classic horror novel set in America and about the scourge of death in poor communities.

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Patron Pick – Oz the Great and Powerful

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Matt Harris.

Oz the Great and Powerful (2013)
Written by Sam Raimi, Mitchell Kapner, and David Lindsay-Abaire
Directed by Sam Raimi

The Wizard of Oz is the most significant notable American fairy tale. The others we typically think of are imports from Europe and folktales translated from their African roots into a new land in the case of the American South. It began in 1900 as the work of writer and theatrical producer L. Frank Baum. Combining fragments of his life experiences, Baum constructed a story about a little girl from Kansas and her adventures in the strange land of Oz. Two years after the book publication, Baum staged a live theatrical performance, so it is clear his intent was that this would always be a living story, not simply a book to be read but to be performed.

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Patron Pick – Holes

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Bekah Lindstrom.

Holes (2003)
Written by Louis Sachar
Directed by Andrew Davis

Shortly after moving to the Netherlands, I started recording myself reading children’s books aloud to my niece and nephew. We started with picture books but have since moved on to some of the shorter chapter books. As a primary school teacher, I loved reading Sideways Stories from Wayside School by Louis Sachar to my third graders every year. I discovered that book as a child and found the author’s sense of humor aligned with my own, a celebration of dumb jokes and absurdity. After reading that to my niece and nephew, I decided to try Sachar’s most acclaimed book, Holes. I’d never read it before, and it is a well-done middle-grade novel with some intense themes. I had also never watched the film adaptation from 2003. Getting a screenwriter who wasn’t the book’s author might have helped the picture significantly.

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Movie Review – Mysterious Skin

Mysterious Skin (2004)
Written by Scott Heim and Gregg Arakai
Directed by Gregg Araki

Growing up in the late 1980s/early 90s, I watched a lot of television. I have vivid memories of certain shows. Unsolved Mysteries, hosted by Robert Stack, was a frequent point of childhood terror that seems silly from the hindsight of an adult. America’s Most Wanted was not as consistently creepy, but a particular type of case terrified me as a child. When AWM would do a story on a child molester and/or murderer who was on the run, it scared the shit out of me. Being only 8/9 years old and homeschooled, I didn’t wholly understand what sex was, but I definitely understood that being touched inappropriately was bad. Pair this with the rampant homophobia in the culture, which was intensified even more through the lens of right-wing propaganda. I was served up in my homeschooling curriculum, and my view of gay men at this time was one of fear. I can’t say when it shifted, but by the time I was in college, I angrily defended gay people in arguments with some of my classmates at a private Christian college.

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Movie Review – Death of a Salesman

Death of a Salesman (1985)
Written by Arthur Miller
Directed by Volker Schlöndorff

Some pieces of art are monolithic in that you know some things about them even if you don’t actively seek them out. They just made such an impact on the culture and became interwoven into our language and our contemporary understanding. I can’t point to exactly when I first knew of Death of a Salesman, but one of my earlier memories was it being referenced in Seinfeld. In an episode, Jerry says George reminds him of Biff Loman from the play. I was a teenager and had never read the play, so I can’t say I ever fully comprehended that one. It made the play stick out to me, though, as it must be important, at a minimum, to understand some aspect of the “discourse.” But time flowed on, and I never sat down to experience Death of a Salesman until now.

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TV Review – Lucky Hank Season One

Lucky Hank Season One (AMC)
Written by Paul Lieberstein, Aaron Zelman, Adam Barr, Emma Barrie, Jean Kyoung Frazier, Jasmine Pierce, and Taylor Brogan
Directed by Peter Farrelly, Dan Attias, Jude Weng, and Nicole Holofcener

I went into Lucky Hank with moderately high expectations. I have been a big fan of Bob Odenkirk for decades and loved his time as Jimmy McGill in Better Call Saul. I picked up the novel that the show is based on, Straight Man by Richard Russo, and it has been one of my favorite reads of the year so far. However, when I reached the season finale of Lucky Hank, I had one feeling prominent at the front of my mind: relief that it was over and I was never watching any more of this show. That doesn’t mean the show is horrible, but it does not fit my sensibilities. Instead, we got a single-camera dramedy sitcom hybrid with Lucky Hank, complete with spots where we are intended to laugh with the laugh track absent. 

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