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Comic Book Review – Superman’s Pal, Jimmy Olsen by Jack Kirby

Superman’s Pal, Jimmy Olsen by Jack Kirby (2019)
Reprints Superman’s Pal, Jimmy Olsen #133-139, 141-148
Written by Jack Kirby
Art by Jack Kirby, Vince Colletta, Mike Royer, Al Plastino, and Murphy Anderson

You should have dignity in whatever work you do. Jack “The King” Kirby had that self-respect, and in 1970, when he was presented with a less than favorable new contract by Marvel, the already legendary artist said, “No thanks.” Kirby had been a loyal company man despite being shit on constantly by the likes of Stan Lee. He was held back creatively in favor of more “marketable” ideas and art. So, with limited options, Kirby went to DC Comics and, over almost two years, negotiated a deal he could live with. Part of this deal was the development of a line of titles under the banner of “The Fourth World.” This new cosmic saga would be composed of three ongoing books: New Gods, The Forever People, and Mister Miracle, with the Jimmy Olsen ongoing thrown in as well.

Comic Book Review – All-Star Superman

All-Star Superman (2011)
Reprints All-Star Superman #1-12
Written by Grant Morrison
Art by Frank Quitely

I’m not sure what I think of Superman these days. For anyone claiming to believe there is a single definitive version of him, it shows they don’t actually know the character’s history. The Superman who appeared in the pages of Action Comics #1 wasn’t even Siegel & Shuster’s first attempt to create a character with that name. Over the nearly 90 years that Superman has existed in the culture, he has undergone numerous reboots and minor tweaks. The Golden Age Superman is a different person from the Silver Age version who, in turn, is not the same as John Byrne’s rebooted Man of Steel. Even that iteration from 1985 was changed significantly by the end of the 20th century. In All-Star Superman, writer Grant Morrison is focused purely on the Superman of their youth. This was the Superman of the 1960s, a fatherly figure whose powers bordered on god-like, new ones manifesting as writers needed them. Morrison has chosen what is ironically the least human of Superman’s faces to tell a story about life & death, a Herculean postmodern myth.

Comic Book Review – Batman by Grant Morrison Omnibus Volume Three

Batman by Grant Morrison Omnibus Volume Three (2020)
Reprints Batman: The Return #1, Batman Incorporated v1 #1-8, Batman Incorporated: Leviathan Strikes #1, Batman Incorporated Special #1, and Batman Incorporated v2 #0-13
Written by Grant Morrison (with Chris Burnham)
Art by David Finch, Yanick Paquette, Chris Burnham, Scott Clark, Cameron Stewart, Frazer Irving

Grant Morrison’s Batman run entered its third act with quite a significant speed bump. Eight issues into Batman Incorporated, the book was canceled along with every other DC Comics title to make way for the New 52. The New 52 was an attempt in 2011 to inject fresh talent and get new eyes on the company’s comics and characters. There was undoubtedly an initial boost of interest, but over the following five years, the company would backtrack many of the changes until the current status quo, which is “embrace everything and continuity will just be hyper-flexible.” At the time, then Editor-in-Chief Dan Didio abruptly ended Morrison’s tenure on Batman with the promise to fans that at some undecided point soon, it would be wrapped up. There is a conclusion, but it still has some frustrating parts due to not knowing how this fits in with how Batman’s timeline was altered.

Comic Book Review – Batman by Grant Morrison Omnibus Volume Two

Batman by Grant Morrison Omnibus Volume Two (2018)
Reprints Batman #700-702, Batman and Robin #1-16, and Batman: The Return of Bruce Wayne #1-6
Written by Grant Morrison
Art by Tony S. Daniel, Frank Quitely, Scott Kolins, Andy Kubert, David Finch, Philip Tan, Cameron Stewart, Andy Clarke, Frazer Irving, Chris Sprouse, Yanick Paquette, Georges Jeanty, Ryan Sook, Pere Pérez, and Lee Garbett

The Grant Morrison run of Batman is not a perfect thing. The transition from the first chapter to this second has got to be one of the clunkiest, with desperate attempts to try and mesh Morrison’s intentions with their story with Dan DiDio’s editorial edicts. This is why the first three comics reprinted here focus so much on trying to take the death of Batman we see in “Batman RIP” and the death of Batman we see in “Final Crisis” and have them make a single cohesive narrative. In my opinion, it is a big mess. However, that leads to one of the best parts of Morrison’s run, Batman and Robin. The side story of The Return of Bruce Wayne? Eh, I’m not the biggest fan, but it does coherently tie up the Doctor Hurt storyline that began in the first volume.

Comic Book Review – Batman by Grant Morrison Omnibus Volume One

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Batman Omnibus by Grant Morrison Volume One (2009)
Reprints Batman #655-658, 663-683 with material from 52 #30,47 and DC Universe #0
Written by Grant Morrison
Art by Andy Kubert, J.H. Williams III, Tony Daniel, Joe Bennett, Giuseppe Camuncoli, Ryan Benjamin, and John Van Fleet

Batman has had a wildly varied history over his 80 years as a comic book character. The popular conception of Batman as The Dark Knight started in the 1970s and was continued by Tim Burton’s 1989 film. That wasn’t always the way. The most notable example of a different sort of Batman is the high-camp television version of the 1960s, but even before then, the title had a much sillier bent in the 1950s as science fiction stories were more popular. Grant Morrison is a writer who always seeks to encompass the totality of a character when he’s writing a comic, finding a way to make all the ideas fit even if some seem absurd. They understand that comics are inherently silly and shouldn’t be taken too seriously. During their run, Morrison managed to reinvent Batman, adding one particular element that has stuck around for fifteen years and counting: Batman’s son.

