comedy – Page 16 – PopCult Reviews

Movie Review – Monty Python’s Life of Brian

Monty Python’s Life of Brian (1979)
Written by Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin
Directed by Terry Jones

Throughout my life, I have attempted to sit down with the work of the Monty Python troupe and develop an appreciation. Every time I walk away with a bad taste in my mouth. That’s not helped by the apparent ignorance of many of its living members, John Cleese chief among them. It has led me to believe there really is nothing revolutionary or ultimately insightful about the comedy they were doing. In fact, they were just their generation’s continuation of a type of elitist comedic sensibilities that’s always had strong roots in the United Kingdom. So I sat down to watch Life of Brian, hoping that this, a satire of the life of Jesus, would be the thing that convinced me to enjoy them. Unfortunately, it did not play out that way.

Movie Review – Young Frankenstein

Young Frankenstein (1974)
Written by Gene Wilder & Mel Brooks
Directed by Mel Brooks

Comedy films aren’t really known for their cinematography. Typically they are notable for set pieces or dialogue, which does make sense. Comedy is an intricately constructed thing when done right. However, Mel Brooks and Gene Wilder didn’t just want to make another comedy. They specifically wanted to make a comedy and an authentic tribute to a film from their childhoods that they loved. The result is one of the best-looking comedies ever made with a mix of techniques found in the 1930s and what would have been more contemporary blocking from the 1970s. Young Frankenstein may be the best comedy ever because it nails the visuals and is still uproariously funny.

Patron Pick – Parenthood

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Bekah Lindstrom.

Parenthood (1989)
Written by Lowell Ganz, Babaloo Mandel, and Ron Howard
Directed by Ron Howard

Parenthood has been a film with some solid legs, managing to be adapted into a television series twice on NBC (1990 and 2010), with the latter staying on the air for six seasons. It emerged from the collaboration between director Ron Howard, producer Brian Grazer, and writers Babaloo Mandel and Lowell Ganz. Between the four of them, they have 17 children and took their experiences as parents as inspiration. The result is an ensemble film that touches on various aspects of parenting with children featured at every age, from infant to adult, with multiple themes and topics touched upon with a runtime that peaks at just over two hours.

Movie Review – The Out-of-Towners

The Out-of-Towners (1970)
Written by Neil Simon
Directed by Arthur Hiller

Sometimes you watch a film that makes you feel seen. While watching The Out-of-Towners, my wife and I turned to each other about 15 minutes into the picture and laughed with full recognition. The two people on screen were way too much like ourselves, making this one of the best comedy experiences we’ve had in a long time. It takes a lot of security in oneself to admit that you have some awful, neurotic traits, but I’ve come to a point in my life where I have to be able to laugh at my flaws and do my best to improve in the ways that I can. However, it is hilarious to watch these characters, completely absurd people, in the middle of a simple yet infuriating situation that is still relatable fifty-three years later.

Movie Review – The Graduate

The Graduate (1967)
Written by Calder Willingham & Buck Henry
Directed by Mike Nichols

It’s incredible how some movies have remained as relevant as they were when they were first released. The Graduate is a movie straight out of the ennui of 1960s youth culture, but it’s far more nuanced than that. Roger Ebert’s reading of the film on its original release was to empathize with its protagonist. Thirty years later, he retracted many of his comments to say how his sympathies had shifted to the older woman he has a tryst with, how she is the character the audience is meant to feel heartbreak for. The Graduate is a movie with no heroes or villains, simply people existing, making choices, and never truly knowing if the choices they make are the right ones or not.

Movie Review – A Shot in the Dark

A Shot in the Dark (1964)
Written by Blake Edwards and William Peter Blatty
Directed by Blake Edwards

By 1964, British actor Peter Sellers was a well-known name in the United Kingdom and the rest of the world due to his appearance as Inspector Jacques Clouseau in 1963’s The Pink Panther. Previously, Sellers had built a career starting as a member of The Goon Squad on British radio and then as an actor, most prominently in Lolita for Stanley Kubrick. At the start of 1964, audiences were shown Sellers’ full range of abilities in Dr. Strangelove, and at the end of that same year, got A Shot in the Dark. Clouseau was a populist character, a mockery of the police that gave the audience laughs over his pompous buffoonery. That’s the core conceit of the character is that he is an idiot who carries himself with unearned confidence and, when he is proven inept time and time again, persists in his methods. He is the perfect parody of a police officer. Filmmaker Blake Edwards wanted to keep the Clouseau money machine going, so he, along with William Peter Blatty (yes, the author of The Exorcist), adapted a French play about a stupid detective investigating a murder and simply made it Clouseau.

Movie Review – Kind Hearts and Coronets

Kind Hearts and Coronets (1949)
Written by Robert Hamer and John Dighton
Directed by Robert Hamer

“Ealing comedies” was an informal name for the comedy films released by Ealing Studios in the United Kingdom from 1947 to 1957. They were often associated with the post-War spirit of Britain, cheery & upbeat movies about simple misunderstandings without cynicism. Of course, that type of movie sounds dreadfully dull, but woven into the catalog was some darker fare. These comedies fit right in with the rest of the company’s work. The best of these films was Kind Hearts and Coronets, based on the novel Israel Rank: The Autobiography of a Criminal and centered on the story of an affable & witty serial killer.

Movie Review – Harvey (1950)

Harvey (1950)
Written by Mary Chase, Oscar Brodney, and Myles Connolly
Directed by Henry Koster

In American media, the dichotomy between smart and kind is often raised. I think it’s important to note what “smart” means in these instances. To be smart in the United States is not to be intelligent. Intellect is an entirely different concept. American smartness is on par with the idea of cunning, being able to outwit others and ensure you are on top of the heap. We can see this in how people with a talent for capitalist exploitation are heralded as brilliant people. They are smart because they find a way to play the game, screw over people not as bright as them, and end up higher on the ladder of power. A smart person in America simply does evil and manages not to get caught. So, when Elwood P. Dowd says, “In this world, you must be oh so smart, or oh so pleasant. Well, for years, I was smart. I recommend pleasant”; it means something more profound.

Movie Review – Bringing Up Baby

Bringing Up Baby (1938)
Written by Dudley Nichols & Hagar Wilde
Directed by Howard Hawks

Where It Happened One Night was a massive box office & critical success for Columbia Pictures; Bringing Up Baby was initially a bomb for RKO Pictures. It was a film explicitly written with Katharine Hepburn in mind and ended up being the culmination of a string of failures in her career at the time. For five years after winning her first Academy Award, the actress struggled to find work that connected with audiences. However, Hepburn would salvage her career three years later with The Philadelphia Story. As for Bringing Up Baby, it would find a new audience in the 1950s and is now revered as one of the great comedies of Hollywood’s Golden Age.

Movie Review – It Happened One Night

It Happened One Night (1934)
Written by Robert Riskin
Directed by Frank Capra

No genre in the arts is more subjective than comedy. Initially, comedy was considered performance pieces with a light-hearted tone. So essentially, anything with a happy ending. That has been the case if you look at most theatrical comedies from ancient Greece into our modern era. For example, Dante’s Divine Comedy is named that because it delivers an upbeat ending despite some absolutely horrific Inferno sections. Because these stories often had more relatable moments than the more heightened & sadder tragedies, laughter was commonly heard from the audience. Thus, the connection between comedy & funny became a thing.