comedy – Page 14 – PopCult Reviews

Movie Review – Indiana Jones and The Last Crusade

Indiana Jones and The Last Crusade (1989)
Written by Jeffrey Boam, George Lucas, and Menno Meyjes
Directed by Steven Spielberg

The idea had been to make three movies from the start. After Temple of Doom was less successful than Raiders of the Lost Ark critically, there was some hesitancy about continuing. Steven Spielberg hadn’t felt as committed as he would have liked on Temple, the subject matter didn’t interest him, and the material was far darker than he would have liked. However, the director believed they could correct the course and make something better. Eschewing directorial gigs on Big and Rain Man, Spielberg focused on developing the third Indy film into something special.

PopCult Podcast – Showing Up/Sleepless in Seattle

From the present, we have a film about a struggling artist trying to determine if she has anything of value to say and where she fits in with the larger art community. From the past, it’s a film about falling in love but with some heavily problematic messages and weird stalker-ish, parasocial behavior.

Patron Pick – Holes

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Bekah Lindstrom.

Holes (2003)
Written by Louis Sachar
Directed by Andrew Davis

Shortly after moving to the Netherlands, I started recording myself reading children’s books aloud to my niece and nephew. We started with picture books but have since moved on to some of the shorter chapter books. As a primary school teacher, I loved reading Sideways Stories from Wayside School by Louis Sachar to my third graders every year. I discovered that book as a child and found the author’s sense of humor aligned with my own, a celebration of dumb jokes and absurdity. After reading that to my niece and nephew, I decided to try Sachar’s most acclaimed book, Holes. I’d never read it before, and it is a well-done middle-grade novel with some intense themes. I had also never watched the film adaptation from 2003. Getting a screenwriter who wasn’t the book’s author might have helped the picture significantly.

PopCult Podcast – Last Action Hero/Trading Places

It’s birthday time for two movie releases from the past. One signaled the weak spots in a mega movie star’s career. The other was the first steps of a comedy star who would dominate the 1980s.

Movie Review – But I’m A Cheerleader

But I’m a Cheerleader (1999)
Written by Jamie Babbit and Brian Wayne Peterson
Directed by Jamie Babbit

America is a land rife with pseudoscience. The COVID-19 pandemic showed how deep those roots are, with all sorts of unfounded remedies being churned out via reactionary social media. My mother apparently visits an herbalist regularly who runs magnets over her body to suss out any sneaky infections. And what do you know? The herbalist happens to sell the very remedy my mother needs for these infections. The same nonsensical thinking drove Christians to create conversion therapy camps where adolescent queer people or suspected queer people are sent to be “cured.” Over time, various cruel methods have been used to torture people for being attracted to those deemed “wrong.” These methods include but are not limited to brain surgery, surgical castration, electroshock, nausea-inducing drugs, and other dehumanizing reconditioning techniques that would make a Nazi proud. While the camp in this film may not be those extremes, it still displays the emotional cruelty intended to teach children that love from trusted adults comes with a cost, meaning a suppression of your Self to please them.

PopCult Podcast – BlackBerry/Ham on Rye

A couple of quirky offbeat films make up our pair for this episode. One tells the story of the rise & fall of the most popular cellphone before the iPhone came along. The second is surreal, dreamlike, unsettling odyssey through suburbia.

Movie Review – Pink Flamingos

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Pink Flamingos (1972)
Written & Directed by John Waters

Well, Pride month is here, which means corporations & municipalities all around America will temporarily use rainbow avatars on social media and paint homeless deterrence rainbow colors to celebrate. Unless they are one of several states actively legislating against LGBTQ people, where Pride celebrations have either been banned by city leadership or heavily threatened with violence by reactionaries state & federal leaders feel no desire to do anything about. So I decided that I wanted to watch a bunch of queer cinema I’ve heard about for years as a way to see & write about these films and maybe provide solidarity for some readers out there.

Patron Pick – The Daytrippers

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Matt Harris.

The Daytrippers (1996)
Written & Directed by Greg Mottola

The American independent film had its heyday in the 1990s. There are dozens of names & faces I will always associate with this period. There’s a certain tone & style that feels like it only existed in that decade and vanished after bleeding over just a bit into the 2000s and hasn’t returned since. The advent of digital cameras did a lot to change how low-budget films feel for better & worse. I can understand the convenience and affordability that digital brought filmmakers; however, there is a texture to shooting on film that you lose. I have yet to see any sort of filter that can restore it. The Daytrippers is one of those movies where you can feel the low budget, but that in no way diminishes the picture; it enhances it and gives the whole thing a sense of personality.

Patron Pick – Kicking & Screaming

Kicking & Screaming (2005)
Written by Leo Benvenuti & Steve Rudnick
Directed by Jimmy Miller

I’ve wondered a lot over the last decade, was Will Ferrell ever actually good? Or was he just benefitting from other people’s strong writing when we thought he was. I have managed to avoid some of his more toxic recent movies; a Patron may choose one in the coming months now that I’ve typed that out. Like almost everyone, I first saw Ferrell on Saturday Night Live when the big mid-90s reboot happened. It suddenly felt like the quality of SNL has improved. I’ve revisited those episodes since, and they were not as good as I thought then. Ferrell was a definite stand-out, so it didn’t surprise anyone when he transitioned to movies. Night at the Roxbury never crossed my radar, so Anchorman was where I first saw him on the big screen. Looking back, I think I liked Adam McKay’s writing, not necessarily Ferrell’s performances.

Movie Review – Beau Is Afraid

Beau Is Afraid (2023)
Written & Directed by Ari Aster

I’ve begun to feel like much of American culture & media is just a falsehood lately. For me, it’s been a combination of sitting back and soaking in the strangeness of social interaction in that culture, embracing my autism, and taking psychedelics. Everything feels chaotic in a very contrived, artificial way. We know that nothing about man-made societies is unintentionally chaotic; there are lots of moving parts behind the scenes. So, who benefits from the chaos? That seems easy to answer: the capital class, the owners, the managerial class. Chaos keeps people disoriented, unable to form bonds, and thus unable to achieve solidarity. Each person comes to feel isolated, terrified and atomized. Individuals are standing in the middle of their own personal hurricanes. This is the entire tone of Ari Aster’s latest picture, Beau Is Afraid.