british – Page 3 – PopCult Reviews

TV Review – Rain Dogs

Rain Dogs (BBC/HBO)
Written by Cash Carraway
Directed by Richard Laxton & Jennifer Perrott

While searching for a television series to watch recently, I looked at Metacritic’s best new shows on their 2023 list and noticed Rain Dogs at the top. It stars Daisy May Cooper, who I’ve enjoyed on Avenue 5 and Taskmaster, so I decided to try it. Sadly, I ended up not really enjoying the series. It was confusing because so many of the elements on paper are things I like, but when it all came together, it felt underwhelming. My biggest stumbling block is how life in poverty should be portrayed in the media and how it often gets portrayed in contemporary shows and television.

PopCult Podcast – Bunny Lake Is Missing/A Taste of Honey

It’s another week of pulling from the Letterboxd Watchlist, this time with the theme being the 1960s and England. One film is a thrilling mystery about a lost girl and the other is about a girl lost about what to do with her future.

TV Review – Knowing Me, Knowing Yule

Knowing Me, Knowing Yule (1995)
Written by Steve Coogan, Armando Iannucci, Patrick Marber, and Rebecca Front
Directed by Dominic Brigstocke

The British have a word: “prat.” The definition I could find states: “very stupid or foolish.” I don’t think many characters could serve as a living definition of that word better than Alan Partridge. Partridge is the creation of actor/comedian Steve Coogan. This perennial television host is meant to encapsulate all the phony, idiotic behaviors your average TV presenter exhibits in the UK. I don’t think it’s too far off from some of America’s hosts.

Movie Review – Night and the City

Night and the City (1950)
Written by Austin Dempster, William E. Watts, and Jo Eisinger
Directed by Jules Dassin

For years, American film industry censorship worked to soften the edge of noir films. There would always be a good cop, or crime would always punished severely. This caused the stories to lose their bite present in the source material, where writers wrestled with big existential questions and faced the cruelty of life in the modern era. The United Kingdom, while not exempt from moralizing about films, allowed for a more nuanced version of noir to be presented on the screen. At the time of its release, Night and the City was noted for being a film without sympathetic characters (save for maybe one woman). Some critics of the time saw the film as “trashy” and “pointless” in reaction. I take a different stance; this movie points out how desperately people live in the struggle for survival exacerbated by capitalism.

Movie Review – The Third Man

The Third Man (1949)
Written by Graham Greene
Directed by Carol Reed

The film noir was an international hit. In our last review, we saw how Akira Kurosawa interpreted the genre in Japan. This time around, we look at a British application of noir. After watching this movie, I had a question: are Cold War/spy films a subgenre of film noir? There is undoubtedly some shared DNA. Look at a book/film like John Le Carre’s The Spy Who Came in From the Cold, which has all the tropes of a film noir, most importantly, a doomed protagonist who faces the consequences of his past actions despite trying to do better. Over time, the spy novel/movie became its own thing, but it was born out of the noir.

Movie Review – Meantime

Meantime (1983)
Written & Directed by Mike Leigh

When I was younger and saw a Mike Leigh movie, I didn’t understand it. I was very much into certain kinds of art-house cinema that were more heightened in the stylistics, and the quirky working-class tone of Leigh’s work was confounding. Now, in my early 40s, I find Leigh to be brilliant. He understands the class divide and how ordinary people are pitted against each other better than almost any other director alive. Unsurprisingly, Leigh holds up Yasujirō Ozu’s slice-of-life domestic films as a chief inspiration. Leigh adds his British flair to the characters’ affectations, but the stories are very grounded, focused on the travails of working people attempting to make their way through an increasingly hostile world.

Movie Review – Local Hero

Local Hero (1983)
Written & Illustrated by Bill Forsyth

I just couldn’t fall in love with this movie in the way I’d heard other people rave about it. There are a good number of people that love Local Hero. I can see why they would. It’s a slightly charming film, not overrun with nasty conflict, told almost like a fairy tale for grown-ups. On paper, these are things that appeal to me. I like films that go in unexpected directions. However, Local Hero never seemed to find its footing from my perspective. It plays around with ideas and characters but doesn’t really come to conclusions about them. Combined with acting that varies wildly in quality from performer to performer, I couldn’t quite latch onto the magic I’d heard about for all these years.

PopCult Podcast – Blue Jean/You Hurt My Feelings

Two new 2023 releases are spotlighted in this episode. One is a period piece about a lesbian teacher in 1980s England dealing with the pressure of staying closeted to keep her job. The other is a contemporary comedy about an author who overhears her husband saying he doesn’t like her work.

PopCult Podcast – Sanctuary/Rye Lane

Love is in the air this week on the PopCult Podcast. Our first film explores the power dynamics between a wealthy hotel heir and his ambitious dominatrix. The second film is about love blossoming between two young people in modern London.

Movie Review – Maurice

Maurice (1987)
Written by Kit Hesketh-Harvey and James Ivory
Directed by James Ivory

The English boys’ boarding school culture has long been an environment where homosexuality has been experimented with. It makes sense adolescent young men feel a surge of hormones and spend lots of time building intense friendships with each other. While not as prominent in the United States, we can look at the arena of high school sports as a similar venue. I’m never surprised when I learn a player on a football team develops feelings for a teammate. However, as much as these conditions are fertile for young men to come out as homosexual, they are more often than not met with toxic masculine brutality if they do. It’s one of the frustrating contradictions at the heart of male bonding in the West. Male camaraderie is supposed to be one of the most important things, yet it must never be romantic.