Comic Book Review – Superman: Space Age

Superman: Space Age (2023)
Reprints Superman: Space Age #1-3
Written by Mark Russell
Art by Mike Allred

In 2019, there was a lot of buzz around DC Comics’ next planned reboot. It would have been the fourth (Infinite Crisis, Flashpoint/New 52, Rebirth, and this one) during editor-in-chief Dan Didio’s tenure at the company and proved to be an idea that didn’t come to fruition. The comics website Bleeding Cool has a series on the plans we are aware of and how dramatically they would have shaken up the DC Universe. The concept was to make Wonder Woman the first official superhero in the timeline, inspiring the mystery men & women of the Golden Age. Superman would have come along during the Kennedy administration, as would Batman. Eventually, Warner Bros. was bought out, and leadership at DC was drastically altered, leaving DiDio without a job. 5G was scrapped though pieces of it have been used in small projects like Future State, Superman & the Authority, and this Black Label mini-series.

Comic Book Review – Supergirl: Woman of Tomorrow

Supergirl: Woman of Tomorrow (2022)
Reprints Supergirl: Woman of Tomorrow #1-8
Written by Tom King
Art by Bilquis Evely

On November 1, 2022, filmmaker James Gunn and producer David Zaslav were made the co-heads of DC Films. In March, they announced the opening slate of projects, a mix of animated series, live-action series, and movies that would be a heavy reboot of the previous DC Extended Universe pictures. Many comic arcs were cited as the inspiration for these projects; one was Supergirl: Woman of Tomorrow, which will be made into a feature film. This is part of a ten-year plan, so don’t expect to watch this movie anytime soon; it has a tentative release date of sometime in 2027. Quite ambitious, given the forecast for the climate’s ongoing collapse. If you are a regular reader of PopCult, then you know I am not a fan of Tom King. I find his neoliberal perspective one of the worst I’ve encountered in the funny books, making much of his work unenjoyable for me. However, I decided to give him the benefit of the doubt as I sat down to tackle this book.

Comic Book Review – Twilight

Twilight (1990)
Reprints Twilight #1-3
Written by Howard Chaykin
Illustrated Jose Luis Garcia-Lopez

The late 1980s/early 1990s were a period of experimentation for DC Comics. In the wake of Crisis on Infinite Earths, creators had a chance to dramatically reimagine classic characters. You have probably heard of books like Frank Miller’s The Dark Knight Returns or John Byrne’s Man of Steel. Throughout this period, “more serious” takes were published that made the books, for better or worse, more adult. One of the losses of the post-Crisis period was the non-superhero comics. Before 1985, DC still published comics that fell into the horror, war, western, and science fiction genres. The popularity of these titles had severely diminished from their peak decades earlier, but they still had a few devoted fans. One of those fans was comics creator Howard Chaykin.

Comic Book Review – Hawkworld (1989)

Hawkworld (1989)
Reprints Hawkworld #1-3 (1989)
Written & Illustrated by Tim Truman

From their heights, the privileged in our societies can see the full scale of what they do. The people forced to live at the bottom, the ones who toil the most fruitlessly, for whom every day is a struggle to make it to the next, rarely having the means or the time to take in the state of their world. When they do, it is always a time when those at the top are brought down, when the people have had enough. In the wake of Crisis on Infinite Earths, DC Comics wanted to transform their shared universe of superheroes. Books like Frank Miller’s The Dark Knight Returns and Alan Moore’s Watchmen revealed something about the genre; its audience had matured and were interested in stories that explored more than heroes beating up villains. There were moral spaces that had never been explored. Hawkman was a character in need of such a freshening up. Tim Truman, an artist/writer known for pulpy comics, was brought in to reinvent Hawkman, and he did so in dramatic fashion.

Comic Book Review – Superman: The Exile and Other Stories

Superman: The Exile and Other Stories Omnibus (2018)
Reprints Adventures of Superman #445-460, Superman v2 #23-37, Action Comics #643-646, and Action Comics Annual #2
Written by Jerry Ordway, George Pérez, Roger Stern, Dan Jurgens, Tom Peyer, and Keith Giffen
Art by Jerry Ordway, Mike Mignola, Kerry Gammill, Dan Jurgens, Paris Cullins, Curt Swan, George Pérez, Keith Giffen, Dennis Janke, P. Craig Russell, John Beatty, Brett Breeding, John Statema, Art Thibert, Klaus Janson, Tim Gula, and Andy Kubert

I have reached that age. You know it. The age where a guy with graying hair on his head and beard says things like, “I liked [insert] character here better when I was a kid.” I see this and acknowledge the silliness of it. A character like Superman has never been a static thing, but exists in a never-ending flow state where tweaks are happening to the narrative and mythos with every new issue that comes out. Superman couldn’t fly for his first few appearances, and things like Smallville were rectons. There is no ultimate version of Superman and the one you like is probably the one you first encountered. I was always a Christopher Reeve fan because that was my first Superman and when it came to comics the post-John Byrne era was when I joined in.