Category: conspiracy

TV Review – The Prisoner

The Prisoner (1967)
Written by George Markstein, David Tomblin, Vincent Tilsley, Anthony Skene, Patrick McGoohan, Terence Feely, Lewis Greifer, Gerald Kelsey, Roger Woddis, Michael Cramoy, Roger Parkes, Kenneth Griffith, and Ian L. Rakoff
Directed by Don Chaffey, Pat Jackson, Patrick McGoohan, Peter Graham Scott, and David Tomblin

As a citizen of the Western World (born in the States, residency in the Netherlands), I have been told from birth that I am free and those outside my sphere are not. For many years, I took this to be the truth. Why? The people who told me I was taught to see as correct in all things. These are the institutions responsible for my freedom, after all. But as I got older, the more I read & observed, it became clear that I wasn’t free. Well, I was free, in about the same way as a dog chained in a backyard is free. I can move up to a point, but then the chain chokes me and reminds me of the limits of this supposed “freedom.” I am as free as the establishment that controls my world allows me to be. I don’t think that can be defined as actual freedom.

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Film 2009 #173 – Homicide


Homicide (1991)
Directed by David Mamet
Starring Joe Mantegna, William H. Macy, Rebbecca Pidgeon, Ricky Jay, Ving Rhames

The film starts out regular enough. A group of police officers and their higher ups discuss how they will bring in Robert Randolph, a drug dealer and cop killer who is somewhere in the city. Bobby Gold (Joe Mantegna), one of the homicide detectives speaks up and garners the ire of one of the officials who refers to him as a “kike”. Gold shrugs it off despite his partner’s (William H. Macy) anger. This event sets up who Bobby Gold is and how he views his ethnic heritage.

The plot diverges from our expectations when, on the way to apprehending Randolph, Gold is stopped by an officer who has responded to the murder of an elderly candy story owner. Gold learns very quickly that the old woman was a Jew and an immigrant decades earlier from Israel. Now, torn between two cases, Gold is stretched thinner and thinner. His main duty, bringing in Randolph fades, as he becomes more and more convinced that the candy store murder was anti-Semitic and that there is a conspiracy behind it.

Writer/director Mamet is still feeling himself out in the film medium with this third picture. His primary work is connected to the stage and it shows in the way he films Homicide. There are a few drawn out scenes that make use of set design and his dialogue displays his trademark sense of artifice. Paranoia is interwoven more heavily as the film progresses, and Mamet presents a riff on his con game plot by causing the audience to question if there is even a conspiracy occurring at all. I also began to note that Mamet’s dialogue and paranoiac tendencies cause his films to develop an almost fantastical sheen over their surfaces. The city is never named adding to that other worldliness and Gold induction into a secret city underworld mimics that of the archetypal adventurer becoming aware of the existence of the Other-world.

Despite all of the Mamet-ness, this stands as one of his more accessible works. The language is restrained from some of his more frenetic (see Oleanna). The film works as an engaging surface level examination of the conflict cultural heritage and duty to the society as a whole can cause.